YA Fiction: 11 Novels To Get You Over St. Patrick’s Day
Still recovering from hitting the Irish coffee too hard on St. Patrick’s Day? These gems, set in Ireland, steeped in Irish folklore, or written by a few great Irish YA novelists, will help you get back on track.
Download the list here; get just the titles here.
1. NOTES FROM A SPINNING PLANET–IRELAND, (series), Melody Carlson
Affectionately teased as a “country bumpkin,” nineteen year-old Maddie has never been one to explore new territory. Her first trip outside of the country with her Aunt Sid and Sid’s godson, Ryan, promises an exhilarating adventure. Northern Ireland is more captivating than she even imagined–and Ryan is offering plenty of intrigue himself. During the journey, Maddie begins to discover more about what she wants from life, while developing a deeper friendship with her irresistible traveling companion. When Maddie and Ryan dig for the truth about the IRA car bomb that killed Ryan’s father years ago, questions about the past accumulate. Unable to let go of growing suspicions in this mysterious country, Maddie finds herself on a dangerous journey, a journey that will lead her to the greatest discovery of all.–Amazon
2. ARTEMIS FOWL, (series), Eoin Colfer
Colfer’s crime caper fantasy, the first in a series, starts off with a slam-bang premise: anti-hero Artemis Fowl is a boy-genius last in line of a legendary crime family teetering on the brink of destruction. With the assistance of his bodyguard, Butler, he masterminds his plan to regain the Fowls’ former glory: capture a fairy and hold her ransom for the legendary fairy gold. However, his feisty mark, Holly, turns out to be a member of the “LEPrecon, an elite branch of the Lower Elements Police,” so a wisecracking team of satyrs, trolls, dwarfs and fellow fairies set out to rescue her.–PW
3. 12 AGAIN, Sue Corbett
A riveting first novel. Overwhelmed with her life as a mother, wife, and newspaper journalist, Bernadette McBride decides to spend the night at her late Irish mother’s house. Helping herself to some mysterious liquid in the pantry, Bernadette ruefully wishes to be young again. When she awakens, she has been transformed into a 12-year-old on what should be her 40th birthday. She hears her mother calling her down for breakfast and is at first jubilant, but then realizes how complex her life has become. She enrolls in her oldest son’s school and tries to figure out how to undo her wish and get back to her husband and three boys. As weeks go by, her family assumes the worst but her son Patrick is certain that his mother will try to contact him, and he never gives up hope. When he receives her mysterious and untraceable e-mail sending him off on a dangerous errand, he realizes that her rescue is completely in his hands, and the results measure up to a satisfying conclusion. Corbett’s story, told from the alternating points of view of 12-year-old Patrick and Bernadette, is an extraordinary alchemy of elements that makes for an engaging read. The dialogue is natural and believable, and the emotions expressed by the characters are genuine. A great mix of fairy charms, Irish folklore, humor, mystery, and familial love. –Janet Gillen, Great Neck Public Library, NY for School Library Journal
4. THE GAME, Dianna Wynne Jones
Celestial intrigue and the nature of storytelling are just two of the strands woven together in Jones’s (the Chrestomanci books) inventive novella. Sent from her grandparents’ London home in disgrace, Hayley arrives in Ireland to stay with her aunts and cousins in their rambling castle home. The girl takes to her new life almost immediately, especially the thrilling game her cousins play, in which they venture into the mythosphere—a mysterious realm where they perform various tasks drawn from the worlds of fairytale, myth and legend. In the course of her own quests, Hayley discovers the truth about her own unearthly nature. She gets the chance to rescue her long-lost parents from dreadful fates, to which they’ve been condemned by domineering Uncle Jolyon, a power-hungry god thinly disguised as an unpleasant business man. Readers less familiar with classical mythology will be helped (and may well find their interest piqued) by a note at story’s end that clearly links the original Greco-Roman characters with their modern-day avatars.–PW
5. THE DEMON’S LEXICON, Sarah Rees Brennan
In this riveting debut novel, 16-year-old Nick and his older brother, Alan, are accustomed to life on the run. Since their father was murdered, the boys have been forced to slay demons set on them by magicians seeking the powerful charm stolen by the boys’ mother. Nick is furious when Alan receives a first-tier demon mark while saving a neighborhood boy. While seeking to remove it, Nick begins to suspect that his brother is lying to him about the reason for the magicians’ attempts to kill them and about why their mother screams whenever Nick touches her. Fans of the Supernatural television series will be hooked from the novel’s opening lines (The pipe under the sink was leaking again. It wouldn’t have been so bad, except that Nick kept his favorite sword under the sink.). Even teens who don’t consider themselves genre buffs will appreciate the solid writing, fast-paced plot, and sense of authenticity that Brennan gives to the shadowy world between ordinary, modern-day London and the otherworld of demons and magicians. Though Nick and Alan’s story is mostly resolved with Nick discovering the truth behind his father’s death and his mother’s fear of him, readers will no doubt clamor for the next book in this planned urban fantasy trilogy.–Leah J. Sparks, formerly at Bowie Public Library, MD for School Library Journal
6. THE CHRONICLES OF FAERIE, (series), O.R. Miller
An Irish Canadian author’s lauded fairy fantasies are updated and introduced to U.S. fantasy readers for the first time in O.R. Melling’s Chronicles of Faerie. The first volume, The Hunter’s Moon, follows two cousins, Gwen and Findabhair, as they backpack around Ireland in search of the country’s magical past. But the girls go too far when they dare to spend the night in a known fairy mound. Finn is stolen away by the dark king of Faerie to become his bride sacrifice to the Great Worm, or Hunter. It is up to timid Gwen to rescue her intrepid cousin, and she wonders if the task will be too much the first time she catches a glimpse of the Little People at play. “Gwen quaked inside. This wild abandon…was beyond anything she could imagine…Exquisite chaos.” But with the help of a fairy doctress and her handsome grandson, Gwen assembles a rag tag team of heroes determined to bring Finn back — even if it means the destruction of Faerie itself.–Jennifer Hubert for Amazon
7. THE ORAN TRILOGY, (series), Midori Snyder
(Series begins with “New Moon”.) Two hundred years ago, the Fire Queen destroyed her rival queens of Earth, Air, and Water in the fateful Burning and took power over Oran. No child with a trace of the elemental magic was allowed to live. Years later, the country still trembles under her oppression. But now there are rumors of hope. Four young women escaped—four who have the powers of Earth, Fire, Water, and Air—and are even now finding each other. At the same time, a ragtag army of artists and singers, orphans and vagrants, thieves and knifewielders is stealing into the city. Their sign is the bloodred, blade-thin New Moon . . .–Amazon
8. BALLADS, illustrated by Charles Vess & Jeff Smith, authors including Neil Gaiman, Jane Yolen, Charles DeLint.
Ballads were little known to the literate world until the 18th century, when scholars began writing them down. Since then, they’ve received attention from folklorists, folksingers and, now, cartoonist Vess (Stardust; Rose). Vess and his collaborators put a little meat on the ballads’ often bare-bones stories, adding fantastic elements not in the originals (“Barbara Allen”), giving them modern settings (“Twa Corbies”), sexing them up (“Savoy”) and otherwise putting their own mark on them. Vess approaches them with an appropriately elegant style. His exquisitely detailed art delightfully recalls the Pre-Raphaelites here, Aubrey Beardsley there and elsewhere Winsor McCay or Gustave Dor . The best stories involve passion, whether celebrated (“King Henry” and “Savoy”) or cautioned against (“The Demon Lover” and “The Three Lovers”), though even the least effective stories are still beautiful. “The Three Lovers” is especially noteworthy; in it, Vess makes clever, subversive use of comics language, presenting a story that pretends to be a play (complete with proscenium arch). “Tam Lin” may be the collection’s consummate piece. In it, Vess goes for straight illustration, with each illustrated page facing a page of verse. Here Vess reaches the peak of his art, standing proudly with the 19th- and early 20th-century illustrators who influence him.–PW
9. THE HOLLOW KINGDOM, (series), Clare B. Dunkle
When orphaned Victorian teenager Kate and her younger sister move to an estate they have inherited, Kate feels sure she’s being watched. She’s not wrong. The suave, hideous Goblin King, Marak, plans to kidnap and wed her (goblin women are mostly infertile, so “crossing out” to other species ensures the survival of the race). All seems poised for clever Kate to outmaneuver the villain, but the seemingly conventional setup gives way to something far more intriguing: the dreaded marriage actually happens. Readers are then plunged into the goblins’ eerily lovely subterranean world, where Marak, despite his pitiless disregard for certain human sensibilities, surprises Kate with his wise leadership and husbandly concern. Each of the novel’s three parts fairly brims with plot, at times things seem a bit rushed, and Kate’s concluding adventure presupposes a devotion to her husband that hasn’t yet been convincingly established. But this is a fresh, powerful twist on the Beauty-and-the-Beast theme, and the impact of Dunkle’s evocative storytelling lingers long after the final page. –Jennifer Mattson for Booklist
10. LAMENT: THE FAERIE QUEEN’S DECEPTION, (series), Maggie Stiefvater
Sixteen-year-old Deirdre Monaghan, a gifted harpist who regularly plays for weddings and other events, has the kind of stage fright that makes her physically ill before a performance, which is an inauspicious way to start a romance; but while vomiting before a competition she meets a gorgeous boy who comes into the restroom to hold her hair. He is Luke Dillon, a flautist who proceeds to accompany her in a truly stellar performance. As four-leaf clovers start appearing everywhere, Deirdre develops telekinetic powers and encounters strange, unworldly people who seem to bear her ill will. Her best friend, James, also a talented musician; her beloved grandmother; and her mother all are in danger, as Deirdre is targeted by the queen of Faerie. Deirdre eventually discovers that she is a cloverhand, a person who can see the denizens of faerie, and Luke, not the only immortal who has her in his sights, is a gallowglass, an assassin assigned by the queen of Faerie to kill Deirdre but who falls in love with her instead. This beautiful and out-of-the-ordinary debut novel, with its authentic depiction of Celtic Faerie lore and dangerous forbidden love in a contemporary American setting. –Diana Tixier Herald for Booklist
11. IMPOSSIBLE, Nancy Werlin
Date rape, a pregnant teen, and a shotgun wedding (of sorts)—must be a YA problem novel circa 1985, right? Not really. From a hidden letter, 17-year-old Lucy Scarborough learns “all sorts of melodramatic, ridiculous, but true things” about the circumstances surrounding her rape on prom night, her subsequent pregnancy, and why therapy and her signature pragmatism won’t be much help against an ancient fairy’s curse. By the Edgar Award–winning novelist whose thrillers include The Rules of Survival (2006), this tale, inspired by the song “Scarborough Fair,” showcases the author’s finesse at melding genres. Although it’s perhaps overly rosy that Lucy’s devoted foster parents take the curse in stride, Werlin earns high marks for the tale’s graceful interplay between wild magic and contemporary reality—from the evil fairy lord disguised as a charismatic social worker to the main players’ skepticism as they attempt to solve the curse’s three archaic puzzles (“We’ve formed the Fellowship of the Ring when really we should’ve all just gone on medication”). Meantime, Lucy’s marriage to childhood pal Zach, a development unusual in YA fiction but convincing in context, underlies the catapulting suspense with a notion that will be deeply gratifying to many teens: no destiny is unalterable, especially not when faced with tender love magic, “weird and hilarious and sweeter than Lucy ever dreamed,” worked by truly mated souls. –Jennifer Mattson for Booklist
