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Wednesday Book News: 7 Links For Your Morning Coffee Break (4/6/11)

April 6, 2011 By peta 1 Comment

Mir holding a colored Easter egg out to the camera

Mir gets ready for Easter

Good morning, book people! It’s sunny & kinda-sorta warm in Cambridge this morning – I actually ran outside! And now I’m home, with my boys, coffee, warm beignets, and a pretty fun day ahead, showing my cousin around town. What more could a girl ask for? Oh, wait…Easter eggs! Fortunately, the Mir-Cat has a few to offer around…

Yesterday, ex-Agent (wow, that makes him sound like a Bond villain) Nathan Bransford posted about virtual witch hunts and respect within the writing community. A must-read.

Agent Kristin Nelson has a short video (1:58 minutes) with a couple of useful query tips. She also has The Book Lantern, an in-depth look at the supporting characters in a story. It’s broken down into “Parents,” “Mean Girl,” and “The Friends,” and is very, very useful. Works as a great checklist for avoiding stereotypes.

SLJ’s A Chair, A Fireplace, & A Tea Cozy has a very well done review of Melina Marchetta’s The Piper’s Son. Marchetta is an Australian author; her first book, Looking for Alibrandi, is on a lot of reading lists back home. SLJ’s review is very positive–which I mostly agree with–though I don’t think Marchetta’s “teen/twenties guy” voice is as strong as her “teen/twenties girl.”

Check out The Big Kahuna Round of SLJ’s Battle of the Kids Books. So far, I’ve only read A Conspiracy of Kings–which I loved–but all these books look good.

In case you missed it, The NYT has a list of the best children’s book apps on the iPad. And here’s a guest post at Scholastic’s On Our Minds, musing on the future of such apps.

And finally, another must read–Library Journal’s Annoyed Librarian on the Devolution of Public Libraries, and privatization. It’s a little old in internet time, but an essential post.

And that’s it, folks. I’ll try and take some more pics of Borders while I’m in town, so we can see how the remaining stores are holding up. Have a great day!

Filed Under: All, all, Blog, blog, Book News, coffee break Tagged With: a conspiracy of kings, battle of the books, book lantern, Coffee break, iPad, jacqueline howett, kids apps, kristin nelson, list, Looking for Alibrandi, marchetta, Megan Whalen Turner, nathan bransford, on our minds, parents, queries, scholastic, School Library Journal, SLJ, the pipers son, tropes in ya, video, witch hunt

Reading YA: 18 Literary Novels You’ll Love

June 18, 2010 By peta 4 Comments

If the term “literary” frightens you, you’re not alone. It’s something of a buzz word, and a confusing one at that. Literary YA, though, is a little different to literary adult fiction–generally speaking, it’s more accessible, and a great place to get started if you’re curious about lit fic, especially if you love language. These novels run the gamut from fantasy through contemporary, some light, some dark, some in between, each with a strong focus on character. Some are closer to middle grade, but all will appeal YA lovers.

Want the whole list? Get the PDF here; get the titles-only list here.

*mature content

1. BOOK OF A THOUSAND DAYS, Shannon Hale

When Dashti, a maid, and Lady Saren, her mistress, are shut in a tower for seven years for Saren’s refusal to marry a man she despises, the two prepare for a very long and dark imprisonment. As food runs low and the days go from broiling hot to freezing cold, it is all Dashti can do to keep them fed and comfortable. But the arrival outside the tower of Saren’s two suitors—one welcome, and the other decidedly less so—brings both hope and great danger, and Dashti must make the desperate choices of a girl whose life is worth more than she knows.
With Shannon Hale’s lyrical language, this forgotten but classic fairy tale from the Brothers Grimm is reimagined and reset on the central Asian steppes; it is a completely unique retelling filled with adventure and romance, drama and disguise.

2. STARDUST, Neil Gaiman

Tristran Thorn falls in love with the prettiest girl in town and makes her a foolish promise: he says that he’ll go find the falling star they both watched streak across the night sky. She says she’ll marry him if he finds it, so he sets off, leaving his home of Wall, and heads out into the perilous land of faerie, where not everything is what it appears. Gaiman is known for his fanciful wit, sterling prose and wildly imaginative plots, and Stardust is no exception.

3. THIS IS WHAT I DID, Ann Dee Ellis*

Eighth-grader Logan is struggling to deal with a violent situation he witnessed a year ago between his best friend, Zyler, and Zyler’s abusive father but insists to everyone around him that he is fine. Just fine. Reluctant readers will be drawn into this story, which also includes bullying classmates and a dismal winter camping trip. Frequent line breaks, screenplay-style dialogue, and e-mails and notes illustrated with black icons break up the scenes. Logan gets to play one of the Lost Boys in the school play, and finds that the theater crowd offers a respite from bullies. A friendship with a girl named Laurel (a palindrome collector who is is thinking of changing her name to Laral), and a relationship with a counselor help Logan to begin the healing process and convince him to reconnect with Zyler. This psychological drama effectively explores our failure to protect youth from abuse inflicted by peers or adults. Caution: there’s a slang term for scrotum on page 1. — Dobrez, Cindy for Booklist

4. SPEAK, Laurie Halse Anderson

Melinda Sordino busted an end-of-summer party by calling the cops. Now her old friends won’t talk to her, and people she doesn’t even know hate her from a distance. The safest place to be is alone, inside her own head. But even that’s not safe. Because there’s something she’s trying not to think about, something about the night of the party that, if she let it in, would blow her carefully constructed disguise to smithereens. And then she would have to speak the truth. This extraordinary first novel has captured the imaginations of teenagers and adults across the country.

5. THE UNDERNEATH, Kathi Appelt

Appelt’s impressive novel (her first) entails animals in crisis—a topic of enduring popularity. But the author, whose path from picture books to fantasy is discussed in the Story behind the Story, breathes new life into the sentient-animals premise, introducing strong currents of magic realism into a tale as rich and complex as “the gumbo-like waters of the bayous.” Chained and starved by cruel trapper Gar Face, lonely hound Ranger finds companions in a stray cat and her two kittens. When Mother Cat falls victim to Gar Face’s abuse, the surviving animals, especially sensitive kitten Puck, struggle to keep their makeshift family together. The animals’ caring, generous bonds juxtapose with the smothering love of an ancient shape-shifter in a moving parallel story. Joining Natalie Babbitt’s Tuck Everlasting as a rare example of youth fantasy with strong American underpinnings, Appelt’s novel folds in specific traditions of the Caddo peoples of east Texas, and casts the bayous as a kind of enchanted forest laden with spirits and benign, organic presences. Some readers may struggle with Appelt’s repeated phrases and poetic fragments, and wish the connections and conflicts in the story came to a faster boil. But most children will be pulled forward by the vulnerable pets’ survival adventure and by Small’s occasional, down-to-earth drawings, created with fluid lines that are a perfect match for the book’s saturated setting and Appelt’s ebbing, flowing lyricism. –Jennifer Mattson for Booklist

6. THE STAR OF KAZAN, Eva Ibbotson

Abandoned as a baby, Annika is found and adopted by Ellie and Sigrid, cook and housemaid for three professors. Growing up in early-20th-century Vienna, she learns to cook and clean and is perfectly happy until a beautiful aristocrat appears and claims to be her mother, sweeping her off to a new life in a crumbling castle in northern Germany. Annika is determined to make the best of things, and it takes a while for her to realize that her new “family” has many secrets, most of them nasty. With the help of Ellie, Sigrid, the professors, and friends old and new, Annika escapes from a ghastly fate and learns to face the truth about her relatives. Winding like a braid through this story is a mystery involving a chest of worn costumes and junk jewelry left to Annika by an old woman she has befriended. This is a rich saga in the tradition of Frances Hodgson Burnett, full of stalwart friends, sly villains, a brave heroine, and good triumphing over evil. Annika’s determination to do the right thing is both laudable and utterly frustrating, especially when readers realize that her loyalty is misplaced. Almost every character is distinct, but the ones that stand out are the “regular folk,” individuals whose sense of decency propels them into amazing acts of courage. Vienna itself is colorfully portrayed, brimming with pastries, coffee, and dancing Lipizzaner horses. An intensely satisfying read.–Eva Mitnick, Los Angeles Public Library for School Library Journal

7. A THOUSAND NEVER EVERS, Shana Burg

Set in rural Mississippi during the civil rights movement, this gripping first novel offers an up-close look at the racism and violence endured in an African-American community. By the time Addie Ann Pickett, the narrator, enters junior high, she is well aware of the racial divisions in her county. She has been warned not to stay on the white side of town after the sun has set and not to “look at white folks too close.” But her older brother and the local minister have different ideas and argue that “there comes a time when a man’s dignity’s worth more than his life.” Caught between her mother’s rule to stay away from trouble and the call to take action, Addie must make decisions, especially when the lives of two family members are at stake. References to significant historical events (Medgar Evers’s assassination, the March on Washington) add authenticity and depth, while Addie’s frank, expertly modulated voice delivers an emotional wallop. –PW

8. A CONSPIRACY OF KINGS, Megan Whalen Turner

Following The Thief, a 1997 Newbery Honor Book, and The King of Attolia, a 2007 Best Book for Young Adults, Turner continues her exquisite series with another rich story that examines peace, power, leadership, and loyalty. After initial, tense prison scenes focused on Eugenides, the king of Attolia, the novel’s viewpoint switches from third to first person, and Sophos, the reluctant king of Sounis who prefers poetry to politics, relates the adventures that precipitated his rise to questionable power. Tutors have drilled Sophos in imaginary attacks, but after he loses his family in a real invasion, he is bereft and goes into hiding as a slave on a nobleman’s estate in order to avoid his sovereign responsibilities. Even though Eugenides’ fans will miss his presence, he continues to pull strings from the sidelines as he joins leaders in high-priced alliances and prepares for an invasion. Turner’s plotting remains deft, and the subtlety with which she balances her characters’ inner and outer worlds will delight both series newcomers and fans, who will be waiting to grab this stand-out, stand-alone adventure, filled with all the expected intrigue and political machinations, from the shelves.–Cindy Dobrez for Booklist

9. NORTH OF BEAUTIFUL, Justina Chen Headley

Sixteen-year-old Terra seems to be a typical high-achieving high-school student. Under her heavy makeup, though, she hides a port-wine colored birthmark on her cheek that makes her feel like an outsider. During yet another attempt to remove the birthmark, Terra runs into Jacob, a gorgeous Goth with a cleft-palette scar. That encounter initiates a transformation in both Terra and her subservient mother. Headley has written an exquisite book that explores the difference between physical and true beauty as Terra and her mother travel from Washington state to China, and from the home of a shame-faced, cruel cartographer into the presence of an adventurous, strong woman and her insightful teenage son. Headley uses map metaphors throughout, even in the activity, geocaching, which helps bond Terra and Jacob in both Washington and China. She also uses Terra’s artistic medium, collage, as a literary device to create layer upon layer of experiences and insights into a artfully written journey of self-discovery, self-actualization, and love. With every carefully chosen word, well-crafted sentence, and fully developed character, Headley maps out a wholly satisfying reading experience that takes readers from terra nullis to terra firma. –Frances Bradburn for Booklist

10. A WIZARD OF EARTHSEA, (series), Ursula K. LeGuin

Often compared to Tolkien’s Middle-earth or Lewis’s Narnia, Ursula K. Le Guin’s Earthsea is a stunning fantasy world that grabs quickly at our hearts, pulling us deeply into its imaginary realms. Four books (A Wizard of Earthsea, The Tombs of Atuan, The Farthest Shore, and Tehanu) tell the whole Earthsea cycle–a tale about a reckless, awkward boy named Sparrowhawk who becomes a wizard’s apprentice after the wizard reveals Sparrowhawk’s true name. The boy comes to realize that his fate may be far more important than he ever dreamed possible. Le Guin challenges her readers to think about the power of language, how in the act of naming the world around us we actually create that world. Teens, especially, will be inspired by the way Le Guin allows her characters to evolve and grow into their own powers.
In this first book, A Wizard of Earthsea readers will witness Sparrowhawk’s moving rite of passage–when he discovers his true name and becomes a young man.–Amazon

11. WHEN YOU REACH ME, Rebecca Stead

Four mysterious letters change Miranda’s world forever.??By sixth grade, Miranda and her best friend, Sal, know how to navigate their New York City neighborhood. They know where it’s safe to go, like the local grocery store, and they know whom to avoid, like the crazy guy on the corner. But things start to unravel. Sal gets punched by a new kid for what seems like no reason, and he shuts Miranda out of his life. The apartment key that Miranda’s mom keeps hidden for emergencies is stolen. And then Miranda finds a mysterious note scrawled on a tiny slip of paper:

I am coming to save your friend’s life, and my own.
I must ask two favors. First, you must write me a letter.

The notes keep coming, and Miranda slowly realizes that whoever is leaving them knows all about her, including things that have not even happened yet. Each message brings her closer to believing that only she can prevent a tragic death. Until the final note makes her think she’s too late.

12. STARGIRL, Jerry Spinelli

“She was homeschooling gone amok.” “She was an alien.” “Her parents were circus acrobats.” These are only a few of the theories concocted to explain Stargirl Caraway, a new 10th grader at Arizona’s Mica Area High School who wears pioneer dresses and kimonos to school, strums a ukulele in the cafeteria, laughs when there are no jokes, and dances when there is no music. The whole school, not exactly a “hotbed of nonconformity,” is stunned by her, including our 16-year-old narrator Leo Borlock: “She was elusive. She was today. She was tomorrow. She was the faintest scent of a cactus flower, the flitting shadow of an elf owl.”

In time, incredulity gives way to out-and-out adoration as the student body finds itself helpless to resist Stargirl’s wide-eyed charm, pure-spirited friendliness, and penchant for celebrating the achievements of others. In the ultimate high school symbol of acceptance, she is even recruited as a cheerleader. Popularity, of course, is a fragile and fleeting state, and bit by bit, Mica sours on their new idol. Why is Stargirl showing up at the funerals of strangers? Worse, why does she cheer for the opposing basketball teams? The growing hostility comes to a head when she is verbally flogged by resentful students on Leo’s televised Hot Seat show in an episode that is too terrible to air. While the playful, chin-held-high Stargirl seems impervious to the shunning that ensues, Leo, who is in the throes of first love (and therefore scornfully deemed “Starboy”), is not made of such strong stuff: “I became angry. I resented having to choose. I refused to choose. I imagined my life without her and without them, and I didn’t like it either way.”

13. THE ADORATION OF JENNA FOX, Mary E. Pearson

Seventeen-year-old Jenna Fox awakens after more than a year in a coma to find herself in a life—and a body—that she doesn’t quite recognize. Her parents tell her that she’s been in an accident, but much of her past identity and current situation remain a mystery to her: Why has her family abruptly moved from Boston to California, leaving all of her personal belongings behind? Why does her grandmother react to her with such antipathy? Why have her parents instructed her to make sure not to tell anyone about the circumstances of their move? And why can Jenna recite whole passages of Thoreau’s Walden, but remember next to nothing of her own past? As she watches family videos of her childhood, strange memories begin to surface, and she slowly realizes that a terrible secret is being kept from her. Pearson has constructed a gripping, believable vision of a future dystopia. She explores issues surrounding scientific ethics, the power of science, and the nature of the soul with grace, poetry, and an apt sense of drama and suspense. Some of the supporting characters are a bit underdeveloped, but Jenna herself is complex, interesting, and very real. This is a beautiful blend of science fiction, medical thriller, and teen-relationship novel that melds into a seamless whole that will please fans of all three genres.—Meredith Robbins for School Library Journal

14. THE BOOK THIEF, Marcus Zusak

Zusak has created a work that deserves the attention of sophisticated teen and adult readers. Death himself narrates the World War II-era story of Liesel Meminger from the time she is taken, at age nine, to live in Molching, Germany, with a foster family in a working-class neighborhood of tough kids, acid-tongued mothers, and loving fathers who earn their living by the work of their hands. The child arrives having just stolen her first book–although she has not yet learned how to read–and her foster father uses it, The Gravediggers Handbook, to lull her to sleep when shes roused by regular nightmares about her younger brothers death. Across the ensuing years of the late 1930s and into the 1940s, Liesel collects more stolen books as well as a peculiar set of friends: the boy Rudy, the Jewish refugee Max, the mayors reclusive wife (who has a whole library from which she allows Liesel to steal), and especially her foster parents. Zusak not only creates a mesmerizing and original story but also writes with poetic syntax, causing readers to deliberate over phrases and lines, even as the action impels them forward. Death is not a sentimental storyteller, but he does attend to an array of satisfying details, giving Liesels story all the nuances of chance, folly, and fulfilled expectation that it deserves. An extraordinary narrative.–Francisca Goldsmith for School Library Journal

15. THE GIVER, Lois Lowry

In the “ideal” world into which Jonas was born, everybody has sensibly agreed that well-matched married couples will raise exactly two offspring, one boy and one girl. These children’s adolescent sexual impulses will be stifled with specially prescribed drugs; at age 12 they will receive an appropriate career assignment, sensibly chosen by the community’s Elders. This is a world in which the old live in group homes and are “released”–to great celebration–at the proper time; the few infants who do not develop according to schedule are also “released,” but with no fanfare. Lowry’s development of this civilization is so deft that her readers, like the community’s citizens, will be easily seduced by the chimera of this ordered, pain-free society. Until the time that Jonah begins training for his job assignment–the rigorous and prestigious position of Receiver of Memory–he, too, is a complacent model citizen. But as his near-mystical training progresses, and he is weighed down and enriched with society’s collective memories of a world as stimulating as it was flawed, Jonas grows increasingly aware of the hypocrisy that rules his world. With a storyline that hints at Christian allegory and an eerie futuristic setting, this intriguing novel calls to mind John Christopher’s Tripods trilogy and Hans Christian Andersen’s The Little Match Girl. Lowry is once again in top form–raising many questions while answering few, and unwinding a tale fit for the most adventurous readers.–PW

16. JELLICOE ROAD, Melina Marchetta

Taylor Markham isn’t just one of the new student leaders of her boarding school, she’s also the heir to the Underground Community, one of three battling school factions in her small Australian community (the others being the Cadets and the Townies). For a generation, these three camps have fought “the territory wars,” a deadly serious negotiation of land and property rife with surprise attacks, diplomatic immunities, and physical violence. Only this year, it’s complicated: Taylor might just have a thing for Cadet leader Jonah, and Jonah might just be the key to unlocking the secret identity of Taylor’s mother, who abandoned her when she was 11. In fact, nearly every relationship in Taylor’s life has unexpected ties to her past, and the continual series of revelations is both the book’s strength and weakness; the melodrama can be trying, but when Marchetta isn’t forcing epiphanies, she has a knack for nuanced characterizations and punchy dialogue. The complexity of the backstory will be offputting to younger readers, but those who stick it out will find rewards in the heartbreaking twists of Marchetta’s saga. –Daniel Kraus for Booklist

17. CRANK, Ellen Hopkins

Seventeen-year-old Kristina Snow is introduced to crank on a trip to visit her wayward father. Caught up in a fast-paced, frightening, and unfamiliar world, she morphs into “Bree” after she “shakes hands with the monster.” Her fearless, risk-taking alter ego grows stronger, “convincing me to be someone I never dreamed I’d want to be.” When Kristina goes home, things don’t return to normal. Although she tries to reconnect with her mother and her former life as a good student, her drug use soon takes over, leaving her “starving for speed” and for boys who will soon leave her scarred and pregnant. Hopkins writes in free-verse poems that paint painfully sharp images of Kristina/Bree and those around her, detailing how powerful the “monster” can be. The poems are masterpieces of word, shape, and pacing, compelling readers on to the next chapter in Kristina’s spiraling world. This is a topical page-turner and a stunning portrayal of a teen’s loss of direction and realistically uncertain future.–Sharon Korbeck for School Library Journal

18. PUSH, (Precious), Sapphire *

An electrifying first novel that shocks by its language, its circumstances, and its brutal honesty, Push recounts a young black street-girl’s horrendous and redemptive journey through a Harlem inferno. For Precious Jones, 16 and pregnant with her father’s child, miraculous hope appears and the world begins to open up for her when a courageous, determined teacher bullies, cajoles, and inspires her to learn to read, to define her own feelings and set them down in a diary.

Filed Under: All, Blog, Books, lists Tagged With: book list, fairy tale, list, lit fic, literary, STAR OF KAZAN

Celebrate Teen Lit Day with 7 YA Mysteries Worth Reading

April 19, 2010 By peta 9 Comments

The Thief, Megan Whalen Turner What’s a mystery? Are they only stories with murders or crimes of some sort? Perhaps. But mystery can be so much more than that! This list brings together ten unusual mysteries, where characters learn about themselves and their worlds, stories that’ll rip you out of your comfortable, expected reading zone, get inside in your head, and rearrange things until you’re thoroughly confused–but dying for more.

Want the whole list? Get the PDF here; get a titles only download here.

*book may be hard to find

** mature content, but accessible to younger readers

1. THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, Mark Haddon
Christopher Boone has had some bad knocks: his mother has died (well, she went to the hospital and never came back), and soon after he found a neighbor’s dog on the front lawn, slain by a garden fork stuck through it. A teacher said that he should write something that he “would like to read himself”-and so he embarks on this book, a murder mystery that will reveal who killed Mrs. Shears’s dog. First off, though, is a night in jail for hitting the policeman who questions him about the dog (the cop made the mistake of grabbing the boy by the arm when he can’t stand to be touched-any more than he can stand the colors yellow or brown, or not knowing what’s going to happen next). Christopher’s father bails him out but forbids his doing any more “detecting” about the dog-murder. When Christopher disobeys (and writes about it in his book), a fight ensues and his father confiscates the book. In time, detective-Christopher finds it, along with certain other clues that reveal a very great deal indeed about his mother’s “death,” his father’s own part in it-and the murder of the dog. Calming himself by doing roots, cubes, prime numbers, and math problems in his head, Christopher runs away, braves a train-ride to London, and finds-his mother..–Kirkus Reviews

2. THE WITCH OF BLACKBIRD POND, Elizabeth George Speare *
Forced to leave her sunny Caribbean home for the bleak Connecticut Colony, Kit Tyler is filled with trepidation. As they sail up the river to Kit’s new home, the teasing and moodiness of a young sailor named Nat doesn’t help. Still, her unsinkable spirit soon bobs back up. What this spirited teenager doesn’t count on, however, is how her aunt and uncle’s stern Puritan community will view her. In the colonies of 1687, a girl who swims, wears silk and satin gowns, and talks back to her elders is not only headstrong, she is in grave danger of being regarded as a witch. When Kit befriends an old Quaker woman known as the Witch of Blackbird Pond, it is more than the ascetics can take: soon Kit is defending her life. Who can she count on as she confronts these angry and suspicious townspeople?–Emilie Coulter for Amazon

3. THE MYSTERIOUS BENEDICT SOCIETY, (series), Trenton Lee Stewart
After Reynie Muldoon responds to an advertisement recruiting “gifted children looking for special opportunities,” he finds himself in a world of mystery and adventure. The 11-year-old orphan is one of four children to complete a series of challenging and creative tasks, and he, Kate, Constance, and Sticky become the Mysterious Benedict Society. After being trained by Mr. Benedict and his assistants, the four travel to an isolated school where children are being trained by a criminal mastermind to participate in his schemes to take over the world. The young investigators need to use their special talents and abilities in order to discover Mr. Curtain’s secrets, and their only chance to defeat him is through working together. Readers will challenge their own abilities as they work with the Society members to solve clues and put together the pieces of Mr. Curtain’s plan. In spite of a variety of coincidences, Stewart’s unusual characters, threatening villains, and dramatic plot twists will grab and hold readers’ attention. Fans of Roald Dahl or Blue Balliett will find a familiar blend of kid power, clues, and adventure in Society, though its length may daunt reluctant or less-secure readers. Underlying themes about the power of media messages and the value of education add to this book’s appeal, and a happy ending with hints of more adventures to come make this first-time author one to remember.—Beth L. Meister, Pleasant View Elementary School, Franklin, WI for School Library Journal

4. THIS IS WHAT I DID, Ann Dee Ellis ** This Is What I Did, Ann Dee Ellis
Eighth-grader Logan is struggling to deal with a violent situation he witnessed a year ago between his best friend, Zyler, and Zyler’s abusive father but insists to everyone around him that he is fine. Just fine. Reluctant readers will be drawn into this story, which also includes bullying classmates and a dismal winter camping trip. Frequent line breaks, screenplay-style dialogue, and e-mails and notes illustrated with black icons break up the scenes. Logan gets to play one of the Lost Boys in the school play, and finds that the theater crowd offers a respite from bullies. A friendship with a girl named Laurel (a palindrome collector who is is thinking of changing her name to Laral), and a relationship with a counselor help Logan to begin the healing process and convince him to reconnect with Zyler. This psychological drama effectively explores our failure to protect youth from abuse inflicted by peers or adults.–Cindy Dobrez, for Booklist

5. MONSTER, Walter Dean Myers **
In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action. Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence. The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made.–Kirkus Reviews

6. ABARAT, (series), Clive Barker
Like The Thief of Always, Barker’s first book for children, this tale finds a bored protagonist venturing into a fantastical world. The novel begins with a rather cryptic scene of three women on a “perilous voyage… [emerging] from the shelter of the islands.” The action then shifts to Candy Quackenbush of Chickentown, Minn., who hates her life as the daughter of an alcoholic father and a depressed mother. One day, humiliated by her teacher, Candy skips out of school and heads for the prairie, where she stumbles on a derelict lighthouse and a creature with eight heads, John Mischief. The opening scene and the thrust of the novel gradually connect, as Candy begins an adventure to a mysterious archipelago called Abarat. Skilled at fantasy, Barker throws plenty of thrills and chills at readers. Candy becomes a pawn between Mischief and the man (Christopher Carrion, “Lord of Midnight”) from whom Mischief has stolen something of great value. However, by the middle of the novel, readers may feel that Barker pulls out too many stops; he floods the pages with scores of intriguing characters and a surfeit of subplots (some of which dead-end, perhaps to be picked up in one of the three planned sequels). The author’s imagination runs wild as he conjures some striking imagery (“Dark threads of energy moved through her veins and leaped from her fingertips” says one of the three women in the opening scene) and cooks up a surreal stew of character portraits (rendered in bold colors and brushwork, they resemble some of Van Gogh’s later work). But much of the novel feels like a wind-up for the books to follow and, after this rather unwieldy 400-page ride, readers my be disappointed by so many unresolved strands of the plot.

7. THE THIEF, (series), Megan Whalen Turner
Things are not what they seem in this story of wit, adventure, and philosophy. Gen, an accomplished thief incarcerated for stealing the king’s seal, is dragged from his cell by the king’s magus, who is on a quest. The prize is Hamiathes’s Gift, said to be a creation of the gods that confers the right of rule on the wearer. During the quest, the magus and Gen take turns telling the youngest member of their party myths about the Eddisian god of thieves. Turner does a phenomenal job of creating real people to range through her well-plotted, evenly paced story. No one is entirely evil or completely perfect. Gen is totally human in his lack of discipline, seeming lack of heroism, and need for sleep and food. The magus makes the transition from smug, superior scholar to decent guy in a believable fashion. Turner also does a neat job of puncturing lots of little prejudices. There are many deft lessons in this story. As absorbing as it is, the best part lies in the surprise ending. Though it is foreshadowed throughout, it is not obvious?its impact is more like morning sunlight than a lightning bolt. This book is sure to be a hot item with adventure and fantasy lovers, and YAs who like snide, quick-tempered, softhearted heroes will love Gen.?Patricia A. Dollisch, DeKalb County Public Library, Decatur, GA for School Library Journal

Filed Under: All, Blog, Books, lists Tagged With: ann dee ellis, Books, clive barker, Crime fiction, Death, elizabeth george speare, Games, Kirkus Reviews, list, Lost, mark haddon, Megan Whalen Turner, mysteries, Mysterious Benedict Society, mystery, reading, School Library Journal, trenton lee stewart, Witch of Blackbird Pond, YA

YA Fiction: 10 Graphic Novels You Wish You’d Read Sooner

April 9, 2010 By peta 5 Comments

The Rabbi's Cat, Joann Sfar Once upon a time, graphic novels were “those things my dorky kid brother reads”. Over the past few years, though, graphic novels have come into their own, and popular titles are being adapted to the format in an effort to reach a broader audience (or sell more books to collectors, *ahem* Twilight *ahem*). Here are a few great reads you may’ve missed the first time around.

Want the whole list? Download a PDF, here; get just the titles, here.

* book may be hard to find
** best for older teens

1. THE BOOKS OF MAGIC, Neil Gaiman, illustrated by Scott Hampton, Charles Vess, & Paul Johnson
Considered by some to be an early Harry Potter, The Books of Magic introduce Timothy Hunter, a weedy kid with glasses and a pet owl. Timothy is introduced to the world of magic by the Trenchcoat Brigade, a quartet of fallen mystics (and familiar faces to DC readers) who are aware that the boy has the potential to be the world’s greatest magician, but that his allegiance to good or evil is undecided. They take him from the birth of the universe all the way through to its eventual death, ostensibly teaching him about the possibilities – and the price – of wielding magic before he decides whether to embrace his destiny. Along the way, Tim meets some of the DCU’s more prominent magicians and fantasy characters, whilst his allies try to protect him from the machinations of the Cult of the Cold Flame. Following his misadventures, Tim decides that the price is too high . . . only to find that everything he has learnt from his supposed mentors has made it impossible for him to turn away from magic.

2. AMERICAN BORN CHINESE, Gene Luen Yang
As alienated kids go, Jin Wang is fairly run-of-the-mill: he eats lunch by himself in a corner of the schoolyard, gets picked on by bullies and jocks and develops a sweat-inducing crush on a pretty classmate. And, oh, yes, his parents are from Taiwan. This much-anticipated, affecting story about growing up different is more than just the story of a Chinese-American childhood; it’s a fable for every kid born into a body and a life they wished they could escape. The fable is filtered through some very specific cultural icons: the much-beloved Monkey King, a figure familiar to Chinese kids the world over, and a buck-toothed amalgamation of racist stereotypes named Chin-Kee. Jin’s hopes and humiliations might be mirrored in Chin-Kee’s destructive glee or the Monkey King’s struggle to come to terms with himself, but each character’s expressions and actions are always perfectly familiar. True to its origin as a Web comic, this story’s clear, concise lines and expert coloring are deceptively simple yet expressive. Even when Yang slips in an occasional Chinese ideogram or myth, the sentiments he’s depicting need no translation. Yang accomplishes the remarkable feat of practicing what he preaches with this book: accept who you are and you’ll already have reached out to others.

3. EMMA, Kaoru Mori
Meticulously researched and beautifully rendered, EMMA is a beloved, award-winning series that was adapted into an acclaimed anime series in Japan. In Victorian-era England, a young girl is rescued from a life of destitution and raised to become a proper British maid. Emma meets William, the eldest son of a wealthy family, and immediately falls in love with him. William shares her feelings, but the strict rules of their society prevent their relationship from ever coming out in the open. Traditional class distinctions and rich, historical details provide the backdrop for this appealing romance.–DC Comics

4. THE WALL: GROWING UP BEHIND THE IRON CURTAIN, Peter Sis **
Born out of a question posed to Sís (Play, Mozart, Play!) by his children (Are you a settler, Dad?), the author pairs his remarkable artistry with journal entries, historical context and period photography to create a powerful account of his childhood in Cold War–era Prague. Dense, finely crosshatched black-and-white drawings of parades and red-flagged houses bear stark captions: Public displays of loyalty—compulsory. Children are encouraged to report on their families and fellow students. Parents learn to keep their opinions to themselves. Text along the bottom margin reveals young Sís’s own experience: He didn’t question what he was being told. Then he found out there were things he wasn’t told. The secret police, with tidy suits and pig faces, intrude into every drawing, watching and listening. As Sís grows to manhood, Eastern Europe discovers the Beatles, and the Prague Spring of 1968 promises liberation and freedom. Instead, Soviet tanks roll in, returning the city to its previous restrictive climate. Sís rebels when possible, and in the book’s final spreads, depicts himself in a bicycle, born aloft by wings made from his artwork, flying toward America and freedom, as the Berlin Wall crumbles below. Although some of Sís’s other books have their source in his family’s history, this one gives the adage write what you know biting significance. Younger readers have not yet had a graphic memoir with the power of Maus or Persepolis to call their own, but they do now.–Publishers Weekly, ages 8 & up.

5. PERSEPOLIS, Marjanne Satrapi
Persepolis is the story of Satrapi’s unforgettable childhood and coming of age within a large and loving family in Tehran during the Islamic Revolution; of the contradictions between private life and public life in a country plagued by political upheaval; of her high school years in Vienna facing the trials of adolescence far from her family; of her homecoming–both sweet and terrible; and, finally, of her self-imposed exile from her beloved homeland. It is the chronicle of a girlhood and adolescence at once outrageous and familiar, a young life entwined with the history of her country yet filled with the universal trials and joys of growing up. Edgy, searingly observant, and candid, often heartbreaking but threaded throughout with raw humor and hard-earned wisdom–Persepolis is a stunning work from one of the most highly regarded, singularly talented graphic artists at work today.

6. THE RABBI’S CAT, Joann Sfar **
Sfar, the French cartoonist behind the Little Vampire children’s books, has come up with a hilarious and wildly original graphic novel for adults. The nameless, scraggly-looking alley cat who narrates the story belongs to an Algerian rabbi in the ’30s. When the cat eats a parrot, he gains the power of speech and tries to convince his master to teach him the Torah, raising the question of whether the appropriate age for his bar mitzvah should be in human years or cat years. Of course, being a cat, he has plenty of impertinent opinions about Judaism. That’s a delicious setup on its own, but it gets better when the cat loses his speech again halfway through, and the story becomes a broader, more bittersweet comedy about the rabbi’s family and the intersection of Jewish, Arab and French culture. The rabbi’s daughter Zlabya marries a young man from a nonobservant family in France. The Algerian family’s visit with their Parisian in-laws is the subject of the final and funniest section of the book. Sfar’s artwork looks as mangy and unkempt as the cat, with contorted figures and scribbly lines everywhere, but there’s a poetic magic to it that perfectly captures this cat’s-eye view of human culture and faith.

7. EPILEPTIC, David B. **
The cartoonist’s memoir of growing up in a family in which his brother’s grand mal epilepsy regularly took center stage is packaged here in its entirety. Although the first part of this book appeared in English in 2002, published by L’Association, there is no demarcation within the current volume to show where that break in the story occurred–nor does there need to be. David B. reports on the childhood adventures and interests he and his siblings shared–including warrior fantasies, a fascination with World War II, and drawing–and the family’s increasing involvement in seeking help for coping with the epilepsy. The latter half of the complete work continues through adolescence and into manhood, including David B.’s education in art college and his founding of L’Association. His brother’s failure to respond for any duration to any form of treatment or to adjust to life with a chronic disease is presented with unsentimental but humane forthrightness. The heavily inked images include many hallucinatory panels, and subplots involve the grandparents’ prejudices, David’s developing relationships outside the family, and his continued interest in his family. While the final difficulties revolve around the author and his inability to become a father, most of the book is both accessible and of high interest to teens.–Francisca Goldsmith, Berkeley Public Library, CA

8. THE RUNAWAYS, Brian K. Vaughan, illustrated by Adrian Alphona
This unusually clever, fun teen comic is based on the novel premise that parents don’t just seem evil, they actually are evil supervillains. Or so some kids find out one night while eavesdropping on a dastardly meeting they take to be a cocktail party. Although the children are each a “type” right out of sitcom land-the goth girl, the brain, the jock, the dreamboat, the shy one-they’re also fairly empathetic characters. Vaughan’s closely observed dialogue lends them authenticity and pathos as they go through the disturbing realization that their parents aren’t just jerks but actually mass-murderers. The plot builds from this initial discovery, as the kids band together, discover they, too, have superhuman powers and engage their parents in good, old-fashioned superhuman fisticuffs. The group goes on the run and discovers their parents have all of Los Angeles in their pockets-it’s enough to make a teenager feel more alienated than ever. Alphona’s dynamic, manga-influenced artwork agreeably complements Vaughan’s crisp writing. They tell the story with clarity, a dollop of drama and just enough pizzazz to hook video game-obsessed readers. Packaged in a manga-size paperback, Marvel’s attempt to tap both the manga and the young adult market nicely succeeds.–Publishers Weekly

9. 1001 NIGHTS OF SNOWFALL, Bill Willingham, illustrated by Charles Vess, Esao Andrews, & more **
Probably the smartest mainstream comic going, Fables usually concentrates on the contemporary activities of characters from children’s stories who now are living as secret refugees in New York. This collection gives glimpses of their individual backstories before the armies of the brutal Adversary drove them out of Fairyland. Readers will learn, for example, what spoiled the Big Bad Wolf’s disposition and what happened to the witch after Hansel and Gretel pushed her into the oven. It would be relatively easy to do clever, merely cynical readings of the fairy tales, but Willingham is after something much more interesting. Like Neil Gaiman and Tanith Lee, he’s reimagining the old stories, trying to see why they have survived and also to point out the aspects they somehow neglect: it’s only natural that Snow White would take revenge on the seven little rapists who abducted her, but the independent way she goes about it casts doubt on her subservient relationship to Prince Charming. Willingham reminds readers of how much they ignore in their anxiety to believe that all stories end happily ever after. Artists like Charles Vess, Mark Buckingham and Jill Thompson work up to the level of the perceptive scripts, making this a memorable, uncomfortably amusing treat.–Publishers Weekly

10. BUDDHA, VOLUME 1: KAPILAVASTU, Osamu Tezuka
Tezuka, the master of Japanese comics, mixes his own characters with history as deftly as he transfers the most profound, complex emotions onto extremely cartoony characters, and his work defies easy categorization. In Buddha, originally serialized in the 1970s and one of his last works, he lavishly retells the life of Siddhartha, who isn’t even born until page 268. Instead, Tezuka introduces Chapra, a slave who attempts to escape his fate by posing as the son of a general; Tatta, a crazed wild child pariah who communes with animals; Chapra’s slave mother, who stands by him no matter what; and Naradatta, a monk attempting to discover the meaning of strange portents of the Buddha’s birth. Throughout the book, the characters engage in fresh and unexpected adventures, escapes and reverses, as they play out Tezuka’s philosophical concern with overcoming fate and the uselessness of violence. Despite episodes of extreme brutality and broad humor, the core of the story revolves around various set pieces, as when Tatta sacrifices himself to a snake to save Naradatta and Chapra’s mom. After a moment of intense emotion, the scene is upended by the arrival of a bandit who mocks their attempts at keeping their karmic slates clean. “Why were you all fussing over some stupid trade? Why not just kill the snake and eat it?” The answer unfolds over succeeding volumes. Heavily influenced by Walt Disney, Tezuka’s often cute characters may take some getting used to, but his storytelling is strong and clean. Appearing in handsome packages designed by Chip Kidd, this is a stunning achievement.–Publishers Weekly

Filed Under: All, Blog, Books, lists Tagged With: adrian alphona, american born chinese, autobiography, bill willingham, biography, book list, books of magic, brian k vaugh, buddha, Charles Vess, comic, david b., emma, epilepsy, epileptic, fables, gene luen yang, Graphic novel, iron curtain, joann sfar, kaoru mori, list, marjane satrapi, mark buckingham, Memoir, Neil Gaiman, osamu tezuka, paul johnson, persepolis, peter sis, reading, scott hampton, snowfall, the rabbi's cat, the runaways, the wall, YA fiction

Holidays: 8 Picture Books to Celebrate Passover

April 2, 2010 By peta 2 Comments

The Matzah Man: A Passover Story, Naomi Howland Today is the third day of the Jewish Holiday, Passover. Here are eight books – one for each night – that discuss different aspects of the holiday, from fitting everyone around the table (Only Nine Chairs) to hosting a Seder during the Holocaust (The Secret Seder).

Want the whole list? Download a PDF, or just grab the titles. Come back tomorrow for my Easter picture book picks!

*Book may be hard to find

1. THE FOUR QUESTIONS, Ori Sherman and Lynne Sharon Schwartz
Why is this book different from all other books? It is an elegant, accessible retelling of the Four Questions asked at a Passover Seder. Sherman’s glorious jewel-toned paintings are patterned and richly detailed, with a curious menagerie of animals, wearing yarmulkes and some clothing, acting out the symbols of the holiday. Each of the Four Questions is asked in English; turn the book upside down, and the question appears in Hebrew calligraphy. The facing picture is split, with images facing each direction as well. This technique enables the book to be used during the Seder: those on each side of the table can see what is going on. The story itself is exciting and timely, telling of the slavery of the Jews, the ten plagues, the exodus from Egypt, and the hope for freedom throughout the world. The book explains the history and the symbolism of the holiday and the items on a Seder plate. The final spread shows the order of the Seder. The pictures are exquisite, the telling lyrical. This is the most eye-catching, most refreshing book available for young children on this holiday. Older children can get more information from Miriam Chaikin’s Ask Another Question: the Story and Meaning of Passover (Clarion, 1986), but The Four Questions will find a wider appreciative audience. –David Gale, for School Library Journal, ages 3 & up

2. THE MATZAH MAN: A PASSOVER STORY, Naomi Howland
Howland (Latkes, Latkes, Good Enough to Eat) makes the story of the Gingerbread Man kosher for Passover in a picture book that improves with repeat readings. Set in an indeterminately old-fashioned community where ladies wear white gloves, hats and fox stoles to go shopping, the story opens as the baker has made a little man out of leftover matzoh dough. Here it is Cousin Tillie, sampling her tender brisket; Auntie Bertha, the shopper; Grandpa Solly, chopping onions for gefilte fish; Miss Axelrod, adding the last matzoh ball to a pot of chicken soup; and a variety of animals who chase after the impish Matzah Man. The storytelling seems attenuated the first time around but all those matzoh-chasers play a role in the satisfying surprise finale. Children will want to return to the beginning to see how neatly Howland sets up her premise. Collage elements (these create the Matzah Man) mingle unobtrusively with almost drab gouaches in the illustrations, which, despite their unprepossessing first impression, are crammed with lively details.–Publisher’s Weekly, ages 4 & up

3. ONLY NINE CHAIRS: A TALL TALE FOR PASSOVER, Deborah Uchill Miller, illustrated by Karen Ostrove
The whole family is coming for Passover in Only Nine Chairs. Deborah Uchill Miller’s rollicking rhyming story mixes tradition with fun, taking young readers through a Passover meal that lacks seats for ten people. Should some sit on the stairs? In the attic? Karen Ostrove’s expressive cartoons add to the humor of this hilarious text as parsley is dipped with fishing rods and a matzah mountain formed. Kids will love searching the pictures to discover how each family member is trying to solve the problem. The family finally finds a believable and utterly satisfying solution to their problem—until one final guest arrives.–Mary Quattlebaum, for Barnes & Noble, ages 3 & up

4. SAMMY SPIDER’S FIRST PASSOVER, Sylvia A. Rouss, illustrated by Katherine Janus Kahn
In this seasonal follow-up to Sammy Spider’s First Hanukkah, the eager arachnid’s mother teaches him to make a web when theirs is laid waste by a “monster”–a broom being used to ready the Shapiros’ home for Passover. Though Sammy becomes fascinated by his mother’s explanations of the holiday traditions, he is repeatedly told, “Spiders don’t celebrate Passover. Spiders spin webs.” Following instructions, Sammy completes a new web and participates in the Shapiro family observance after all. Using cut-paper artwork made festive with cheery patterns, Kahn depicts a contemporary human family (complete with kitty), and a mother-son spider duo reminiscent of Eric Carle’s creations.–Publisher’s Weekly, ages 3 & up

5. DINOSAUR ON PASSOVER, Diane Levin Rauchweger
The friendly, oversize creature from Dinosaur on Hanukkah returns to celebrate Passover with a boy and his family. In silly, rhyming text, the reptile tries to help perform the holiday rituals: removing the forbidden foods, preparing the horseradish, singing the four questions, drinking the wine, retelling the story of the Exodus, eating matzah, searching for the afikomen, and welcoming the prophet Elijah. While his size, enthusiasm, and clumsiness wreak havoc on the family Seder, by the end of the story he is curled up in a heap fast asleep. The illustrations are bright and sophisticated, complementing the cheery mood of the text. A brief endnote explains Passover, but the book will be best enjoyed by children already familiar with the holiday.–Rachel Kamin, Temple Israel Libraries & Media Center, West Bloomfield, MI for School Library Journal, ages 3 & up

6. ON PASSOVER, Cathy Goldberg * The Secret Seder, Doreen Rappaport & Emily Arnold McCully
As a young girl prepares for Passover with her family, she uses all her senses to experience this important Jewish holiday. Everyone in her family answers her questions (which are an integral part of Passover) and playfully encourages her to understand more deeply what they are celebrating. Her father tells her that it is important for Jewish people to celebrate Passover every year so that they can always remember what it was like when people were slaves in Egypt, and so they can pray for all the people in the world who don’t have freedom. The girl learns that Passover has things to see (feathers, candles, and spoons), smell (gefilte fish and chicken soup), taste (matzah bread), hear (songs and blessings), and feel (the softness of the silk matzah cover). Passover is a time to ask questions. But most of all, she says, Passover is “a wonderful feeling in my heart, dyenu.” (Hebrew for “it would be enough.”)
Cathy Goldberg Fishman’s gentle, lilting child’s-eye-view of Passover is a quiet extravaganza of the senses. Melanie W. Hall’s wonderfully Chagall-like collagraph and mixed-media illustrations create a mystical backdrop that evokes history and tradition as it commemorates ancient symbolic ritual. This is one of four in a series by the author/illustrator team, including On Rosh Hashanah and Yom Kippur, On Hanukkah, and On Purim.–Emilie Coulter for Amazon.com, ages 5 & up

7. THE SECRET SEDER, Doreen Rappaport, illustrated by Emily Arnold McCully
Amid the plethora of Holocaust children’s literature emerges yet another picture book that uses the themes of exodus and freedom associated with Passover to contrast the reality of Nazi-occupied Europe. The narrator is a French boy whose family lives openly as Catholics, but secretly observes their Jewish faith. Despite the fear that their true identity will be discovered, he and his father attend an all-male Seder held in an abandoned shack in a nearby forest. They arrive with a roasted egg for the meager Seder plate, which lacks many of the traditional ingredients. One man says, “We have no bitter herbs to dip in salted water,” while another replies, “We do not need bitter herbs….Our lives are bitter enough.” The highlight of the evening is when the boy recites the four traditional questions, which he had secretly practiced with his mother. The men provide secondary answers to the customary ones: “I think tonight is different because tonight all over Europe, Jews are being murdered.” Their sadness, fear, and misery are underscored by the idea that tonight they are free in their hearts and by their hope for a brighter future. Watercolors depicting gloomy, foreboding images of the village, forest, and shack counter the child’s memories of happier meals at his grandmother’s home. Rappaport interweaves themes and descriptive text to create a meaningful story in a distinctive setting. An excellent discussion starter. –Rita Soltan, Oakland University, Rochester, MI for School Library Journal, ages 8 & up

8. THE MATZAH THAT PAPA BROUGHT HOME, Fran Manushkin, illustrated by Ned Bittinger
A charming rephrasing of the traditional cumulative song “Had Gadya” that captures all the excitement, magic, inspiration, high jinks, and eventual exhaustion of a family celebrating a Passover Seder. Here, instead of a goat, the poem revolves around the matzah that Papa brings home, which inspires the feast that Mama makes, the seder they all share, etc. While the text is well done and great fun, the illustrations, rendered in oils, are stellar. Each masterful painting has a subtext. The family members are constantly moving or gesturing while some are intent on praying or singing, a girl is shushing the dog, and a boy is intent on stealing the matzah. During the recapitulation of the plagues, the artist depicts real frogs and locusts jumping out of the wine glasses. The search for the hidden afikomen is positively frenetic, and the picture of the youngest child standing tall and proud (and still) to ask the Four Questions has great impact. Three pages at the end tell the story of Passover. A unique, lively offering.–Marcia Posner, Federation of New York and the Jewish Book Council, New York City, ages 4 & up

Filed Under: All, Blog, Books, lists Tagged With: cathy goldberg, deborah uchill miller, diane levin rauchweger, doreen rappaport, emily arnold mccully, Four Questions, fran manushkin, Holidays, Jewish Holiday, Jews, Judaism, katherine janus kahn, list, lynne sharon schwartz, matzah, Matzo, naomi howland, ned bittinger, ori sherman, Passover, Passover Seder, picture books, reading, religion, sylvia a rouss

YA Fiction: 11 Novels To Get You Over St. Patrick’s Day

March 19, 2010 By peta 2 Comments

Notes From a Spinning Planet--Ireland, Melody Carlson Still recovering from hitting the Irish coffee too hard on St. Patrick’s Day? These gems, set in Ireland, steeped in Irish folklore, or written by a few great Irish YA novelists, will help you get back on track.

Download the list here; get just the titles here.

1. NOTES FROM A SPINNING PLANET–IRELAND, (series), Melody Carlson
Affectionately teased as a “country bumpkin,” nineteen year-old Maddie has never been one to explore new territory. Her first trip outside of the country with her Aunt Sid and Sid’s godson, Ryan, promises an exhilarating adventure. Northern Ireland is more captivating than she even imagined–and Ryan is offering plenty of intrigue himself. During the journey, Maddie begins to discover more about what she wants from life, while developing a deeper friendship with her irresistible traveling companion. When Maddie and Ryan dig for the truth about the IRA car bomb that killed Ryan’s father years ago, questions about the past accumulate. Unable to let go of growing suspicions in this mysterious country, Maddie finds herself on a dangerous journey, a journey that will lead her to the greatest discovery of all.–Amazon

2. ARTEMIS FOWL, (series), Eoin Colfer
Colfer’s crime caper fantasy, the first in a series, starts off with a slam-bang premise: anti-hero Artemis Fowl is a boy-genius last in line of a legendary crime family teetering on the brink of destruction. With the assistance of his bodyguard, Butler, he masterminds his plan to regain the Fowls’ former glory: capture a fairy and hold her ransom for the legendary fairy gold. However, his feisty mark, Holly, turns out to be a member of the “LEPrecon, an elite branch of the Lower Elements Police,” so a wisecracking team of satyrs, trolls, dwarfs and fellow fairies set out to rescue her.–PW

3. 12 AGAIN, Sue Corbett
A riveting first novel. Overwhelmed with her life as a mother, wife, and newspaper journalist, Bernadette McBride decides to spend the night at her late Irish mother’s house. Helping herself to some mysterious liquid in the pantry, Bernadette ruefully wishes to be young again. When she awakens, she has been transformed into a 12-year-old on what should be her 40th birthday. She hears her mother calling her down for breakfast and is at first jubilant, but then realizes how complex her life has become. She enrolls in her oldest son’s school and tries to figure out how to undo her wish and get back to her husband and three boys. As weeks go by, her family assumes the worst but her son Patrick is certain that his mother will try to contact him, and he never gives up hope. When he receives her mysterious and untraceable e-mail sending him off on a dangerous errand, he realizes that her rescue is completely in his hands, and the results measure up to a satisfying conclusion. Corbett’s story, told from the alternating points of view of 12-year-old Patrick and Bernadette, is an extraordinary alchemy of elements that makes for an engaging read. The dialogue is natural and believable, and the emotions expressed by the characters are genuine. A great mix of fairy charms, Irish folklore, humor, mystery, and familial love. –Janet Gillen, Great Neck Public Library, NY for School Library Journal

4. THE GAME, Dianna Wynne Jones
Celestial intrigue and the nature of storytelling are just two of the strands woven together in Jones’s (the Chrestomanci books) inventive novella. Sent from her grandparents’ London home in disgrace, Hayley arrives in Ireland to stay with her aunts and cousins in their rambling castle home. The girl takes to her new life almost immediately, especially the thrilling game her cousins play, in which they venture into the mythosphere—a mysterious realm where they perform various tasks drawn from the worlds of fairytale, myth and legend. In the course of her own quests, Hayley discovers the truth about her own unearthly nature. She gets the chance to rescue her long-lost parents from dreadful fates, to which they’ve been condemned by domineering Uncle Jolyon, a power-hungry god thinly disguised as an unpleasant business man. Readers less familiar with classical mythology will be helped (and may well find their interest piqued) by a note at story’s end that clearly links the original Greco-Roman characters with their modern-day avatars.–PW

5. THE DEMON’S LEXICON, Sarah Rees Brennan
In this riveting debut novel, 16-year-old Nick and his older brother, Alan, are accustomed to life on the run. Since their father was murdered, the boys have been forced to slay demons set on them by magicians seeking the powerful charm stolen by the boys’ mother. Nick is furious when Alan receives a first-tier demon mark while saving a neighborhood boy. While seeking to remove it, Nick begins to suspect that his brother is lying to him about the reason for the magicians’ attempts to kill them and about why their mother screams whenever Nick touches her. Fans of the Supernatural television series will be hooked from the novel’s opening lines (The pipe under the sink was leaking again. It wouldn’t have been so bad, except that Nick kept his favorite sword under the sink.). Even teens who don’t consider themselves genre buffs will appreciate the solid writing, fast-paced plot, and sense of authenticity that Brennan gives to the shadowy world between ordinary, modern-day London and the otherworld of demons and magicians. Though Nick and Alan’s story is mostly resolved with Nick discovering the truth behind his father’s death and his mother’s fear of him, readers will no doubt clamor for the next book in this planned urban fantasy trilogy.–Leah J. Sparks, formerly at Bowie Public Library, MD for School Library Journal The Game, Dianna Wynne Jones

6. THE CHRONICLES OF FAERIE, (series), O.R. Miller
An Irish Canadian author’s lauded fairy fantasies are updated and introduced to U.S. fantasy readers for the first time in O.R. Melling’s Chronicles of Faerie. The first volume, The Hunter’s Moon, follows two cousins, Gwen and Findabhair, as they backpack around Ireland in search of the country’s magical past. But the girls go too far when they dare to spend the night in a known fairy mound. Finn is stolen away by the dark king of Faerie to become his bride sacrifice to the Great Worm, or Hunter. It is up to timid Gwen to rescue her intrepid cousin, and she wonders if the task will be too much the first time she catches a glimpse of the Little People at play. “Gwen quaked inside. This wild abandon…was beyond anything she could imagine…Exquisite chaos.” But with the help of a fairy doctress and her handsome grandson, Gwen assembles a rag tag team of heroes determined to bring Finn back — even if it means the destruction of Faerie itself.–Jennifer Hubert for Amazon

7. THE ORAN TRILOGY, (series), Midori Snyder
(Series begins with “New Moon”.) Two hundred years ago, the Fire Queen destroyed her rival queens of Earth, Air, and Water in the fateful Burning and took power over Oran. No child with a trace of the elemental magic was allowed to live. Years later, the country still trembles under her oppression. But now there are rumors of hope. Four young women escaped—four who have the powers of Earth, Fire, Water, and Air—and are even now finding each other. At the same time, a ragtag army of artists and singers, orphans and vagrants, thieves and knifewielders is stealing into the city. Their sign is the bloodred, blade-thin New Moon . . .–Amazon

8. BALLADS, illustrated by Charles Vess & Jeff Smith, authors including Neil Gaiman, Jane Yolen, Charles DeLint.
Ballads were little known to the literate world until the 18th century, when scholars began writing them down. Since then, they’ve received attention from folklorists, folksingers and, now, cartoonist Vess (Stardust; Rose). Vess and his collaborators put a little meat on the ballads’ often bare-bones stories, adding fantastic elements not in the originals (“Barbara Allen”), giving them modern settings (“Twa Corbies”), sexing them up (“Savoy”) and otherwise putting their own mark on them. Vess approaches them with an appropriately elegant style. His exquisitely detailed art delightfully recalls the Pre-Raphaelites here, Aubrey Beardsley there and elsewhere Winsor McCay or Gustave Dor . The best stories involve passion, whether celebrated (“King Henry” and “Savoy”) or cautioned against (“The Demon Lover” and “The Three Lovers”), though even the least effective stories are still beautiful. “The Three Lovers” is especially noteworthy; in it, Vess makes clever, subversive use of comics language, presenting a story that pretends to be a play (complete with proscenium arch). “Tam Lin” may be the collection’s consummate piece. In it, Vess goes for straight illustration, with each illustrated page facing a page of verse. Here Vess reaches the peak of his art, standing proudly with the 19th- and early 20th-century illustrators who influence him.–PW

9. THE HOLLOW KINGDOM, (series), Clare B. Dunkle
When orphaned Victorian teenager Kate and her younger sister move to an estate they have inherited, Kate feels sure she’s being watched. She’s not wrong. The suave, hideous Goblin King, Marak, plans to kidnap and wed her (goblin women are mostly infertile, so “crossing out” to other species ensures the survival of the race). All seems poised for clever Kate to outmaneuver the villain, but the seemingly conventional setup gives way to something far more intriguing: the dreaded marriage actually happens. Readers are then plunged into the goblins’ eerily lovely subterranean world, where Marak, despite his pitiless disregard for certain human sensibilities, surprises Kate with his wise leadership and husbandly concern. Each of the novel’s three parts fairly brims with plot, at times things seem a bit rushed, and Kate’s concluding adventure presupposes a devotion to her husband that hasn’t yet been convincingly established. But this is a fresh, powerful twist on the Beauty-and-the-Beast theme, and the impact of Dunkle’s evocative storytelling lingers long after the final page. –Jennifer Mattson for Booklist

10. LAMENT: THE FAERIE QUEEN’S DECEPTION, (series), Maggie Stiefvater
Sixteen-year-old Deirdre Monaghan, a gifted harpist who regularly plays for weddings and other events, has the kind of stage fright that makes her physically ill before a performance, which is an inauspicious way to start a romance; but while vomiting before a competition she meets a gorgeous boy who comes into the restroom to hold her hair. He is Luke Dillon, a flautist who proceeds to accompany her in a truly stellar performance. As four-leaf clovers start appearing everywhere, Deirdre develops telekinetic powers and encounters strange, unworldly people who seem to bear her ill will. Her best friend, James, also a talented musician; her beloved grandmother; and her mother all are in danger, as Deirdre is targeted by the queen of Faerie. Deirdre eventually discovers that she is a cloverhand, a person who can see the denizens of faerie, and Luke, not the only immortal who has her in his sights, is a gallowglass, an assassin assigned by the queen of Faerie to kill Deirdre but who falls in love with her instead. This beautiful and out-of-the-ordinary debut novel, with its authentic depiction of Celtic Faerie lore and dangerous forbidden love in a contemporary American setting. –Diana Tixier Herald for Booklist

11. IMPOSSIBLE, Nancy Werlin
Date rape, a pregnant teen, and a shotgun wedding (of sorts)—must be a YA problem novel circa 1985, right? Not really. From a hidden letter, 17-year-old Lucy Scarborough learns “all sorts of melodramatic, ridiculous, but true things” about the circumstances surrounding her rape on prom night, her subsequent pregnancy, and why therapy and her signature pragmatism won’t be much help against an ancient fairy’s curse. By the Edgar Award–winning novelist whose thrillers include The Rules of Survival (2006), this tale, inspired by the song “Scarborough Fair,” showcases the author’s finesse at melding genres. Although it’s perhaps overly rosy that Lucy’s devoted foster parents take the curse in stride, Werlin earns high marks for the tale’s graceful interplay between wild magic and contemporary reality—from the evil fairy lord disguised as a charismatic social worker to the main players’ skepticism as they attempt to solve the curse’s three archaic puzzles (“We’ve formed the Fellowship of the Ring when really we should’ve all just gone on medication”). Meantime, Lucy’s marriage to childhood pal Zach, a development unusual in YA fiction but convincing in context, underlies the catapulting suspense with a notion that will be deeply gratifying to many teens: no destiny is unalterable, especially not when faced with tender love magic, “weird and hilarious and sweeter than Lucy ever dreamed,” worked by truly mated souls. –Jennifer Mattson for Booklist

Filed Under: All, Books, lists Tagged With: book list, Books, Charles DeLint, Charles Vess, Clare B. Dunkle, dianna wynne jones, eoin colfer, Ireland, Jane Yolen, list, Maggie Stiefvater, melody carlson, Midori Snyder, Nancy Werlin, Neil Gaiman, novels, O.R. Miller, sarah rees brennan, St. Patrick's Day, sue corbett

Books For Boys (And Adventurous Girls) part one: 1 – 33

February 19, 2010 By peta 6 Comments

Hoot, by Carl Hiaasen Finding good books for boys can be challenging–without a little help, that is. Compiled with the help of the folks on NESCBWI Yahoo list, here are a few great books to get your boys, girls, and perhaps even yourself, reading.

Want to suggest a great boys’ book? Email me, or leave a note in the comments!

Download a PDF version of the list here; download a titles only version here; get the whole list here; and get the whole, titles only list, here.

Looking for just the second half of the list? Head over here.

* book may be hard to find.

1. SIGN OF THE BEAVER, Elizabeth George Speare

Twelve-year old Matt is trying his best to survive on his own until his father returns to their cabin in the Maine wilderness with the rest of the family. Matt develops a deep friendship with a Native American boy. Matt must decide if he should continue waiting for his family or begin a new life with his friend.–School Library Journal, grade 3-6

2. HOOT, Carl Hiaasen

Roy Eberhardt is the new kid–again. This time around it’s Trace Middle School in humid Coconut Grove, Florida. But it’s still the same old routine: table by himself at lunch, no real friends, and thick-headed bullies like Dana Matherson pushing him around. But if it wasn’t for Dana Matherson mashing his face against the school bus window that one day, he might never have seen the tow-headed running boy. And if he had never seen the running boy, he might never have met tall, tough, bully-beating Beatrice. And if he had never met Beatrice, he might never have discovered the burrowing owls living in the lot on the corner of East Oriole Avenue. And if he had never discovered the owls, he probably would have missed out on the adventure of a lifetime. Apparently, bullies do serve a greater purpose in the scope of the universe. Because if it wasn’t for Dana Matherson…–Jennifer Hubert, ages 10-15

3. HATCHET, (& others), Gary Paulsen
When the pilot of a small, two-person plane has a heart attack and dies, Brian has to crash land in the forest of a Canadian wilderness. He has little time to realize how alone he is, because he is so busy just trying to survive. And learning to survive, to plan on food not just for a day but untiland ifhe is rescued, only begins when he stops pitying himself and understands that no one can help him. He is on his own, without his divorced father, whom he was to visit, or his mother, whom Brian saw kissing another man before the divorce. This is a heart-stopping story: it seems that at every moment Brian is forced to face a life-and-death decision, and every page makes readers wonder at the density of descriptive detail Paulsen has expertly woven together. Poetic texture and realistic events are combined to create something beyond adventure, a book that plunges readers into the cleft of the protagonist’s experience.–PW, ages 11-13

4. AL CAPONE DOES MY SHIRTS, Gennifer Choldenko.

Twelve-year-old Moose moves to Alcatraz in 1935 so his father can work as a prison guard and his younger, autistic sister, Natalie, can attend a special school in San Francisco. It is a time when the federal prison is home to notorious criminals like gangster Al Capone. Depressed about having to leave his friends and winning baseball team behind, Moose finds little to be happy about on Alcatraz. He never sees his dad, who is always working; and Natalie’s condition– her tantrums and constant needs–demand all his mother’s attention. Things look up for Moose when he befriends the irresistible Piper, the warden’s daughter, who has a knack for getting Moose into embarrassing but harmless trouble. Helped by Piper, Moose eventually comes to terms with his new situation. With its unique setting and well-developed characters, this warm, engaging coming-of-age story has plenty of appeal, and Choldenko offers some fascinating historical background on Alcatraz Island in an afterword.–Ed Sullivan for Booklist, grades 5-8

5. WHEN ZACHARY BEAVER CAME TO TOWN, Kimberly Willis Holt*
Summer in the tiny Texas town of Antler is traditionally a time for enjoying Wylie Womack’s Bahama Mama snow cones and racking up the pins at Kelly’s Bowl-a-Rama, but this year it’s not going well for Toby Wilson. His 13-year-old heart has been broken twice: once by his mother, who left him and his father to become a country singer in Nashville, and then again by his crush Scarlett Stalling, the town beauty who barely acknowledges Toby’s existence. But when Zachary Beaver, “The World’s Fattest Boy,” comes to Antler as part of a traveling sideshow, Toby begins to realize that there might just be people who have it worse than him. By reaching out to Zachary in small ways–such as helping him realize his lifelong dream of being baptized–Toby is better able to put his own problems into perspective. At the baptism, Toby finally feels at peace: “Zachary smiles and I wonder if he’s feeling different. Because standing here waist deep in Gossimer’s Lake… I’m feeling different–light and good and maybe even holy.” By summer’s end, Toby’s friendship with Zachary has provided him with the emotional stamina to begin dealing with his mother’s decision and to gracefully accept the fact that Scarlett will forever be just beyond his reach.–Jennifer Hubert, ages 11-15

6. FEED, M.T. Anderson
In this chilling novel, Anderson (Burger Wuss; Thirsty) imagines a society dominated by the feed a next-generation Internet/television hybrid that is directly hardwired into the brain. Teen narrator Titus never questions his world, in which parents select their babies’ attributes in the conceptionarium, corporations dominate the information stream, and kids learn to employ the feed more efficiently in School. But everything changes when he and his pals travel to the moon for spring break. There Titus meets home-schooled Violet, who thinks for herself, searches out news and asserts that “Everything we’ve grown up with the stories on the feed, the games, all of that it’s all streamlining our personalities so we’re easier to sell to.” Without exposition, Anderson deftly combines elements of today’s teen scene, including parties and shopping malls, with imaginative and disturbing fantasy twists. “Chats” flow privately from mind to mind; Titus flies an “upcar”; people go “mal” (short for “malfunctioning”) in contraband sites that intoxicate by scrambling the feed; and, after Titus and his friends develop lesions, banner ads and sit-coms dub the lesions the newest hot trend, causing one friend to commission a fake one and another to outdo her by getting cuts all over her body. Excerpts from the feed at the close of each chapter demonstrate the blinding barrage of entertainment and temptations for conspicuous consumption. Titus proves a believably flawed hero, and ultimately the novel’s greatest strength lies in his denial of and uncomfortable awakening to the truth. This satire offers a thought-provoking and scathing indictment that may prod readers to examine the more sinister possibilities of corporate- and media-dominated culture. –PW, ages 14 & up

7. SLEEPING FRESHMEN NEVER LIE, David Lubar
Scott Hudson chronicles the ups and downs of his eventful freshman year in high school, as he joins the newspaper, works as a stage manager for the spring play, learns a lot from his outstanding English teacher, tries to help a student who attempts suicide, is beaten up because of a girl, and goes to the spring dance. Along the way, he discovers that his mother is pregnant, and he writes a series of insightful letters to his soon-to-be sibling. By the end, Scott has outgrown his freshman insecurities, realizing that he has carved a place for himself in the high-school world. The story delivers too many messages as Scott learns one important lesson after another. Still, most readers will find plenty of amusing, accurate observations about freshman life, from the insecurities of first dates to the dangers of walking the hall between classes.–Todd Morning for Booklist, grades 8-11.

8. PEAK, Roland Smith
Fourteen-year-old New Yorker Peak (“It could have been worse. My parents could have named me Glacier, or Abyss, or Crampon.”) Marcello hones his climbing skills by scaling skyscrapers. After Peak is caught climbing the Woolworth Building, an angry judge gives him probation, with an understanding that Peak will leave New York and live with his famous mountaineer father in Thailand. Peak soon learns, however, that his father has other plans for him; he hopes that Peak will become the youngest person to climb Mt. Everest. Peak is whisked off to Tibet and finds himself in the complex world of an Everest base camp, where large amounts of money are at stake and climbing operations offer people an often-deadly shot at the summit. This is a thrilling, multifaceted adventure story. Smith includes plenty of mountaineering facts told in vivid detail (particularly creepy is his description of the frozen corpses that litter the mountain). But he also explores other issues, such as the selfishness that nearly always accompanies the intensely single-minded. A winner at every level. For more mountaineering adventures, suggest Edward Meyers’ Climb or Die (1994) and Michael Dahl’s The Viking Claw (2001), both for a slightly younger audience.–Todd Morning for Booklist, grade 6 & up

9. THE MOSTLY TRUE ADVENTURES OF HOMER P. FIGG, Rodman Philbrick
Philbrick (Freak the Mighty) offers rip-roaring adventure in this Civil War–era novel featuring a mistreated orphan who doesn’t let truth stand in the way of spinning a good yarn. When his guardian, Uncle Squinton—the meanest man in the entire state of Maine—sells off Homer P. Figg’s older brother, Harold, to take a rich man’s son’s place in the Union army, Homer can’t just stand around doing nothing. Determined to alert the authorities (and his brother) that Harold is too young to be a soldier, the plucky narrator traces the path of the regiment. He faces many dangers, including an abduction or two, and being robbed and thrown in with the pigs, and joining the Caravan of Miracles before landing smack in the middle of the Battle of Gettysburg, where he reunites with his brother and more or less drives the Confederates away. The book wouldn’t be nearly as much fun without Homer’s tall tales, but there are serious moments, too, and the horror of war and injustice of slavery ring clearly above the din of playful exaggerations. –PW, ages 9–12

10. LOVE THAT DOG, Sharon Creech
Newbery Medal winner Sharon Creech’s Love That Dog, a funny, sweet, original short novel written in free verse, introduces us to an endearingly unassuming, straight-talking boy who discovers the powers and pleasures of poetry. Against his will. After all, “boys don’t write poetry. Girls do.” What does he say of the famous poem “Stopping by Woods on a Snowy Evening”? “I think Mr. Robert Frost / has a little / too / much / time / on his / hands.” As his teacher, Ms. Stretchberry, introduces the canon to the class, however, he starts to see the light. Poetry is not so bad, it’s not just for girls, and it’s not even that hard to write. Take William Carlos Williams, for example: “If that is a poem / about the red wheelbarrow / and the white chickens / then any words / can be a poem. / You’ve just got to / make / short / lines.” He becomes more and more discerning as the days go by, and readers’ spirits will rise with Jack’s as he begins to find his own voice through his own poetry and through that of others. His favorite poem of all is a short, rhythmic one by Walter Dean Myers called “Love That Boy” (included at the end of the book with all the rest of Ms. Stretchberry’s assignments). The words completely captivate him, reminding him of the loving way his dad calls him in the morning and of the way he used to call his yellow dog, Sky. Jack’s reverence for the poem ultimately leads to meeting the poet himself, an experience he will never forget.–Karin Snelson for Amazon, ages 8 & up.

11. HATE THAT CAT, Sharon Creech
In a worthy companion piece to Love That Dog (2001), Creech employs observant sensitivity and spare verse to carve an indelible portrait of a boy who discovers the power of self-expression. Once again, Jack works on a poetry journal for Miss Stretchberry, now his fifth-grade teacher. He responds to her instruction with skepticism, all the while absorbing the depth of feeling in the poems she shares, sometimes in spite of himself. Creech is a master of negative space; though we see only Jack’s side of their dialogue, we learn a great deal about the other figures in Jack’s life. In Love That Dog, Jack’s reluctant relationship with poetry mirrored his struggle to let go of a good friend. In this title, we see Jack’s reluctance waning, and with it, the resolute protection of his feelings. Try as he might to hold them off, the lines of Miss Stretchberry’s poems open a space in his heart just big enough to allow affection for a small black kitten, dotted with white, to find its way in.–Thom Barthelmess for Booklist, grades 3-6

12. THE SCHWA WAS HERE, Neal Shusterman
When Anthony “Antsy” Bonano and his friends meet Calvin Schwa, they are impressed and puzzled by his ability to appear and disappear before their very eyes. Antsy concocts a moneymaking scheme based on the Schwa’s invisibility that seems promising until he and his friends overreach and are caught by the town’s legendary mean millionaire, Mr. Crawley. Their resulting community service project–walking the 7 virtues and 7 vices (Crawley’s 14 afghan hounds) and going out with Crawley’s granddaughter Lexie–cements and ultimately challenges friendships. The humor is just right for boys, but the complexity of plot, the depth and richness of the characters, and the underlying seriousness of the issues belies the easy-to-read comedy. Schwa is an average kid who hangs on the periphery of the crowd and longs to be noticed and included, not simply ignored. His character is extreme, but far too many adolescents–and the adults who work with them–will sadly and guiltily recognize him.–xi

13. THIRTEEN REASONS WHY, Jay Asher
Jay Asher’s brilliant first novel is a moving, highly original story that focuses on a set of audiotapes made by a girl before she committed suicide, and which explain to 13 people the reasons why she decided to end her life. Told in a highly effective duel narrative — alternating between the girl’s voice and the thoughts of a boy who is listening — this honest, poignant story reveals how other people’s actions shape, and by extension can ruin, an individual’s faith in people. Intensely powerful and painfully real, Thirteen Reasons Why reveals how brutal high school can be, the consequences of spreading rumors, and the lasting effects of suicide on those left behind.–Barnes & Noble

14. THE CHOCOLATE WAR, Robert Cormier*

Does Jerry Renault dare to disturb the universe? You wouldn’t think that his refusal to sell chocolates during his school’s fundraiser would create such a stir, but it does; it’s as if the whole school comes apart at the seams. To some, Jerry is a hero, but to others, he becomes a scapegoat–a target for their pent-up hatred. And Jerry? He’s just trying to stand up for what he believes, but perhaps there is no way for him to escape becoming a pawn in this game of control; students are pitted against other students, fighting for honor–or are they fighting for their lives? In 1974, author Robert Cormier dared to disturb our universe when this book was first published. And now, with a new introduction by the celebrated author, The Chocolate War stands ready to shock a new group of teen readers.–Amazon

15. THE GRAVEYARD BOOK, Neil Gaiman

Somewhere in contemporary Britain, “the man Jack” uses his razor-sharp knife to murder a family, but the youngest, a toddler, slips away. The boy ends up in a graveyard, where the ghostly inhabitants adopt him to keep him safe. Nobody Owens, so named because he “looks like nobody but himself,” grows up among a multigenerational cast of characters from different historical periods that includes matronly Mistress Owens; ancient Roman Caius Pompeius; an opinionated young witch; a melodramatic hack poet; and Bod’s beloved mentor and guardian, Silas, who is neither living nor dead and has secrets of his own. As he grows up, Bod has a series of adventures, both in and out of the graveyard, and the threat of the man Jack who continues to hunt for him is ever present. Bod’s love for his graveyard family and vice versa provide the emotional center, amid suspense, spot-on humor, and delightful scene-setting. The child Bod’s behavior is occasionally too precocious to be believed, and a series of puns on the name Jack render the villain a bit less frightening than he should be, though only momentarily. Aside from these small flaws, however, Gaiman has created a rich, surprising, and sometimes disturbing tale of dreams, ghouls, murderers, trickery, and family.—Megan Honig, New York Public Library for School Library Journal, ages 10 & up

16. DEMON’S LEXICON, Sarah Rees Brennan

What if the bad-boy hunk in your class was actually a sword-wielding demon slayer? That’s the enticing scenario offered up in Brennan’s debut, and although the results are periodically workmanlike, they will satisfy the legions currently clamoring for this brand of dark fantasy. Nick (the aforementioned hunk) lives with his empty-shell mother and older brother Alan, but they’re constantly on the move as they hunt—and are hunted by—evil magicians and their conjured demons. Their brutal routine is interrupted by the arrival of two teen siblings in need of help, one of whom has been “marked” by a demon for certain death and the other of whom fosters a growing desire for one of the brothers. Though unique, the mythology has some holes and feels needlessly convoluted. That said, Brennan excels when she dwells upon her characters’ more human emotions (desire, loneliness, loyalty), and hits her stride in the final stretch, creating several scenes of unexpected horror and piling on some truly surprising twists. Stick with it, and you’ll be glad you did. –Daniel Kraus for Booklist, grades 9-12

17. 8TH GRADE SUPER ZERO, Olugbemisola Rhuday Perkovich

They don’t call it middle school for nothing. Reggie McKnight (aka “Pukey”) is trying hard to stay under the radar after a really embarrassing start to the school year. But, he’s somehow been drawn into the middle of a big school election, a volunteer project at the local homeless shelter, and the role of “Big Buddy” for a kid in the neighborhood. How will he ever find time to finish his comic book, Night Man? Reggie might see himself as a wimpy kid, but he’s anything but as steps up to new challenges and confronts big questions about doing the right thing in a tough world. Olugbemisola Rhuday-Perkovich’s debut novel is a smart and satisfying read for teens and ‘tweens. –Lauren Nemroff for Amazon, ages 10 & up

18. THE DARK DAYS OF HAMBURGER HALPIN, Josh Berk

Starred Review. Will Halpin has ditched his former “deaf school” and is now trying to merge into the auditory-able mainstream at Carbon High in eastern Pennsylvania. As the new, overweight kid who has to sit off to the side during classes so he can try to read the lips of both his teachers and his classmates, Will—no slouch when it comes to reading human reactions—quickly downsizes his social expectations and retreats back into the soundless cocoon of his own skull. Luckily for readers, it’s darkly hilarious in there. That’s this debut novel’s most potent hook: the opportunity to spend some quality time inside the precociously perceptive and sardonically witty head of this ultimate outsider as he visually eavesdrops—and rips on—the sick subtleties of a typical high school’s social order. What teens wouldn’t want to have Will’s skills as he, notebook in hand, monitors the school bus mirror and pieces together what all the cool kids are talking about? Most, Will discovers, as he deftly dissects personalities and devilishly deconstructs high school culture, are slavishly focused on being invited to an exclusive party being thrown by popular jock Pat. But when Pat dies during a field trip to a defunct coal mine, under suspicious circumstances, the story morphs into an engaging mystery as Will reluctantly accepts the unsettlingly friendly overtures of a quirky classmate bent on enlisting him as a partner in some amateur sleuthing. A coming-of-age mash-up of satire, realistic fiction, mystery, and ill-fated teen romance, The Dark Days of Hamburger Halpin is a genre-bending breakthrough that teens are going to love.—Jeffrey Hastings, Highlander Way Middle School, Howell, MI for School Library Journal, grade 8 & up

19. MARCELO IN THE REAL WORLD, Francisco X. Stork

Starred Review. Like Christopher Boone, the protagonist in The Curious Incident of the Dog in the Night-Time (Doubleday, 2003), Marcelo Sandoval is a high-functioning, extremely self-aware teenager with Asperger’s syndrome. He has an empathetic mother and a father, Arturo, who appears to be less empathetic as he pushes Marcelo to live in the “real world.” The form the real world takes is a summer job in the mailroom at Arturo’s law office. The teen is forced to think on his feet, multitask, and deal with duplicitous people who try to take advantage of him. Over the course of a summer, Marcelo learns that he can function in society; he is especially surprised to find that he can learn to read people’s expressions, even to the point of knowing whom he can and cannot trust. Writing in a first-person narrative, Stork does an amazing job of entering Marcelo’s consciousness and presenting him as a dynamic, sympathetic, and wholly believable character. At a little over 300 pages, the story drags at some points, bogging down in the middle. However, the dilemmas that Marcelo faces are told in a compelling fashion, which helps to keep readers engaged.—Wendy Smith-D’Arezzo, Loyola College, Baltimore, MD for School Library Journal, grades 8 & up

20. STRUTS & FRETS, Jon Skovron

Music is the center of Sammy Bojar’s world, despite his therapist mother’s urging that he pursue a more profitable career and stable lifestyle. Though he is now sinking into dementia, Sammy’s grandfather, a jazz musician, is still able to encourage his grandson to follow his dream: “You’re like me…. Always reaching for the moon.” When Sammy’s band decides to enter a competition that could result in a chance to record in a real studio, he fluctuates between his extravagant dreams of rock-star fame and his nagging fear that the group is far from ready to perform. Meanwhile, he struggles with the realization that a longtime friend wants to be his girlfriend. When it becomes clear that their romance is about to become more physical, Jen5 responsibly blurts out a reminder not to “forget to…uh…go to the drugstore before you come over.” The resulting hilarious scene in which Sammy is utterly baffled by the vast variety of condoms on display is just one of the narrative’s many entertaining depictions of the turmoil of growing up. A playlist identifies the songs mentioned in the text, while a classroom scene in which Sammy’s teacher reads aloud from Macbeth makes the origin of the book’s title clear. This debut novel will find an audience not just with music fans, but also with those who appreciate a good coming-of-age story.—Ginny Gustin, Sonoma County Library System, Santa Rosa, CA for School Library Journal, grades 9 & up

21. STINK, (series), Megan McDonalds

The pesky little brother in McDonald’s popular Judy Moody series gets his own book and tells his own story here. Little is the word for James (“Stink”) Moody; he’s short, the shortest kid in his second-grade class. Is he shrinking? Judy is his bossy older sister, but he learns to handle her. For Presidents’ Day, Stink’s hero is not big tall Lincoln but another James, James Madison, the shortest president ever. The narrative is fun and laced with puns–from Mt. Trashmore to “newt in shining armor,” and it’s peppered with black-and-white illustrations, including comics (“The Adventures of Stink”) reflecting Stink’s triumphant fantasies. Stink sometimes seems younger than his years, so try this as a read-aloud for preschoolers or kindergarteners fed up with big, bossy types telling them what to do. Hazel Rochman for Booklist, grades 2-4.

22.DIARY OF A WIMPY KID, (series), Jeff Kinney

Starred Review. Kinney’s popular Web comic, which began in 2004, makes its way to print as a laugh-out-loud “novel in cartoons,” adapted from the series. Middle school student Greg Heffley takes readers through an academic year’s worth of drama. Greg’s mother forces him to keep a diary (“I know what it says on the cover, but when Mom went out to buy this thing I specifically told her to get one that didn’t say ‘diary’ on it”), and in it he loosely recounts each day’s events, interspersed with his comic illustrations. Kinney has a gift for believable preteen dialogue and narration (e.g., “Don’t expect me to be all ‘Dear Diary’ this and ‘Dear Diary’ that”), and the illustrations serve as a hilarious counterpoint to Greg’s often deadpan voice. The hero’s utter obliviousness to his friends and family becomes a running joke. For instance, on Halloween, Greg and his best friend, Rowley, take refuge from some high school boys at Greg’s grandmother’s house; they taunt the bullies, who then T.P. her house. Greg’s journal entry reads, “I do feel a little bad, because it looked like it was gonna take a long time to clean up. But on the bright side, Gramma is retired, so she probably didn’t have anything planned for today anyway.” Kinney ably skewers familiar aspects of junior high life, from dealing with the mysteries of what makes someone popular to the trauma of a “wrestling unit” in gym class. His print debut should keep readers in stitches, eagerly anticipating Greg’s further adventures.–PW, ages 8-13

23. THE HOBBIT, (& others), J.R.R. Tolkien

Bilbo Baggins is an upstanding member of a “little people, about half our height, and smaller than the bearded dwarves.” He is, like most of his kind, well off, well fed, and best pleased when sitting by his own fire with a pipe, a glass of good beer, and a meal to look forward to. Certainly this particular hobbit is the last person one would expect to see set off on a hazardous journey; indeed, when Gandalf the Grey stops by one morning, “looking for someone to share in an adventure,” Baggins fervently wishes the wizard elsewhere. No such luck, however; soon 13 fortune-seeking dwarves have arrived on the hobbit’s doorstep in search of a burglar, and before he can even grab his hat or an umbrella, Bilbo Baggins is swept out his door and into a dangerous adventure. –Alix Wilber for Amazon

24. HARRY POTTER, (series), J.K. Rowling

Mysterious goings-on ruffle the self-satisfied suburban world of the Dursleys, culminating in a trio of strangers depositing the Dursleys’ infant nephew Harry in a basket on their doorstep. After 11 years of disregard and neglect at the hands of his aunt, uncle and their swinish son Dudley, Harry suddenly receives a visit from a giant named Hagrid, who informs Harry that his mother and father were a witch and a wizard, and that he is to attend Hogwarts School of Witchcraft and Wizardry himself. Most surprising of all, Harry is a legend in the witch world for having survived an attack by the evil sorcerer Voldemort, who killed his parents and left Harry with a lightning-shaped scar on his forehead. And so the fun begins, with Harry going off to boarding school like a typical English kid?only his supplies include a message-carrying owl and a magic wand. There is enchantment, suspense and danger galore (as well as enough creepy creatures to satisfy the most bogeymen-loving readers, and even a magical game of soccerlike Quidditch to entertain sports fans) as Harry and his friends Ron and Hermione plumb the secrets of the forbidden third floor at Hogwarts to battle evil and unravel the mystery behind Harry’s scar.–PW, ages 8-12

25. THE LIGHTNING THIEF, (The Last Olympian series), Rick Riordan

Percy Jackson is about to be kicked out of boarding school…again. And that’s the least of his troubles. Lately, mythological monsters and the gods of Mount Olympus seem to be walking straight out of the pages of Percy’s Greek mythology textbook and into his life. And worse, he’s angered a few of them. Zeus’s master lightning bolt has been stolen, and Percy is the prime suspect. Now Percy and his friends have just ten days to find and return Zeus’s stolen property and bring peace to a warring Mount Olympus. But to succeed on his quest, Percy will have to do more than catch the true thief: he must come to terms with the father who abandoned him; solve the riddle of the Oracle, which warns him of betrayal by a friend; and unravel a treachery more powerful than the gods themselves.–Amazon

Diary of a Wimpy Kid 26. ARTEMIS FOWL, (series), Eoin Colfer

Colfer’s (Benny and Omar) crime caper fantasy, the first in a series, starts off with a slam-bang premise: anti-hero Artemis Fowl is a boy-genius last in line of a legendary crime family teetering on the brink of destruction. With the assistance of his bodyguard, Butler, he masterminds his plan to regain the Fowls’ former glory: capture a fairy and hold her ransom for the legendary fairy gold. However, his feisty mark, Holly, turns out to be a member of the “LEPrecon, an elite branch of the Lower Elements Police,” so a wisecracking team of satyrs, trolls, dwarfs and fellow fairies set out to rescue her. Despite numerous clever gadgets and an innovative take on traditional fairy lore, the author falls short of the bar. The rapid-fire dialogue may work as a screenplay with the aid of visual effects (a film is due out from Talk/Miramax in 2002) but, on the page, it often falls flat. The narrative hops from character to character, so readers intrigued by Artemis’s wily, autocratic personality have to kill a good deal of time with the relatively bland Holly and her cohorts. Technology buffs may appreciate the imaginative fairy-world inventions and action-lovers will get some kicks, but the series is no classic in the making.–PW, ages 12 & up

27. THE HITCHHIKER’S GUIDE TO THE GALAXY, (series), Douglas Adams

This is the story of Arthur Dent, who, secnds before Earth is demolished to make way for a galactic freeway, is plucked off the planet by his friend, Ford Prefect, who has been posing as an out-of-work actor for the last fifteen years but is really a researcher for the revised edition of The Hitchhiker’s Guide to the Galaxy. Together they begin a journey through the galaxy aided by quotes from The Hitchhiker’s Guide to the Galaxy, with the words don’t panic written on the front. (“A towel is about the most massively useful thing an interstellar hitchhiker can have.”)–Amazon

28. WRINGER, Jerry Spinelli

Newbery Medal-winning author Jerry Spinelli tells a story of peer pressure so foul, so horrifying, that Wringer should be shelved along with Robert Cormier’s The Chocolate War. Nine-year-old Palmer dreads his upcoming 10th birthday. In his town, when boys are 10 years old they become “wringers,” the boys who wring the necks of wounded pigeons at the annual Pigeon Day shoot. Palmer is sickened by the whole event. To make matters worse, his new buddies–Beans, Mutto, and Henry–have just discovered that Palmer has been hiding a pet pigeon in his room. What will Palmer do? Will he become a wringer to save face, or will he follow his heart? Wringer will appeal to preteens and younger teens who love to read suspenseful books on their own, but it would also be a good story to read aloud to spark discussion about the perils and nuances of peer pressure. –Amazon

29. TOUCHING SPIRIT BEAR, Ben Mikaelsen
Cole Matthews is a violent teen offender convicted of viciously beating a classmate, Peter, causing neurological and psychological problems. Cole elects to participate in Circle Justice, an alternative sentencing program based on traditional Native American practices that results in his being banished to a remote Alaskan Island where he is left to survive for a year. Cynical and street smart, he expects to fake his way through the preliminaries, escape by swimming off the island, and beat the system, again. But his encounter with the Spirit Bear of the title leaves him desperately wounded and gives him six months of hospitalization to reconsider his options. Mikaelsen’s portrayal of this angry, manipulative, damaged teen is dead on. Cole’s gradual transformation into a human kind of being happens in fits and starts. He realizes he must accept responsibility for what he has done, but his pride, pain, and conditioning continue to interfere. He learns that his anger may never be gone, but that he can learn to control it. The author concedes in a note that the culminating plot element, in which Peter joins Cole on the island so that both can learn to heal, is unlikely. But it sure works well as an adventure story with strong moral underpinnings. Gross details about Cole eating raw worms, a mouse, and worse will appeal to fans of the outdoor adventure/survival genre, while the truth of the Japanese proverb cited in the frontispiece, “Fall seven times, stand up eight” is fully and effectively realized.-Joel Shoemaker, Southeast Junior High School, Iowa City, IA for School Library Journal, grades 7 & up

30. THE ABSOLUTELY TRUE DIARY OF A PART-TIME INDIAN, Sherman Alexie
Arnold Spirit, a goofy-looking dork with a decent jumpshot, spends his time lamenting life on the “poor-ass” Spokane Indian reservation, drawing cartoons (which accompany, and often provide more insight than, the narrative), and, along with his aptly named pal Rowdy, laughing those laughs over anything and nothing that affix best friends so intricately together. When a teacher pleads with Arnold to want more, to escape the hopelessness of the rez, Arnold switches to a rich white school and immediately becomes as much an outcast in his own community as he is a curiosity in his new one. He weathers the typical teenage indignations and triumphs like a champ but soon faces far more trying ordeals as his home life begins to crumble and decay amidst the suffocating mire of alcoholism on the reservation. Alexie’s humor and prose are easygoing and well suited to his young audience, and he doesn’t pull many punches as he levels his eye at stereotypes both warranted and inapt. A few of the plotlines fade to gray by the end, but this ultimately affirms the incredible power of best friends to hurt and heal in equal measure. Younger teens looking for the strength to lift themselves out of rough situations would do well to start here.–Ian Chipman for Booklist, grades 7-10

31. I LOVE YOU, BETH COOPER, Larry Doyle
Speaking in “the stilted manner of adolescent public speakers throughout history,” and sweating so profusely that he develops a “groin pool,” Denis Cooverman interrupts his high-school valedictory address to say what’s truly on his mind: “I love you, Beth Cooper.” His confession kicks off this outrageously funny novel, set during a single graduation night that Denis miraculously spends with the object of his desire, a head cheerleader who, for the first time, registers his existence. Doyle has written for Beavis and Butt-Head and The Simpsons, making it no surprise that his first novel both celebrates and mercilessly satirizes all things teen with razor-sharp humor: “The sullen girl sang, wringing fresh bitterness from the already alkaline lyrics.” The homage to teen movies is obvious, from the stock characters and scenarios (including the ubiquitous naked-drunk-girls scene) to direct quotes from legendary teen-film characters. It’s the nonstop jokes and wry, uproarious descriptions that set this apart, and like the shows Doyle has helped create, the text is filled with phrases (“benevolent cliquetator”) and lines readers will savor.–Gillian Engberg for Booklist

32. AN ABUNDANCE OF KATHERINES, (& others), John Green
This novel is not as issue-oriented as Greens Looking for Alaska (Dutton, 2005), though it does challenge readers with its nod to postmodern structure. Right after intellectual child-prodigy Colin Singleton graduates from high school, his girlfriend (who, like the 18 young women and girls whom he claimed as girlfriends over the years, is named Katherine) breaks up with him and sends him into a total funk. His best friend, Hassan, determines that he can only be cured with a road trip. After some rather aimless driving, the two find themselves in Gutshot, TN, where locals persuade them to stay. There, Colin spends his spare time working on a mathematical theorem of love, hypothesizing that romantic relationships can be graphed and predicted. The narrative is self-consciously dorky, peppered with anagrams, trivia, and foreign-language bons mots and interrupted by footnotes that explain, translate, and expound upon the text in the form of asides. It is this type of mannered nerdiness that has the potential to both win over and alienate readers. As usual, Greens primary and secondary characters are given descriptive attention and are fully and humorously realized. While enjoyable, witty, and even charming, a book with an appendix that describes how the mathematical functions in the novel can be created and graphed is not for everybody. The readers who do embrace this book, however, will do so wholeheartedly.–Amy S. Pattee, Simmons College, Boston, grade 9 & up

33. THE ASTONISHING ADVENTURES OF FANBOY AND GOTH GIRL, (& others), Barry Lyga
On good days, Fanboy is invisible to the students at his high school. On bad ones, he’s a target for bullying and violence. When a classmate is cruel to him, Fanboy adds him to The List and moves on. His only real friend, Cal, is a jock who can’t be seen with him in public. Their love of comics, though, keeps them close friends outside of school. Reading comics and writing his own graphic novel, Schemata, are the only things that keep him sane. He dreams of showing his work to a famous author at a comic-book convention and being discovered as the next great graphic novelist. When Goth Girl Kyra IMs him with photos of him being beaten up, he’s skeptical. Why does she care what happens to him? He learns, though, that she’s as much an outsider as he is. The two form a tentative friendship based on hatred of their classmates, particularly jocks, and her interest in Schemata. Fanboy is a rule follower, but Kyra is a rebel with a foul mouth. She teaches him to stand up for himself, and gives him the confidence to do it. Lyga looks at how teens are pushed to their limits by society. Though he toys with such concepts as teen suicide and Columbine-like violence, the novel never turns tragic. His love of comics carries over into all three teen characters, breathing animation into a potentially sad but often funny story. This is a great bridge book for teens who already like graphic novels.–Stephanie L. Petruso, Anne Arundel County Public Library, Odenton, MD for School Library Journal, grade 9 & up

Filed Under: All, Blog, Books, lists Tagged With: book list, Books, boys books, kidlit, list, MG, YA

4 Ways to Note Down Story Ideas

November 3, 2009 By peta 4 Comments

Last week, I attended an author talk by Sherman Alexie (more about his talk later in the week). One of his tips (for more author tips, check out this recent post from my friend, Amitha) was to consider the everyday. Look around for ideas, and note everything down. As a short story writer, I love this idea, but I have to admit, Baby curtails my note-taking abilities. Here are four ways I jot down my story ideas.

1. My phone

I have an iPhone (it’s a marvelous way to document Baby’s every day) and use the voice record function every other day. With the addition of a headset–kept in an easy to reach pocket in my purse–the phone becomes a nifty little mp3 recorder. So, while on my walks with Baby, I tuck the phone into a pocket, open voice recorder, and walk with one headphone looped around my ear. Whenever I see something worth noting, I just tap to record.

No headset? No problem. Just speak into the phone as usual. An iPhone isn’t necessary, either–most phones have a voice record function.

2. Index cards

Here’s a tip I picked up from Anne Lamott–slip a couple of index cards in your pocket. They’re small, thin enough to stop you feel bulky (always a good thing), and perfect for jotting down notes. I carry a small pencil (pinched from Ikea) with mine, though anything will do. (In moments of desperation, I’ve been known to grab restaurant matches and strike a couple to make charcoal. Anything for the idea, right?)

3. Email

I live near Harvard, and my husband’s a grad student, so I’m always scooting through the campus. Whenever I’m out on a walk, sans phone and index cards (16 week old Baby = 4 hours sleep a night = a forgetful Peta), I head for the law school commons to shoot myself an email. Most universities have public access computers around, as do local libraries.

4. Talk it out

It’s hard to remember lists, and single facts. It’s easier to remember conversations. So, when I’m out with Baby and have no other way to keep track of an idea, I tell him about it. This verbal brainstorming helps me get a better grasp of the idea–and the more fleshed out it becomes, the easier it is to recall when I get home. It’s also the most successful–ideas I talk out make it into story form much sooner.

One final tip–organize your ideas for later. Try labeling notes by type of story, and/or genre. I use a story-only gmail account for mine–it’s my backup of works in progress, ideas, and contact information. Using gmail’s labels, I can find the notes I made for a short story, or the revision ideas I had for a piece of flash fiction with just one click.

How do you keep track of your story ideas? Do you revisit old ideas?

Filed Under: All, Blog, Writer's Kit Tagged With: Author, flash fiction, ideas, iPhone, list, Sherman Alexie, Short story, tip, Writing

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