Want the whole list? Get the PDF here; get the titles-only list here.

*mature content

1. BOOK OF A THOUSAND DAYS, Shannon Hale

When Dashti, a maid, and Lady Saren, her mistress, are shut in a tower for seven years for Saren’s refusal to marry a man she despises, the two prepare for a very long and dark imprisonment. As food runs low and the days go from broiling hot to freezing cold, it is all Dashti can do to keep them fed and comfortable. But the arrival outside the tower of Saren’s two suitors—one welcome, and the other decidedly less so—brings both hope and great danger, and Dashti must make the desperate choices of a girl whose life is worth more than she knows.
With Shannon Hale’s lyrical language, this forgotten but classic fairy tale from the Brothers Grimm is reimagined and reset on the central Asian steppes; it is a completely unique retelling filled with adventure and romance, drama and disguise.

2. STARDUST, Neil Gaiman

Tristran Thorn falls in love with the prettiest girl in town and makes her a foolish promise: he says that he’ll go find the falling star they both watched streak across the night sky. She says she’ll marry him if he finds it, so he sets off, leaving his home of Wall, and heads out into the perilous land of faerie, where not everything is what it appears. Gaiman is known for his fanciful wit, sterling prose and wildly imaginative plots, and Stardust is no exception.

3. THIS IS WHAT I DID, Ann Dee Ellis*

Eighth-grader Logan is struggling to deal with a violent situation he witnessed a year ago between his best friend, Zyler, and Zyler’s abusive father but insists to everyone around him that he is fine. Just fine. Reluctant readers will be drawn into this story, which also includes bullying classmates and a dismal winter camping trip. Frequent line breaks, screenplay-style dialogue, and e-mails and notes illustrated with black icons break up the scenes. Logan gets to play one of the Lost Boys in the school play, and finds that the theater crowd offers a respite from bullies. A friendship with a girl named Laurel (a palindrome collector who is is thinking of changing her name to Laral), and a relationship with a counselor help Logan to begin the healing process and convince him to reconnect with Zyler. This psychological drama effectively explores our failure to protect youth from abuse inflicted by peers or adults. Caution: there’s a slang term for scrotum on page 1. — Dobrez, Cindy for Booklist

4. SPEAK, Laurie Halse Anderson

Melinda Sordino busted an end-of-summer party by calling the cops. Now her old friends won’t talk to her, and people she doesn’t even know hate her from a distance. The safest place to be is alone, inside her own head. But even that’s not safe. Because there’s something she’s trying not to think about, something about the night of the party that, if she let it in, would blow her carefully constructed disguise to smithereens. And then she would have to speak the truth. This extraordinary first novel has captured the imaginations of teenagers and adults across the country.

5. THE UNDERNEATH, Kathi Appelt

Appelt’s impressive novel (her first) entails animals in crisis—a topic of enduring popularity. But the author, whose path from picture books to fantasy is discussed in the Story behind the Story, breathes new life into the sentient-animals premise, introducing strong currents of magic realism into a tale as rich and complex as “the gumbo-like waters of the bayous.” Chained and starved by cruel trapper Gar Face, lonely hound Ranger finds companions in a stray cat and her two kittens. When Mother Cat falls victim to Gar Face’s abuse, the surviving animals, especially sensitive kitten Puck, struggle to keep their makeshift family together. The animals’ caring, generous bonds juxtapose with the smothering love of an ancient shape-shifter in a moving parallel story. Joining Natalie Babbitt’s Tuck Everlasting as a rare example of youth fantasy with strong American underpinnings, Appelt’s novel folds in specific traditions of the Caddo peoples of east Texas, and casts the bayous as a kind of enchanted forest laden with spirits and benign, organic presences. Some readers may struggle with Appelt’s repeated phrases and poetic fragments, and wish the connections and conflicts in the story came to a faster boil. But most children will be pulled forward by the vulnerable pets’ survival adventure and by Small’s occasional, down-to-earth drawings, created with fluid lines that are a perfect match for the book’s saturated setting and Appelt’s ebbing, flowing lyricism. –Jennifer Mattson for Booklist

6. THE STAR OF KAZAN, Eva Ibbotson

Abandoned as a baby, Annika is found and adopted by Ellie and Sigrid, cook and housemaid for three professors. Growing up in early-20th-century Vienna, she learns to cook and clean and is perfectly happy until a beautiful aristocrat appears and claims to be her mother, sweeping her off to a new life in a crumbling castle in northern Germany. Annika is determined to make the best of things, and it takes a while for her to realize that her new “family” has many secrets, most of them nasty. With the help of Ellie, Sigrid, the professors, and friends old and new, Annika escapes from a ghastly fate and learns to face the truth about her relatives. Winding like a braid through this story is a mystery involving a chest of worn costumes and junk jewelry left to Annika by an old woman she has befriended. This is a rich saga in the tradition of Frances Hodgson Burnett, full of stalwart friends, sly villains, a brave heroine, and good triumphing over evil. Annika’s determination to do the right thing is both laudable and utterly frustrating, especially when readers realize that her loyalty is misplaced. Almost every character is distinct, but the ones that stand out are the “regular folk,” individuals whose sense of decency propels them into amazing acts of courage. Vienna itself is colorfully portrayed, brimming with pastries, coffee, and dancing Lipizzaner horses. An intensely satisfying read.–Eva Mitnick, Los Angeles Public Library for School Library Journal

7. A THOUSAND NEVER EVERS, Shana Burg

Set in rural Mississippi during the civil rights movement, this gripping first novel offers an up-close look at the racism and violence endured in an African-American community. By the time Addie Ann Pickett, the narrator, enters junior high, she is well aware of the racial divisions in her county. She has been warned not to stay on the white side of town after the sun has set and not to “look at white folks too close.” But her older brother and the local minister have different ideas and argue that “there comes a time when a man’s dignity’s worth more than his life.” Caught between her mother’s rule to stay away from trouble and the call to take action, Addie must make decisions, especially when the lives of two family members are at stake. References to significant historical events (Medgar Evers’s assassination, the March on Washington) add authenticity and depth, while Addie’s frank, expertly modulated voice delivers an emotional wallop. –PW

8. A CONSPIRACY OF KINGS, Megan Whalen Turner

Following The Thief, a 1997 Newbery Honor Book, and The King of Attolia, a 2007 Best Book for Young Adults, Turner continues her exquisite series with another rich story that examines peace, power, leadership, and loyalty. After initial, tense prison scenes focused on Eugenides, the king of Attolia, the novel’s viewpoint switches from third to first person, and Sophos, the reluctant king of Sounis who prefers poetry to politics, relates the adventures that precipitated his rise to questionable power. Tutors have drilled Sophos in imaginary attacks, but after he loses his family in a real invasion, he is bereft and goes into hiding as a slave on a nobleman’s estate in order to avoid his sovereign responsibilities. Even though Eugenides’ fans will miss his presence, he continues to pull strings from the sidelines as he joins leaders in high-priced alliances and prepares for an invasion. Turner’s plotting remains deft, and the subtlety with which she balances her characters’ inner and outer worlds will delight both series newcomers and fans, who will be waiting to grab this stand-out, stand-alone adventure, filled with all the expected intrigue and political machinations, from the shelves.–Cindy Dobrez for Booklist

9. NORTH OF BEAUTIFUL, Justina Chen Headley

Sixteen-year-old Terra seems to be a typical high-achieving high-school student. Under her heavy makeup, though, she hides a port-wine colored birthmark on her cheek that makes her feel like an outsider. During yet another attempt to remove the birthmark, Terra runs into Jacob, a gorgeous Goth with a cleft-palette scar. That encounter initiates a transformation in both Terra and her subservient mother. Headley has written an exquisite book that explores the difference between physical and true beauty as Terra and her mother travel from Washington state to China, and from the home of a shame-faced, cruel cartographer into the presence of an adventurous, strong woman and her insightful teenage son. Headley uses map metaphors throughout, even in the activity, geocaching, which helps bond Terra and Jacob in both Washington and China. She also uses Terra’s artistic medium, collage, as a literary device to create layer upon layer of experiences and insights into a artfully written journey of self-discovery, self-actualization, and love. With every carefully chosen word, well-crafted sentence, and fully developed character, Headley maps out a wholly satisfying reading experience that takes readers from terra nullis to terra firma. –Frances Bradburn for Booklist

10. A WIZARD OF EARTHSEA, (series), Ursula K. LeGuin

Often compared to Tolkien’s Middle-earth or Lewis’s Narnia, Ursula K. Le Guin’s Earthsea is a stunning fantasy world that grabs quickly at our hearts, pulling us deeply into its imaginary realms. Four books (A Wizard of Earthsea, The Tombs of Atuan, The Farthest Shore, and Tehanu) tell the whole Earthsea cycle–a tale about a reckless, awkward boy named Sparrowhawk who becomes a wizard’s apprentice after the wizard reveals Sparrowhawk’s true name. The boy comes to realize that his fate may be far more important than he ever dreamed possible. Le Guin challenges her readers to think about the power of language, how in the act of naming the world around us we actually create that world. Teens, especially, will be inspired by the way Le Guin allows her characters to evolve and grow into their own powers.
In this first book, A Wizard of Earthsea readers will witness Sparrowhawk’s moving rite of passage–when he discovers his true name and becomes a young man.–Amazon

11. WHEN YOU REACH ME, Rebecca Stead

Four mysterious letters change Miranda’s world forever.??By sixth grade, Miranda and her best friend, Sal, know how to navigate their New York City neighborhood. They know where it’s safe to go, like the local grocery store, and they know whom to avoid, like the crazy guy on the corner. But things start to unravel. Sal gets punched by a new kid for what seems like no reason, and he shuts Miranda out of his life. The apartment key that Miranda’s mom keeps hidden for emergencies is stolen. And then Miranda finds a mysterious note scrawled on a tiny slip of paper:

I am coming to save your friend’s life, and my own.
I must ask two favors. First, you must write me a letter.

The notes keep coming, and Miranda slowly realizes that whoever is leaving them knows all about her, including things that have not even happened yet. Each message brings her closer to believing that only she can prevent a tragic death. Until the final note makes her think she’s too late.

12. STARGIRL, Jerry Spinelli

“She was homeschooling gone amok.” “She was an alien.” “Her parents were circus acrobats.” These are only a few of the theories concocted to explain Stargirl Caraway, a new 10th grader at Arizona’s Mica Area High School who wears pioneer dresses and kimonos to school, strums a ukulele in the cafeteria, laughs when there are no jokes, and dances when there is no music. The whole school, not exactly a “hotbed of nonconformity,” is stunned by her, including our 16-year-old narrator Leo Borlock: “She was elusive. She was today. She was tomorrow. She was the faintest scent of a cactus flower, the flitting shadow of an elf owl.”

In time, incredulity gives way to out-and-out adoration as the student body finds itself helpless to resist Stargirl’s wide-eyed charm, pure-spirited friendliness, and penchant for celebrating the achievements of others. In the ultimate high school symbol of acceptance, she is even recruited as a cheerleader. Popularity, of course, is a fragile and fleeting state, and bit by bit, Mica sours on their new idol. Why is Stargirl showing up at the funerals of strangers? Worse, why does she cheer for the opposing basketball teams? The growing hostility comes to a head when she is verbally flogged by resentful students on Leo’s televised Hot Seat show in an episode that is too terrible to air. While the playful, chin-held-high Stargirl seems impervious to the shunning that ensues, Leo, who is in the throes of first love (and therefore scornfully deemed “Starboy”), is not made of such strong stuff: “I became angry. I resented having to choose. I refused to choose. I imagined my life without her and without them, and I didn’t like it either way.”

13. THE ADORATION OF JENNA FOX, Mary E. Pearson

Seventeen-year-old Jenna Fox awakens after more than a year in a coma to find herself in a life—and a body—that she doesn’t quite recognize. Her parents tell her that she’s been in an accident, but much of her past identity and current situation remain a mystery to her: Why has her family abruptly moved from Boston to California, leaving all of her personal belongings behind? Why does her grandmother react to her with such antipathy? Why have her parents instructed her to make sure not to tell anyone about the circumstances of their move? And why can Jenna recite whole passages of Thoreau’s Walden, but remember next to nothing of her own past? As she watches family videos of her childhood, strange memories begin to surface, and she slowly realizes that a terrible secret is being kept from her. Pearson has constructed a gripping, believable vision of a future dystopia. She explores issues surrounding scientific ethics, the power of science, and the nature of the soul with grace, poetry, and an apt sense of drama and suspense. Some of the supporting characters are a bit underdeveloped, but Jenna herself is complex, interesting, and very real. This is a beautiful blend of science fiction, medical thriller, and teen-relationship novel that melds into a seamless whole that will please fans of all three genres.—Meredith Robbins for School Library Journal

14. THE BOOK THIEF, Marcus Zusak

Zusak has created a work that deserves the attention of sophisticated teen and adult readers. Death himself narrates the World War II-era story of Liesel Meminger from the time she is taken, at age nine, to live in Molching, Germany, with a foster family in a working-class neighborhood of tough kids, acid-tongued mothers, and loving fathers who earn their living by the work of their hands. The child arrives having just stolen her first book–although she has not yet learned how to read–and her foster father uses it, The Gravediggers Handbook, to lull her to sleep when shes roused by regular nightmares about her younger brothers death. Across the ensuing years of the late 1930s and into the 1940s, Liesel collects more stolen books as well as a peculiar set of friends: the boy Rudy, the Jewish refugee Max, the mayors reclusive wife (who has a whole library from which she allows Liesel to steal), and especially her foster parents. Zusak not only creates a mesmerizing and original story but also writes with poetic syntax, causing readers to deliberate over phrases and lines, even as the action impels them forward. Death is not a sentimental storyteller, but he does attend to an array of satisfying details, giving Liesels story all the nuances of chance, folly, and fulfilled expectation that it deserves. An extraordinary narrative.–Francisca Goldsmith for School Library Journal

15. THE GIVER, Lois Lowry

In the “ideal” world into which Jonas was born, everybody has sensibly agreed that well-matched married couples will raise exactly two offspring, one boy and one girl. These children’s adolescent sexual impulses will be stifled with specially prescribed drugs; at age 12 they will receive an appropriate career assignment, sensibly chosen by the community’s Elders. This is a world in which the old live in group homes and are “released”–to great celebration–at the proper time; the few infants who do not develop according to schedule are also “released,” but with no fanfare. Lowry’s development of this civilization is so deft that her readers, like the community’s citizens, will be easily seduced by the chimera of this ordered, pain-free society. Until the time that Jonah begins training for his job assignment–the rigorous and prestigious position of Receiver of Memory–he, too, is a complacent model citizen. But as his near-mystical training progresses, and he is weighed down and enriched with society’s collective memories of a world as stimulating as it was flawed, Jonas grows increasingly aware of the hypocrisy that rules his world. With a storyline that hints at Christian allegory and an eerie futuristic setting, this intriguing novel calls to mind John Christopher’s Tripods trilogy and Hans Christian Andersen’s The Little Match Girl. Lowry is once again in top form–raising many questions while answering few, and unwinding a tale fit for the most adventurous readers.–PW

16. JELLICOE ROAD, Melina Marchetta

Taylor Markham isn’t just one of the new student leaders of her boarding school, she’s also the heir to the Underground Community, one of three battling school factions in her small Australian community (the others being the Cadets and the Townies). For a generation, these three camps have fought “the territory wars,” a deadly serious negotiation of land and property rife with surprise attacks, diplomatic immunities, and physical violence. Only this year, it’s complicated: Taylor might just have a thing for Cadet leader Jonah, and Jonah might just be the key to unlocking the secret identity of Taylor’s mother, who abandoned her when she was 11. In fact, nearly every relationship in Taylor’s life has unexpected ties to her past, and the continual series of revelations is both the book’s strength and weakness; the melodrama can be trying, but when Marchetta isn’t forcing epiphanies, she has a knack for nuanced characterizations and punchy dialogue. The complexity of the backstory will be offputting to younger readers, but those who stick it out will find rewards in the heartbreaking twists of Marchetta’s saga. –Daniel Kraus for Booklist

17. CRANK, Ellen Hopkins

Seventeen-year-old Kristina Snow is introduced to crank on a trip to visit her wayward father. Caught up in a fast-paced, frightening, and unfamiliar world, she morphs into “Bree” after she “shakes hands with the monster.” Her fearless, risk-taking alter ego grows stronger, “convincing me to be someone I never dreamed I’d want to be.” When Kristina goes home, things don’t return to normal. Although she tries to reconnect with her mother and her former life as a good student, her drug use soon takes over, leaving her “starving for speed” and for boys who will soon leave her scarred and pregnant. Hopkins writes in free-verse poems that paint painfully sharp images of Kristina/Bree and those around her, detailing how powerful the “monster” can be. The poems are masterpieces of word, shape, and pacing, compelling readers on to the next chapter in Kristina’s spiraling world. This is a topical page-turner and a stunning portrayal of a teen’s loss of direction and realistically uncertain future.–Sharon Korbeck for School Library Journal

18. PUSH, (Precious), Sapphire *

An electrifying first novel that shocks by its language, its circumstances, and its brutal honesty, Push recounts a young black street-girl’s horrendous and redemptive journey through a Harlem inferno. For Precious Jones, 16 and pregnant with her father’s child, miraculous hope appears and the world begins to open up for her when a courageous, determined teacher bullies, cajoles, and inspires her to learn to read, to define her own feelings and set them down in a diary.

*Titles link to online text or download pages.

1. FOR THE WIN, Cory Doctorow
Doctorow is indispensable. It’s hard to imagine any other author taking on youth and technology with such passion, intelligence, and understanding. Although perhaps less urgent than Little Brother (2008), this effort is superior in every other aspect: scope, plot, character, and style. Set in the near future and in locations across the globe (though primarily China and India), the story involves a sweeping cast of characters making a living—if you want to call brutal conditions and pitiful wages a “living”—in such virtual-game worlds as Svartalfheim Warriors and Zombie Mecha. Many of them, like 15-year-old Mala (known by her troops as “General Robotwalla”), endure physical threats from their bosses to farm virtual gold, which is then sold to rich First World gamers. Then these brilliant teens are brought together by the mysterious Big Sister Nor, who has a plan to unionize and bring these virtual worlds—and real-world sweatshops, too—to a screeching halt. Once again Doctorow has taken denigrated youth behavior (this time, gaming) and recast it into something heroic. He can’t resist the occasional lecture—sometimes breaking away from the plot to do so—but thankfully his lessons are riveting. With it’s eye-opening humanity and revolutionary zeal, this ambitious epic is well worth the considerable challenge.–Daniel Kraus for Booklist

2. TIME TRADERS, Andre Norton
Head over to the Baen Free Library, then follow the prompts to authors, then Andre Norton.

Intelligence agents have uncovered something which seems beyond belief, but the evidence is incontrovertible: the USAs greatest adversary on the world stage is sending its agents back through time! And someone or something unknown to our history is presenting them with technologies — and weapons — far beyond our most advanced science. We have only one option: create time-transfer technology ourselves, find the opposition’s ancient source…and take it dawn.

When small-time criminal Ross Murdock and Apache rancher Travis Fox stumble separately onto America’s secret time travel project, Operation Retrograde, they are faced with a challenge greater than either could have imagined possible. Their mere presence means that they know too much to go free. But Murdock and Fox have a thirst for adventure, and Operation Retrograde offers that in spades.

Both men will become time agents, finding reserves of inner heroism they had never expected. Their journeys will take the battle to the enemy, from ancient Britain to prehistoric America, and finally to the farthest reaches of interstellar space…

3. THE GIRL WHO CIRCUMNAVIGATED FAIRYLAND IN A SHIP OF HER OWN MAKING, Catherynne M. Valente
A young adult novel, following September on her journey. From the first chapter:
Once upon a time, a girl named September grew very tired indeed of her father’s house, where she washed the same pink and yellow teacups and matching gravy boats every day, slept on the same embroidered pillow, and played with the same small and amiable dog. Because she had been born in May, and because she had a mole on her left cheek, and because her feet were very large and ungainly, the Green Wind took pity on her, and flew to her window one evening just after her eleventh birthday. He was dressed in a green smoking jacket, and a green carriage-driver’s cloak, and green jodhpurs, and green snowshoes. It is very cold above the clouds, in the shanty-towns where the Six Winds live.
“You seem an ill-tempered and irascible enough child,” said the Green Wind. “How would you like to come away with me and ride upon the Leopard of Little Breezes, and be delivered to the great sea which borders Fairyland? I am afraid I cannot go in, as Harsh Airs are not allowed, but I should be happy to deposit you upon the Perverse and Perilous Sea.”

4. BETTER ZOMBIES THROUGH PHYSICS, Jim Ottaviani and Sean Bieri
A short, online only graphic novel. Join us for chills, thrills, and pulse-pounding scientific breakthroughs as we embark on a tour of the Quantum Zombie, Inc. facility, courtesy of a guy who bears a striking resemblance to famed scientist and cat-lover Erwin Schrödinger. Hijinks, hilarity, and an abundance of felines await you in “Better Zombies Through Physics.”

*Tor.com & the authors encourage fan fic based on this story.

5. TOAST, Charles Stross
The title of Stross’s provocative new SF collection—a revised, expanded version of a 2002 title of the same name—is a mordant reference to catastrophes at the climaxes of these 11 stories. In “A Colder War,” a stand-alone sequel to Lovecraft’s “At the Mountains of Madness,” monsters from outside space and time are liberated as weapons of mass destruction by Russia and the Middle East. In “Antibodies,” a mathematical theorem undermines the foundations of all computer encryption systems, forcing fugitive behavior from the narrator who has depended on the anonymity they hitherto ensured. “Ship of Fools,” written in 1995, evokes the epic scale of Arthur C. Clarke’s fiction in its projection of dire technological fiascos that rock the world at the turn of Y2K. In Stross’s worlds, virtual reality is the new frontier, AI is a fact of life and everyone is fluent in the sometimes impenetrable technogeek-speak that goes with the territory. For all that, his characters are familiar and sympathetic hackers, slackers and opportunists, whose lives have not been improved by their technological expertise, and whose adventures he interweaves seamlessly with the circuitry.–PW

6. HOW TO TALK TO GIRLS AT PARTIES, Neil Gaiman
A story about a couple of British 1970s teen-aged boys, Enn and Vic, who go to a party to meet girls, only to find that the girls are much different than they imagined.

The story follows Enn, a shy boy whom the more confident Vic encourages to just talk to girls. While at the party, Enn talks to three very nice but strange girls. As he focuses on “making a move” on the girls, it is revealed to the reader the exchange students there are more interplanetary than foreign.

7. TANGLEFOOT: (A Story of the Clockwork Century), Cherie Priest
A novelette, Tanglefoot is steampunk/alternate history fic. From the prologue:

Stonewall Jackson survived Chancellorsville. England broke the Union’s naval blockade, and formally recognized the Confederate States of America. Atlanta never burned.

It is 1880. The American Civil War has raged for nearly two decades, driving technology in strange and terrible directions. Combat dirigibles skulk across the sky and armored vehicles crawl along the land. Military scientists twist the laws of man and nature, and barter their souls for weapons powered by light, fire, and steam.

But life struggles forward for soldiers and ordinary citizens. The fractured nation is dotted with stricken towns and epic scenes of devastation–some manmade, and some more mysterious. In the western territories cities are swallowed by gas and walled away to rot while the frontiers are strip-mined for resources. On the borders between North and South, spies scour and scheme, and smugglers build economies more stable than their governments.

This is the Clockwork Century.

It is dark here, and different.

8. AGENT TO THE STARS, John Scalzi

The space-faring Yherajk have come to Earth to meet us and to begin humanity’s first interstellar friendship. There’s just one problem: They’re hideously ugly and they smell like rotting fish.

So getting humanity’s trust is a challenge. The Yherajk need someone who can help them close the deal.

Enter Thomas Stein, who knows something about closing deals. He’s one of Hollywood’s hottest young agents. But although Stein may have just concluded the biggest deal of his career, it’s quite another thing to negotiate for an entire alien race. To earn his percentage this time, he’s going to need all the smarts, skills, and wits he can muster.–Publisher description

Want the whole list? Download the PDF here; get the titles-only version here.

1. BOOK OF A THOUSAND DAYS, Shannon Hale
Hale (River Secrets) delivers another winning fantasy, this time inventively fleshing out the obscure Grimm tale, Maid Maleen, through the expressive and earthy voice of Dashti, maid to Lady Saren. A plucky and resourceful orphan, Dashti comes from a nomad tribe in a place resembling the Asian Steppes, and is brought to the Lady’s house in the midst of a crisis. Lady Saren, having refused to marry the powerful but loathsome Lord her father has chosen, faces seven years’ imprisonment in an unlit tower. Initially, Dashti believes her worth is tied to her ability to care for her “tower-addled” lady until she can join Khan Tegus, to whom she is secretly betrothed. When the gentle Tegus comes to the tower, Dashti must step in for her traumatized lady, speaking to him as Saren through the one tiny metal door. Hale exploits the diary form to convey Dashti’s perspective; despite her self-effacing declaration that “?I draw this from memory so it won’t be right,” the entries reflect her genuinely spirited inner life. The tension between her unstinting loyalty and patience and burgeoning realization of her own strength and feelings for Tegus feels especially authentic. Readers will be riveted as Dashti and Saren escape and flee to the Khan’s realm where, through a series of deceptions, contrivances and a riotously triumphant climax, the tale spins out to a thoroughly satisfying ending.–PW

2. BEAUTY: A RETELLING OF THE STORY OF BEAUTY AND THE BEAST, Robin McKinley
Beauty has never liked her nickname. She is thin and awkward; it is her two sisters who are the beautiful ones. But what she lacks in looks, she can perhaps make up for in courage. When her father comes home with the tale of an enchanted castle in the forest and the terrible promise he had to make to the Beast who lives there, Beauty knows she must go to the castle, a prisoner of her own free will. Her father protests that he will not let her go, but she answers, “Cannot a Beast be tamed?” Robin McKinley’s beloved telling illuminates the unusual love story of a most unlikely couple: Beauty and the Beast.–B&N

3. FAIREST, Gail Carson Levine
Levine’s enchanting, intelligent fairy tale, set in a kingdom devoted to singing, lends itself well to full-cast production; this one features 32 voices. Composer Todd Hobin has set Levine’s lyrics to music; Naughton does a terrific job as maid Aza, the narrator, a demanding role that requires near-operatic talents. Homely Aza, abandoned at birth, not only sings like a lark, she can throw her voice and mimic others, a skill she calls illusing. In a chance meeting, the treacherous new queen, whose abrasive voice has a Valley Girlesque quality, discovers Aza’s talent and blackmails the girl into secretly providing her voice for all of the queen’s public singing. Additional background music augments the many perilous predicaments Aza finds herself in, as well as providing a backdrop to the fairy-tale romance that develops between her and Prince Ijori. –PW

4. THE STINKY CHEESEMAN, AND OTHER FAIRLY STUPID TALES, Jon Scieszka, Lane Smith
Scieszka and Smith, the daring duo responsible for revealing The True Story of the Three Little Pigs (Viking, 1989), return here with nine new exposes, all narrated by the ubiquitous Jack (of Beanstalk fame). Unlike the detailed retelling of the pigs’ tale, most of these stories are shortened, one-joke versions that often trade their traditional morals for hilarity. “The Stinky Cheese Man” is an odoriferous cousin to the gingerbread boy; when he runs away, nobody wants to run after him. “The Other Frog Prince” wheedles a kiss only to reveal that he is just a tricky frog (as the princess wipes the frog slime off her lips); the Little Red Hen wanders frantically in and out of the book squawking about her wheat, her bread, her story, until she is finally (and permanently) squelched by Jack’s giant. The broad satire extends even to book design, with a blurb that proclaims “NEW! IMPROVED! FUNNY! GOOD! BUY! NOW!” and a skewed table of contents crashing down on Chicken Licken and company several pages after they proclaim that the sky is falling. The illustrations are similar in style and mood to those in the earlier book, with the addition of more abstraction plus collage in some areas. The typeface, text size, and placement varies to become a vital part of the illustrations for some of the tales. Clearly, it is necessary to be familiar with the original folktales to understand the humor of these versions. Those in the know will laugh out loud. –Susan L. Rogers, Chestnut Hill Academy, PA for School Library Journal

5. TITHE, Holly Black
Kaye is 16 when she finally learns why she’s such a strange young woman: she’s a changeling pixie under a spell. A move home to the New Jersey shore brings her back in touch with her childhood friends, the solitary fey, who want to end their servitude to the higher-born faeries by foiling the sacrifice of human blood known as the Tithe. Kaye offers to masquerade as a human for the Tithe and is swept into a complicated net of politics and treason between two rival courts of faeries. Grim scenes from Kaye’s life in the human world pile up at the beginning of the story in what initially seems a gratuitous manner (her mother is almost stabbed by her current boyfriend, Kaye steals for thrills, a new acquaintance tries to rape her), but the details all have explanations later on in the equally grim world of the faeries. The plot moves quickly, and the secondary characters are appealing, if not always entirely believable. Occasional awkward changes in point of view won’t discourage readers who enjoy dark, edgy fantasy. However, the excessive use of obscenities adds little to character development. Thegreatest strength of the story lies in the settings, particularly the descriptions of the debased Unseelie Court.-Beth Wright, Fletcher Free Library, Burlington, VT for School Library Journal

6. ONCE UPON A MARIGOLD, Jean Ferris
In a gratifying fantasy that contains elements of classic fairy tales, Ferris (Love Among the Walnuts) breathes new life into archetypal characters by adding unexpected and often humorous dimensions to their personalities. The protagonist, Christian, has been raised in the forest by a troll named Edric. As he nears manhood, Christian decides it is time to see the world-or at least the section across the river, where the lovely Princess Marigold resides. Having spent many hours gazing at Marigold through a telescope and corresponding with her by “p-mail” (letters sent by carrier pigeon), he has already felt the sting of Cupid’s arrow by the time he lands a job in court. Marigold readily returns his affections, but unfortunately, she is about to become betrothed to Sir Magnus. Meanwhile, Marigold’s evil mother, Queen Olympia, is plotting to murder both Marigold and her kindly, doting father, King Swithbert. Readers swept into the lighthearted spirit of this novel will likely not be bothered by the predictability of outcomes. As in fairy tales of old, jabs are made at social values and norms, and concepts of nobility and ignobility are painted in very broad strokes. Nonetheless, heroes and heroines emerge as convincing, well-rounded characters embodying flaws as well as virtues. Their foibles-Edric’s tendency to mix up adages, Christian’s stubborn streak and Marigold’s penchant for “awful” jokes-make the good guys all the more endearing.–PW

7. HOWL’S MOVING CASTLE, Dianna Wynne Jones

Sophie Hatter reads a great deal and soon realizes that as the eldest of three daughters she is doomed to an uninteresting future. She resigns herself to making a living as a hatter and helping her younger sisters prepare to make their fortunes. But adventure seeks her out in the shop where she sits alone, dreaming over her hats. The wicked Witch of the Waste, angered by “competition” in the area, turns her into a old woman, so she seeks refuge inside the strange moving castle of the wizard Howl. Howl, advertised by his apprentice as an eater of souls, lives a mad, frantic life trying to escape the curse the witch has placed on him, find the perfect girl of his dreams and end the contract he and his fire demon have entered. Sophie, against her best instincts and at first unaware of her own powers, falls in love. So goes this intricate, humorous and puzzling tale of fantasy and adventure which should both challenge and involve readers. Jones has created an engaging set of characters and found a new use for many of the appurtenances of fairy talesseven league boots and invisible cloaks, among others. At times, the action becomes so complex that readers may have to go back to see what actually happened, and at the end so many loose ends have to be tied up at once that it’s dizzying. Yet Jones’ inventiveness never fails, and her conclusion is infinitely satisfying. Sara Miller, White Plains Public Library, N.Y. for School Library Journal

Want the whole list? Download the PDF here; get the titles only version here.

**mature content

1. CITY OF THE BEASTS, Isabel Allende
Combine a magical world, mystical shamanic adventure, and feisty and eccentric characters with a fast-paced eco-thriller and you have Allende’s first book for young adults. Set in the lush and treacherous Amazonian rain forest, this is the story of 15-year-old Alexander Cold and 12-year-old Nadia Santos. While his mother is in Texas for chemotherapy treatment, Alex is spending the summer with his emotionally distant grandmother, who has been hired to find and write an article on the “Beast” that has been terrorizing the jungle. Partially funded by a suspicious businessman, the party includes a self-centered professor, several photographers, a government doctor and soldiers, a few native Indians, and a guide, C‚sar Santos, who brings along his daughter. Alex and Nadia become good friends, and together discover their own inner strengths through visions and shamanic journeys with the local tribe. The plot is as thick as its jungle setting. There are dangers such as the terrifying humanoid Beast that kills with huge claws, anacondas, natives with poison dart arrows, and an untrustworthy member of the expedition. The story is a struggle between good and evil, filled with surprises and adventure. Put this title on your “If You Liked Harry Potter” lists, and Allende may just find new fans. Though this is a rather hefty book, it is a real page-turner with hope for more, as Allende leaves readers with, “Until we meet again.”–Angela J. Reynolds, Washington County Cooperative Library Services, Hillsboro, OR for School Library Journal

2. CORALINE, Neil Gaiman
Coraline’s often wondered what’s behind the locked door in the drawing room. It reveals only a brick wall when she finally opens it, but when she tries again later, a passageway mysteriously appears. Coraline is surprised to find a flat decorated exactly like her own, but strangely different. And when she finds her “other” parents in this alternate world, they are much more interesting despite their creepy black button eyes. When they make it clear, however, that they want to make her theirs forever, Coraline begins a nightmarish game to rescue her real parents and three children imprisoned in a mirror. With only a bored-through stone and an aloof cat to help, Coraline confronts this harrowing task of escaping these monstrous creatures.–Barnes & Noble

3. HOLES, Louis Sachar
“If you take a bad boy and make him dig a hole every day in the hot sun, it will turn him into a good boy.” Such is the reigning philosophy at Camp Green Lake, a juvenile detention facility where there is no lake, and there are no happy campers. In place of what used to be “the largest lake in Texas” is now a dry, flat, sunburned wasteland, pocked with countless identical holes dug by boys improving their character. Stanley Yelnats, of palindromic name and ill-fated pedigree, has landed at Camp Green Lake because it seemed a better option than jail. No matter that his conviction was all a case of mistaken identity, the Yelnats family has become accustomed to a long history of bad luck, thanks to their “no-good-dirty-rotten-pig-stealing-great-great-grandfather!” Despite his innocence, Stanley is quickly enmeshed in the Camp Green Lake routine: rising before dawn to dig a hole five feet deep and five feet in diameter; learning how to get along with the Lord of the Flies-styled pack of boys in Group D; and fearing the warden, who paints her fingernails with rattlesnake venom. But when Stanley realizes that the boys may not just be digging to build character….–Brangien Davis for Amazon

4. BECAUSE OF WINN-DIXIE, Kate DiCamillo
Because of Winn-Dixie, a big, ugly, happy dog, 10-year-old Opal learns 10 things about her long-gone mother from her preacher father. Because of Winn-Dixie, Opal makes new friends among the somewhat unusual residents of her new hometown, Naomi, Florida. Because of Winn-Dixie, Opal begins to find her place in the world and let go of some of the sadness left by her mother’s abandonment seven years earlier. With her newly adopted, goofy pooch at her side, Opal explores her bittersweet world and learns to listen to other people’s lives. This warm and winning book hosts an unforgettable cast of characters, including a librarian who fought off a bear with a copy of War and Peace, an ex-con pet-store clerk who plays sweet music to his animal charges, and the neighborhood “witch,” a nearly blind woman who sees with her heart. Part Frankie (The Member of the Wedding), part Scout (To Kill a Mockingbird), Opal brings her own unique and wonderful voice to a story of friendship, loneliness, and acceptance. Opal’s down-home charm and dead-on honesty will earn her friends and fans far beyond the confines of Naomi, Florida. (Ages 9 and older) –Emilie Coulter for Amazon

5. THE BOOK THIEF, Marcus Zusak **
Zusak has created a work that deserves the attention of sophisticated teen and adult readers. Death himself narrates the World War II-era story of Liesel Meminger from the time she is taken, at age nine, to live in Molching, Germany, with a foster family in a working-class neighborhood of tough kids, acid-tongued mothers, and loving fathers who earn their living by the work of their hands. The child arrives having just stolen her first book–although she has not yet learned how to read–and her foster father uses it, The Gravediggers Handbook, to lull her to sleep when shes roused by regular nightmares about her younger brothers death. Across the ensuing years of the late 1930s and into the 1940s, Liesel collects more stolen books as well as a peculiar set of friends: the boy Rudy, the Jewish refugee Max, the mayors reclusive wife (who has a whole library from which she allows Liesel to steal), and especially her foster parents. Zusak not only creates a mesmerizing and original story but also writes with poetic syntax, causing readers to deliberate over phrases and lines, even as the action impels them forward. Death is not a sentimental storyteller, but he does attend to an array of satisfying details, giving Liesels story all the nuances of chance, folly, and fulfilled expectation that it deserves. An extraordinary narrative.–Francisca Goldsmith, Berkeley Public Library, CA for School Library Journal

6. THE GOOD FAIRIES OF NEW YORK, Martin Millar
British author Millar offers fiercely funny (and often inebriated) Scottish fairies, a poignant love story as well as insights into the gravity of Crohn’s disease, cultural conflicts and the plight of the homeless in this fey urban fantasy. Due to the machinations of the obnoxious Tala, Cornwall’s fairy king, only a few humans can see the 18-inch-tall fairies who alight in Manhattan: Magenta, a homeless woman who thinks she’s the ancient Greek general Xenophon; Dinnie, an overweight slacker; and Kerry, a poor artist/musician who hopes her Ancient Celtic Flower Alphabet will win a local arts prize. Fairies Heather MacKintosh and Morag MacPherson scheme to put Dinnie and Kerry together, rescue fairy artifacts and prove that in love or war, music is essential.

7. DINGO, Charles De Lint
De Lint ingeniously incorporates Aboriginal mythology into an intriguing story. Miguel, 17, is minding his dad’s funky comics and record store in a small resort community when a girl dashes in with her dog to escape the town bully. Miguel feels an immediate connection to her, but there is something strange about her dog. Gradually, he discovers that Lainey is a shape-changer, a magical creature from Australia’s Aboriginal past, and the dog—really a dingo—is actually her twin sister. The girls are hiding from their father, who wants to sacrifice Lainey to the powerful Aboriginal spirit Warrigal, the original clan leader, who is trapped in a tree. Suddenly Miguel is catapulted into a rain forest fantasy world complete with a talking cautionary turkey, haunted ancestral bones, and mysterious spirits. Fantasy lovers will enjoy this tale of an initially clueless protagonist thrust into a dangerous situation where he’s expected to become an instant hero. A somewhat unnecessary subplot involves the town bully, who actually has a heart of gold and a tender artistic side, and is drawn into the adventure when he falls for Lainey’s twin. Still, the juxtaposition of contemporary teen life with fantasy is well done. Readers might be interested enough to investigate more about the complicated Aboriginal Dreamtime of Australia and its early clan spirits and creation myths.—Quinby Frank, Green Acres School, Rockville, MD for School Library Journal

8. THE RIVER KING, Alice Hoffman**
Set in and around an exclusive private school in fictional Haddan, Mass., bestselling author Hoffman’s (Practical Magic; Here on Earth) latest novel flows as swiftly and limpidly as the Haddan River, the town’s mystical waterway. As one expects in a Hoffman novel, strange things have always happened in HaddanDa combination of Mother Nature gone awry and human nature following suit. In 1858, the year the school was completed, a devastating flood almost destroyed it and the town. The esteemed headmaster, Dr. Howe, married a pretty local girl who hung herself from the rafters “one mild evening in March.” Local superstitions prove true more often than not, and twice in recent history a black, algae-laden rain has covered people and buildings with a dark sludge. An uneasy peace has always existed between the locals and the Haddan School, based on the latter’s financial benefit to the community and the local authorities’ willingness to look the other way when necessary to maintain the school’s reputation. But when student August Pierce is found drowned in the Haddan River, detective Abel Grey is flooded with memories of his own teenage brother’s suicide, and refuses to look away. Supporting characters are richly textured: new photography instructor Betsy Chase feels unsafe in Haddan, yet somehow finds herself engaged to a mysterious young history professor Eric Herman; Carlin Leander, a poor, strikingly beautiful young girl, comes to Haddan to recreate herself and escape her neglectful mother, and becomes misfit August’s only friend while dating the most popular boy on campus; Helen Davis, chair of the history department, is haunted by a long-ago affair she had with Dr. Howe, which she believes had something to do with his young wife’s suicide. As ever, Hoffman mixes myth, magic and reality, addressing issues of town and gown, enchanting her readers with a many-layered morality tale and proving herself once again an inventive author with a distinctive touch.–PW

9. THE WOOD WIFE, Terri Windling **
When writer Maggie Black learns that her friend and mentor, poet Davis Cooper, has died and left her his house in the arid hills outside Tucson, Ariz., she travels there intending to write his biography and to investigate the mysterious circumstances of his death. Every detail she uncovers about Cooper’s past, however, only seems to raise more questions. When Maggie comes home one evening to find that the house has been ransacked, it becomes clear that she’s not the only one looking for answers. To solve the puzzle of Cooper’s life and death, Maggie will have to outwit the Trickster and the other powerful quasi-human creatures that roam the desert hills and feed on creative energy. Although at times Windling’s humans come off as too sensitive and artistic, her Native American spirits comprise an intriguing blend of human folklore and alien emotion. Her debut novel is richly imaginative, a captivating mix of traditional fantasy and magical realism.–PW

10. FIREBIRDS RISING, an anthology edited by Sharyn November
Imagine that Archeoptrix, the prehistoric link between birds and dinosaurs, had evolved into the dominant life-form on a planet. In Carol Emshwiller’s Quill, representatives of that planet have secretly crashed on Earth and begun interbreeding with humans. In Kelly Link’s The Wizards of Perfil, an orphan boy and his caustic cousin, both dirt poor and gifted with unusual psychic powers, are bought by a strange man to serve the awesome and forbidding wizards of Perfil, only to learn after difficult trials and life-changing tragedies that they are the wizards. In Kara Dalkey’s near-future Hives, cell phones can beam and receive messages without external sound. The phones are highly addictive and used by high school girls to connect ultra-exclusive cliques. A former-addict-turned-girl-detective gets involved when the rejects of one such hive begin committing suicide one after another. These are just 3 of the 16 stories in this collection. The selections range in length from 9 pages (Francesca Lia Block’s chilling Blood Roses, in which two sisters confront a serial killer) to 50 pages. Fantasy stories outnumber sci-fi two to one, and the great majority of the tales feature female protagonists. Even those with male protagonists deal with themes of friendship, family, love, and loss more than action and adventure. Compelling stories for thoughtful readers.-Susan L. Rogers, Chestnut Hill Academy, PA for School Library Journal

11. THE CITY AND THE CITY, China Mieville
The city is Beszel, a rundown metropolis on the eastern edge of Europe. The other city is Ul Qoma, a modern Eastern European boomtown, despite being a bit of an international pariah. What the two cities share, and what they don’t, is the deliciously evocative conundrum at the heart of China Mieville’s The City & The City. Mieville is well known as a modern fantasist (and urbanist), but from book to book he’s tried on different genres, and here he’s fully hard-boiled, stripping down to a seen-it-all detective’s voice that’s wonderfully appropriate for this story of seen and unseen. His detective is Inspector Tyador Borlu, a cop in Beszel whose investigation of the murder of a young foreign woman takes him back and forth across the highly policed border to Ul Qoma to uncover a crime that threatens the delicate balance between the cities and, perhaps more so, Borlu’s own dissolving sense of identity. In his tale of two cities, Mieville creates a world both fantastic and unsettlingly familiar, whose mysteries don’t end with the solution of a murder. –Tom Nissley, for Amazon

The World Cup is fast approaching–and if you love the game like me, I’ll bet you can barely wait. Here are a few selections, from picture books through memoir through graphic novels, to tide your whole family over. Some are fun, and more about relationships, others are more about the love of the game.

Want the whole list? Download a PDF here; get the titles-only version here.

1. KEEPER, Mal Peet
Published originally in the United Kingdom, this unusual novel won the 2004 Branford Boase Award and was short-listed for the Nestle Children’s Book Prize. Framed as an interview between a South American sports reporter and the world’s best soccer goalkeeper, the now 30-year-old “El Gato” relates how he developed his skills, achieved great fame, and won the coveted World Cup. His story is one of poverty and isolation in a small logging community, of strong family ties in a beloved jungle being inexorably denuded, and of intense focus on the game of soccer. If a coming-of-age tale meeting an environmental message framed by sports narrative weren’t enough, a mystical element is added, as El Gato describes his rigorous soccer training by a ghost in a magical clearing hewn from dense foliage. El Gato’s remembrances do not consistently take the reader with him, and disparate elements don’t always gel. Rich depictions of family and forest are marred by stilted, implausible dialog and choppy transitions between present and past. With its lengthy descriptions of the game, this may appeal most to soccer fans. Holly Koelling for Booklist

2. TANGERINE, Edward Bloor
Tangerine is a town in Florida with problematic new housing developments, frequent lightning strikes, sinkholes, and muck fires. Seventh grader, Paul Fisher, his older brother and parents are leaving Texas for Tangerine, Florida where Paul’s dad will take a job as a civil engineer. Paul, who is legally blind, enrolls at the middle school in town after his trailer classrooms at the first school are swallowed by a sinkhole. Paul, a soccer goalie, is in competition for his parents’ attention with his older brother who is a football star. Football practice is not canceled even after one of the players is killed by lightning. Paul makes friends at the new school and learns some valuable lessons by working in the tangerine groves with his peers from the town school. Paul’s brother’s involvement in the death of his friends’ uncle brings back memories of how he lost his vision. Tangerine is the first novel of Edward Bloor who taught middle and high school in Florida. It is written from Paul’s point of view and rings true of the middle school experience. The unexpected plot twists keep the interest of the reader..–The Alan Review

3. FEVER PITCH, Nick Hornby
In America, it is soccer. But in Great Britain, it is the real football. No pads, no prayers, no prisoners. And that’s before the players even take the field. Nick Hornby has been a football fan since the moment he was conceived. Call it predestiny. Or call it preschool. Fever Pitch is his tribute to a lifelong obsession. Part autobiography, part comedy, part incisive analysis of insanity, Hornby’s award-winning memoir captures the fever pitch of fandom – its agony and ecstasy, its community, its defining role in thousands of young mens’ coming-of-age stories. Fever Pitch is one for the home team. But above all, it is one for everyone who knows what it really means to have a losing season.–Jacket copy

4. SISTERHOOD OF THE TRAVELING PANTS, Ann Brashares
In this feel-good novel with substance, four teenage girls, friends since they were all born just weeks apart, are about to embark on their first summer as separate young women. Carmen, half-Hispanic, has a knack for math; Lena, the beauty of the group and self-conscious about her appearance, demonstrates artistic talent; Bridget is the tall soccer star; and Tibby, the rebel, sports a nose ring. Visiting grandparents for the first time in Greece, attending soccer camp in Mexico, spending the summer with dad in South Carolina, or working at home, how will these girls survive their time alone? Leave it to a pair of secondhand jeans, which, despite their various body shapes, fits all four perfectly. These magical jeans, dubbed the Traveling Pants, span the world, one week at a time, lending their mystical powers wherever they go. The pants become a metaphor for the young women finding their own strength in the face of new love, unexpected friendships and death, a father’s remarriage, and a reckless relationship-and without their best friends. Debut novelist Brashares renders each girl individual and lovable in her own right, emphasizing growing up without growing apart. Move over, Ya Ya Sisters.–Kirkus

5. SERGIO SAVES THE GAME, Edel Rodriguez
Sergio has big dreams of being a star soccer player. In reality, though, the young penguin often stumbles and falls running after the ball and does not attain the success he yearns to have. Then his mother suggests that he try playing goalie. The game against the big, bruisin’ Seagulls becomes his test of talent. Beginning soccer players will relate to Sergio’s frustrations and admire his resolve. Rodriguez uses an attractive, yet simple palette of aqua, golden yellow, rust red, and penguin black, and the colors stand out sharply against the white background. Action is created with varying perspectives on the ball flying at the lone goalie. –Blair Christolon, Prince William Public Library System, Manassas, VA for School Library Journal

6. SOCCER CHICK RULES, Dawn Fitzgerald
Tess Munro is the soccer chick in question, a hard-playing forward who puts the team first. But soon there may be no team; if the school levy fails, sports programs, along with plenty else, including some of the teachers, will be gone. So Tess becomes involved with something besides sports: getting the levy passed. But can she score? FitzGerald takes a serious subject–school finance problems–mixes it with plenty of action-filled sports, and frosts the whole thing with best friends and rivals. The result is just what kids, especially girl jocks, want: a fast-moving, true-to-life, amusing take on school life. The dialogue is especially spot-on, even without the use of swearwords (FitzGerald comes close, but manages to find clever ways to avoid the actual words). Plenty of girls play sports, yet few writers tackle fiction for them. Happily, FitzGerald serves it up with ease.–Ilene Cooper for Booklist

7. DEFENDING IRENE, Kristin Wolden Nitz
Irene Benenati, 13, is living in Italy with her family for one year. Because there are no girls’ soccer teams in Merano, she must play on the boys’ team. Daily, the teen faces the reality that she is an outsider in her father’s homeland and an outsider on a team with a few boys who want her to quit. Nonetheless, this likable protagonist befriends the girls in her class and finally wins the respect of her teammates, even her arch detractor. What keeps this tale from being just another soccer story with play-by-play action is the unique setting; the inventiveness of the chapter headings, which consist of Italian words, pronunciations, and definitions; and Irene’s determination.–Blair Christolon, Prince William Public Library System, Manassas, VA for School Library Journal

8. PRETTY TOUGH, Liz Tigelaar
Sisters Krista and Charlie Brown could not be more different. Krista, the eldest, is blond, smart, pretty, and popular, and, of course, is dating a popular boy. Charlie, who endures bullying and teasing at school (not helped by her last name), prefers solitude and surfing the Malibu waves. When they are recruited for their high school soccer team, the teens have to face their differences and learn to work together. This is a well-paced book with solid character development and witty, authentic dialogue. The relationship between the siblings is both strong and complicated. With its classic themes of sisterhood and romance, the book is an updated version of Francine Pascal’s “Sweet Valley High” series (Random), with a sports twist.—Sharon Morrison, Southeastern Oklahoma State University, Durant, OK for School Library Journal

9. SHAOLIN SOCCER, Andy Seto et. al
Young kung fu adept “Sing” is an honor bound disciple of the legendary Shaolin Temple. His sole goal in life is to find a way to package the philosophy and physical teachings of his beloved Shaolin kung fu so that contemporary masses can learn, benefit and apply these doctrines to their daily life. When he hooks up with a former soccer champion, he quickly realizes that the world’s most popular sport may just be the vehicle to spread Shaolin kung fu all over the globe. But first he must assemble a team worthy of the Shaolin name. But his secular, out of shape former kung fu brothers are far from impressed with his idea. Kung fu action and sidesplitting comedy are heading your way!–Promotional material

Want the whole list? Get the PDF here; get a titles only download here.

*book may be hard to find

** mature content, but accessible to younger readers

1. THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, Mark Haddon
Christopher Boone has had some bad knocks: his mother has died (well, she went to the hospital and never came back), and soon after he found a neighbor’s dog on the front lawn, slain by a garden fork stuck through it. A teacher said that he should write something that he “would like to read himself”-and so he embarks on this book, a murder mystery that will reveal who killed Mrs. Shears’s dog. First off, though, is a night in jail for hitting the policeman who questions him about the dog (the cop made the mistake of grabbing the boy by the arm when he can’t stand to be touched-any more than he can stand the colors yellow or brown, or not knowing what’s going to happen next). Christopher’s father bails him out but forbids his doing any more “detecting” about the dog-murder. When Christopher disobeys (and writes about it in his book), a fight ensues and his father confiscates the book. In time, detective-Christopher finds it, along with certain other clues that reveal a very great deal indeed about his mother’s “death,” his father’s own part in it-and the murder of the dog. Calming himself by doing roots, cubes, prime numbers, and math problems in his head, Christopher runs away, braves a train-ride to London, and finds-his mother..–Kirkus Reviews

2. THE WITCH OF BLACKBIRD POND, Elizabeth George Speare *
Forced to leave her sunny Caribbean home for the bleak Connecticut Colony, Kit Tyler is filled with trepidation. As they sail up the river to Kit’s new home, the teasing and moodiness of a young sailor named Nat doesn’t help. Still, her unsinkable spirit soon bobs back up. What this spirited teenager doesn’t count on, however, is how her aunt and uncle’s stern Puritan community will view her. In the colonies of 1687, a girl who swims, wears silk and satin gowns, and talks back to her elders is not only headstrong, she is in grave danger of being regarded as a witch. When Kit befriends an old Quaker woman known as the Witch of Blackbird Pond, it is more than the ascetics can take: soon Kit is defending her life. Who can she count on as she confronts these angry and suspicious townspeople?–Emilie Coulter for Amazon

3. THE MYSTERIOUS BENEDICT SOCIETY, (series), Trenton Lee Stewart
After Reynie Muldoon responds to an advertisement recruiting “gifted children looking for special opportunities,” he finds himself in a world of mystery and adventure. The 11-year-old orphan is one of four children to complete a series of challenging and creative tasks, and he, Kate, Constance, and Sticky become the Mysterious Benedict Society. After being trained by Mr. Benedict and his assistants, the four travel to an isolated school where children are being trained by a criminal mastermind to participate in his schemes to take over the world. The young investigators need to use their special talents and abilities in order to discover Mr. Curtain’s secrets, and their only chance to defeat him is through working together. Readers will challenge their own abilities as they work with the Society members to solve clues and put together the pieces of Mr. Curtain’s plan. In spite of a variety of coincidences, Stewart’s unusual characters, threatening villains, and dramatic plot twists will grab and hold readers’ attention. Fans of Roald Dahl or Blue Balliett will find a familiar blend of kid power, clues, and adventure in Society, though its length may daunt reluctant or less-secure readers. Underlying themes about the power of media messages and the value of education add to this book’s appeal, and a happy ending with hints of more adventures to come make this first-time author one to remember.—Beth L. Meister, Pleasant View Elementary School, Franklin, WI for School Library Journal

4. THIS IS WHAT I DID, Ann Dee Ellis **
Eighth-grader Logan is struggling to deal with a violent situation he witnessed a year ago between his best friend, Zyler, and Zyler’s abusive father but insists to everyone around him that he is fine. Just fine. Reluctant readers will be drawn into this story, which also includes bullying classmates and a dismal winter camping trip. Frequent line breaks, screenplay-style dialogue, and e-mails and notes illustrated with black icons break up the scenes. Logan gets to play one of the Lost Boys in the school play, and finds that the theater crowd offers a respite from bullies. A friendship with a girl named Laurel (a palindrome collector who is is thinking of changing her name to Laral), and a relationship with a counselor help Logan to begin the healing process and convince him to reconnect with Zyler. This psychological drama effectively explores our failure to protect youth from abuse inflicted by peers or adults.–Cindy Dobrez, for Booklist

5. MONSTER, Walter Dean Myers **
In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action. Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence. The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made.–Kirkus Reviews

6. ABARAT, (series), Clive Barker
Like The Thief of Always, Barker’s first book for children, this tale finds a bored protagonist venturing into a fantastical world. The novel begins with a rather cryptic scene of three women on a “perilous voyage… [emerging] from the shelter of the islands.” The action then shifts to Candy Quackenbush of Chickentown, Minn., who hates her life as the daughter of an alcoholic father and a depressed mother. One day, humiliated by her teacher, Candy skips out of school and heads for the prairie, where she stumbles on a derelict lighthouse and a creature with eight heads, John Mischief. The opening scene and the thrust of the novel gradually connect, as Candy begins an adventure to a mysterious archipelago called Abarat. Skilled at fantasy, Barker throws plenty of thrills and chills at readers. Candy becomes a pawn between Mischief and the man (Christopher Carrion, “Lord of Midnight”) from whom Mischief has stolen something of great value. However, by the middle of the novel, readers may feel that Barker pulls out too many stops; he floods the pages with scores of intriguing characters and a surfeit of subplots (some of which dead-end, perhaps to be picked up in one of the three planned sequels). The author’s imagination runs wild as he conjures some striking imagery (“Dark threads of energy moved through her veins and leaped from her fingertips” says one of the three women in the opening scene) and cooks up a surreal stew of character portraits (rendered in bold colors and brushwork, they resemble some of Van Gogh’s later work). But much of the novel feels like a wind-up for the books to follow and, after this rather unwieldy 400-page ride, readers my be disappointed by so many unresolved strands of the plot.

7. THE THIEF, (series), Megan Whalen Turner
Things are not what they seem in this story of wit, adventure, and philosophy. Gen, an accomplished thief incarcerated for stealing the king’s seal, is dragged from his cell by the king’s magus, who is on a quest. The prize is Hamiathes’s Gift, said to be a creation of the gods that confers the right of rule on the wearer. During the quest, the magus and Gen take turns telling the youngest member of their party myths about the Eddisian god of thieves. Turner does a phenomenal job of creating real people to range through her well-plotted, evenly paced story. No one is entirely evil or completely perfect. Gen is totally human in his lack of discipline, seeming lack of heroism, and need for sleep and food. The magus makes the transition from smug, superior scholar to decent guy in a believable fashion. Turner also does a neat job of puncturing lots of little prejudices. There are many deft lessons in this story. As absorbing as it is, the best part lies in the surprise ending. Though it is foreshadowed throughout, it is not obvious?its impact is more like morning sunlight than a lightning bolt. This book is sure to be a hot item with adventure and fantasy lovers, and YAs who like snide, quick-tempered, softhearted heroes will love Gen.?Patricia A. Dollisch, DeKalb County Public Library, Decatur, GA for School Library Journal

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1. CATCHING FIRE, Suzanne Collins
Every year in Panem, the dystopic nation that exists where the U.S. used to be, the Capitol holds a televised tournament in which two teen “tributes” from each of the surrounding districts fight a gruesome battle to the death. In The Hunger Games, Katniss Everdeen and Peeta Mellark, the tributes from impoverished District Twelve, thwarted the Gamemakers, forcing them to let both teens survive. In this rabidly anticipated sequel, Katniss, again the narrator, returns home to find herself more the center of attention than ever. The sinister President Snow surprises her with a visit, and Katniss’s fear when Snow meets with her alone is both palpable and justified. Catching Fire is divided into three parts: Katniss and Peeta’s mandatory Victory Tour through the districts, preparations for the 75th Annual Hunger Games, and a truncated version of the Games themselves. Slower paced than its predecessor, this sequel explores the nation of Panem: its power structure, rumors of a secret district, and a spreading rebellion, ignited by Katniss and Peeta’s subversive victory. Katniss also deepens as a character. Though initially bewildered by the attention paid to her, she comes almost to embrace her status as the rebels’ symbolic leader. Though more of the story takes place outside the arena than within, this sequel has enough action to please Hunger Games fans and leaves enough questions tantalizingly unanswered for readers to be desperate for the next installment.–School Library Journal

2. FIRE, Kristin Cashore
This fantasy, shot through with romance and suspense, is set in the same world as Graceling (Dial, 2008), but on the far side of the mountain barrier in the kingdom of the Dells. Here there are monsters, enhanced and exceptionally beautiful versions of various animal species. Fire is a human monster, so beautiful that she has to hide her hair for fear of attack by both raptor monsters and human men. She is able to enter other people’s minds and exert power over them. It is a tumultuous time in the kingdom, as various lords are preparing to overthrow the king, and Fire is drawn into the fray. With a larger cast and a more complex canvas than Graceling, the story begins slowly and takes its time establishing itself. Fire’s path is not immediately clear, and although full of action, her quest is largely internal. While the plotting is well done, there are a few quibbles about Cashore’s world-building and about the role of a major character from Graceling, Leck. But, this is Fire’s story, and readers will fall in love with her as she struggles with her pivotal role in the war effort as well as her complex relationships with her oldest friend and lover, Archer; with Prince Brigan, whose mind is closed to her and who becomes central to her life; and with her monster father’s fearsome legacy. More adult in tone than Graceling, this marvelous prequel will appeal to older teens, who will not only devour it, but will also love talking about it.—Sue Giffard, Ethical Culture Fieldston School, New York City, for School Library Journal

3. ASH, Malinda Lo
Described as “Cinderella…with a twist,” Ash is in many ways the familiar fairy tale about a girl’s move from comfort to despair to true love (with a little help from fairies and magic). Standard Cinderella images set up the story: after losing her mother and later her father, Ash is treated as a servant in the home of an unkind stepmother and two unfriendly stepsisters. She has ties to the fairy world, attends the royal ball in an enchanted dress, catches the eye of the prince, and finds love by the end of the story. However, while structural similarities exist, ideologically Lo’s beautiful and dark tale takes the story to a new place. It is not about Ash being found and saved by a charming prince; instead, it is about her courtship with Kaisa, the King’s huntress, a relationship that burgeons over time and is based on more than just initial attraction. Despite Ash’s grief, oppressive guardianship, and dangerous flirtation with the fairy Sidhean, who promises to steal her away from her sadness, the protagonist finds her own salvation and chooses to live and love in the real world and on her own terms. Ash will appeal to readers looking for GLBTQ titles, but fans of romance, fantasy, and strong female protagonists will also embrace this fine debut novel.–Jennifer Miskec, Longwood University, Farmville, VA

4. LIAR, Justine Larbalestier
Biracial Micah Wilkins, 17, is the quintessential unreliable narrator. On the first page, she readily admits she’s a liar though now she wants to tell her story straight. She attends a progressive private high school in New York City. She’s a bit peculiar, with extra-human speed and sense of smell, and has few friends. After another student, a popular senior named Zach, is found brutally murdered, it comes to light that he and Micah had a relationship outside of school. Now she is considered a suspect. Her suspenseful, supernatural tale is engrossing and readers will be tempted to fly through it, though the wise will be wary of her spin and read carefully for subtle slipups and foreshadowing. The chilling story that she spins will have readers’ hearts racing as in three sections she goes from “Telling the Truth,” to “Telling the True Truth,” to “Telling the Actual Real Truth,” uncovering previous lies and revealing bizarre occurrences in the process. Micah’s narrative is convincing, and in the end readers will delve into the psyche of a troubled teen and decide for themselves the truths and lies. This one is sure to generate discussion.—Patricia N. McClune, Conestoga Valley High School, Lancaster, PA for School Library Journal

5. THE EVOLUTION OF CALPURNIA TATE, Jacqueline Kelly
A charming and inventive story of a child struggling to find her identity at the turn of the 20th century. As the only girl in an uppercrust Texas family of seven children, Calpurnia, 11, is expected to enter young womanhood with all its trappings of tight corsets, cookery, and handiwork. Unlike other girls her age, Callie is most content when observing and collecting scientific specimens with her grandfather. Bemoaning her lack of formal knowledge, he surreptitiously gives her a copy of The Origin of Species and Callie begins her exploration of the scientific method and evolution, eventually happening upon the possible discovery of a new plant species. Callie’s mother, believing that a diet of Darwin, Dickens, and her grandfather’s influence will make Callie dissatisfied with life, sets her on a path of cooking lessons, handiwork improvement, and an eventual debut into society. Callie’s confusion and despair over her changing life will resonate with girls who feel different or are outsiders in their own society. Callie is a charming, inquisitive protagonist; a joyous, bright, and thoughtful creation. The conclusion encompasses bewilderment, excitement, and humor as the dawn of a new century approaches. Several scenes, including a younger brother’s despair over his turkeys intended for the Thanksgiving table and Callie’s heartache over receiving The Science of Housewifery as a Christmas gift, mix gentle humor and pathos to great effect. The book ends with uncertainty over Callie’s future, but there’s no uncertainty over the achievement of Kelly’s debut novel.—Jennifer Schultz, Fauquier County Public Library, Warrenton, VA for School Library Journal

6. GOTH GIRL RISING, Barry Lyga
In this sequel to The Astonishing Adventures of Fanboy and Goth Girl (2006), Lyga dives with typical boldness into the complexity of teen emotions and, for the first time, the female perspective, starting with the first lines: “Before she went and died, my mom told me to stop bitching about my cramps all the time.” This time, it’s Goth Girl, or Kyra, who narrates. Back home after a depressive breakdown and months spent in a psych ward, she pours out her anger: at Fanboy, who has serialized the comic she’d helped develop during their attraction-charged friendship; at her father, whose smoking she links to her mother’s fatal cancer; and at a general culture that encourages women, including her teachers, to exploit their sexuality, even as she struggles to understand her own attractions to both boys and girls. Instant messages, grief-soaked poems, and letters to her hero, Neil Gaiman, add more angles to Kyra’s raw, furious, heartbroken narrative. More than the meandering story line, it is Kyra’s wholly believable questions and her forceful voice that will stay with readers. –Gillian Engberg for Booklist

7. BLOODHOUND: THE LEGEND OF BEKA COOPER, (series), Tamora Pierce
Fans of Pierce’s medieval fantasy police-procedural series will love this book as much as Terrier (Random, 2006). Beka, 17, is serving her first year as a Dog (police officer) in the Provost’s Guard. She and her mentor and old partner, Goodwin, are sent from Corus to Port Caynn to try to discover the source of the counterfeit silver coins that are flooding the region, causing soaring grain prices and riots in Corus. Beka is accompanied by Achoo, the scent hound she rescued from its abusive handler. While in Port Caynn, she and Goodwin tangle with Pearl, Queen of the Thieves, and her crew. Beka falls for Dale, a handsome and charming gambler and bank courier who may be in league with Pearl. The action drags a bit in the middle to focus on the romance but makes up for it in the end. Pierce vividly imagines this world in which police procedures are different, yet similar to those of today. Ponce, Beka’s wise cat, who is also a God, is mostly absent but Beka’s other unusual magical sources of information-pigeons inhabited by talking ghosts of the dead and spirits in spinning dust funnels—continue to add to the series’ appeal. Beka is as headstrong and feisty as ever and frequently makes errors in judgment but is willing to learn from her mistakes. She truly earns the nickname Bloodhound as she faithfully narrates her story through journal entries.—Sharon Rawlins, New Jersey State Library, Trenton for School Library Journal

8.THE FOREST OF HANDS AND TEETH, Carrie Ryan
Mary’s village has been trapped for generations by a very near, very visible menace: the Unconsecrated-insatiable, flesh-eating zombies that constantly tear at the village’s fences. Yet the Sisterhood-a conventlike order of religious women charged to protect the village’s survival-is as much responsible for the submission of Mary’s village as the Unconsecrated. When the fences are breached and the village overrun, Mary and several others escape through gated paths and arrive deep into the Forest of Hands and Teeth, forced to search beyond it for their future. Mary’s observant, careful narration pulls readers into a bleak but gripping story of survival and the endless capacity of humanity to persevere. That Mary maintains emotional distance serves to render her yearnings and romantic feelings even more poignant and powerful. Fresh and riveting. –PW

9. FOREST BORN, Shannon Hale
In her fourth fantasy about the land of Bayern, Hale has created a strong stand-alone companion to The Goose Girl (2003), Enna Burning (2004), and River Secrets (2006, all Bloomsbury). Forest Born centers on Razo’s sister, Rin, and her special abilities. The struggle that she goes through as she begins to recognize her talent of persuasion and her elemental connection to the forest brings the typical fantasy themes of good vs. evil to a place that makes them very personal. Rin discovered as a child that her words could be powerful. But that power left her feeling confused and wrong. Since that time, the wrongness has curled up like a snake inside her, making her doubt whether she can ever find peace. Rin encounters Isi, Enna, and Dasha from the previous Bayern stories and through them she finds hope; perhaps what makes her different could be a blessing, if she is able to find balance in her gifts. Lurking throughout the story is the tumultuous backdrop of diplomatic negotiations and threats of war. Everything finally comes to a head when Isi’s nemesis from Goose Girl returns and kidnaps her son. All four women need to work together to defeat Selia, who has been completely corrupted and consumed by her people-speaking power of persuasion. Fans of the earlier titles as well as admirers of the genre will find Rin’s journey a compelling read.—Genevieve Gallagher, Buford Middle School, Charlottesville, VA for School Library Journal

10. DRAGONFLY, Julia Golding
Establishing one’s sense of self, working and sacrificing for a greater purpose, and accepting and understanding people’s differences are all strong themes in this British import. The arranged marriage between the reserved and disciplined Princess Taoshira, 16, and the rogue Prince Ramil, 18, is not an appealing prospect to either teen. But their lands need to form a strong bond of diplomatic connections in order to fend off attacks from the bloodthirsty warlord Fergox Spearthrower, and they have been called upon to do what is right for their people. Their relationship gets off to a disastrous start and goes downhill from there. Taoshira is put off by his brash and loud behavior that fails to recognize or respect her values and traditions while Ramil finds her cold, unworthy of her title, and completely unappealing. When the two are kidnapped, a riveting adventure ensues and opposites attract. Although the arc of the love story is fairly standard, the subplots make it an engaging read for a variety of readers. Romance, trickery, graphic and bloody fight scenes, adventure, religious persecution, and politics are all a part of this compelling tale.—Genevieve Gallagher, Buford Middle School, Charlottesville, VA for School Library Journal

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* book may be hard to find
** best for older teens

1. THE BOOKS OF MAGIC, Neil Gaiman, illustrated by Scott Hampton, Charles Vess, & Paul Johnson
Considered by some to be an early Harry Potter, The Books of Magic introduce Timothy Hunter, a weedy kid with glasses and a pet owl. Timothy is introduced to the world of magic by the Trenchcoat Brigade, a quartet of fallen mystics (and familiar faces to DC readers) who are aware that the boy has the potential to be the world’s greatest magician, but that his allegiance to good or evil is undecided. They take him from the birth of the universe all the way through to its eventual death, ostensibly teaching him about the possibilities – and the price – of wielding magic before he decides whether to embrace his destiny. Along the way, Tim meets some of the DCU’s more prominent magicians and fantasy characters, whilst his allies try to protect him from the machinations of the Cult of the Cold Flame. Following his misadventures, Tim decides that the price is too high . . . only to find that everything he has learnt from his supposed mentors has made it impossible for him to turn away from magic.

2. AMERICAN BORN CHINESE, Gene Luen Yang
As alienated kids go, Jin Wang is fairly run-of-the-mill: he eats lunch by himself in a corner of the schoolyard, gets picked on by bullies and jocks and develops a sweat-inducing crush on a pretty classmate. And, oh, yes, his parents are from Taiwan. This much-anticipated, affecting story about growing up different is more than just the story of a Chinese-American childhood; it’s a fable for every kid born into a body and a life they wished they could escape. The fable is filtered through some very specific cultural icons: the much-beloved Monkey King, a figure familiar to Chinese kids the world over, and a buck-toothed amalgamation of racist stereotypes named Chin-Kee. Jin’s hopes and humiliations might be mirrored in Chin-Kee’s destructive glee or the Monkey King’s struggle to come to terms with himself, but each character’s expressions and actions are always perfectly familiar. True to its origin as a Web comic, this story’s clear, concise lines and expert coloring are deceptively simple yet expressive. Even when Yang slips in an occasional Chinese ideogram or myth, the sentiments he’s depicting need no translation. Yang accomplishes the remarkable feat of practicing what he preaches with this book: accept who you are and you’ll already have reached out to others.

3. EMMA, Kaoru Mori
Meticulously researched and beautifully rendered, EMMA is a beloved, award-winning series that was adapted into an acclaimed anime series in Japan. In Victorian-era England, a young girl is rescued from a life of destitution and raised to become a proper British maid. Emma meets William, the eldest son of a wealthy family, and immediately falls in love with him. William shares her feelings, but the strict rules of their society prevent their relationship from ever coming out in the open. Traditional class distinctions and rich, historical details provide the backdrop for this appealing romance.–DC Comics

4. THE WALL: GROWING UP BEHIND THE IRON CURTAIN, Peter Sis **
Born out of a question posed to Sís (Play, Mozart, Play!) by his children (Are you a settler, Dad?), the author pairs his remarkable artistry with journal entries, historical context and period photography to create a powerful account of his childhood in Cold War–era Prague. Dense, finely crosshatched black-and-white drawings of parades and red-flagged houses bear stark captions: Public displays of loyalty—compulsory. Children are encouraged to report on their families and fellow students. Parents learn to keep their opinions to themselves. Text along the bottom margin reveals young Sís’s own experience: He didn’t question what he was being told. Then he found out there were things he wasn’t told. The secret police, with tidy suits and pig faces, intrude into every drawing, watching and listening. As Sís grows to manhood, Eastern Europe discovers the Beatles, and the Prague Spring of 1968 promises liberation and freedom. Instead, Soviet tanks roll in, returning the city to its previous restrictive climate. Sís rebels when possible, and in the book’s final spreads, depicts himself in a bicycle, born aloft by wings made from his artwork, flying toward America and freedom, as the Berlin Wall crumbles below. Although some of Sís’s other books have their source in his family’s history, this one gives the adage write what you know biting significance. Younger readers have not yet had a graphic memoir with the power of Maus or Persepolis to call their own, but they do now.–Publishers Weekly, ages 8 & up.

5. PERSEPOLIS, Marjanne Satrapi
Persepolis is the story of Satrapi’s unforgettable childhood and coming of age within a large and loving family in Tehran during the Islamic Revolution; of the contradictions between private life and public life in a country plagued by political upheaval; of her high school years in Vienna facing the trials of adolescence far from her family; of her homecoming–both sweet and terrible; and, finally, of her self-imposed exile from her beloved homeland. It is the chronicle of a girlhood and adolescence at once outrageous and familiar, a young life entwined with the history of her country yet filled with the universal trials and joys of growing up. Edgy, searingly observant, and candid, often heartbreaking but threaded throughout with raw humor and hard-earned wisdom–Persepolis is a stunning work from one of the most highly regarded, singularly talented graphic artists at work today.

6. THE RABBI’S CAT, Joann Sfar **
Sfar, the French cartoonist behind the Little Vampire children’s books, has come up with a hilarious and wildly original graphic novel for adults. The nameless, scraggly-looking alley cat who narrates the story belongs to an Algerian rabbi in the ’30s. When the cat eats a parrot, he gains the power of speech and tries to convince his master to teach him the Torah, raising the question of whether the appropriate age for his bar mitzvah should be in human years or cat years. Of course, being a cat, he has plenty of impertinent opinions about Judaism. That’s a delicious setup on its own, but it gets better when the cat loses his speech again halfway through, and the story becomes a broader, more bittersweet comedy about the rabbi’s family and the intersection of Jewish, Arab and French culture. The rabbi’s daughter Zlabya marries a young man from a nonobservant family in France. The Algerian family’s visit with their Parisian in-laws is the subject of the final and funniest section of the book. Sfar’s artwork looks as mangy and unkempt as the cat, with contorted figures and scribbly lines everywhere, but there’s a poetic magic to it that perfectly captures this cat’s-eye view of human culture and faith.

7. EPILEPTIC, David B. **
The cartoonist’s memoir of growing up in a family in which his brother’s grand mal epilepsy regularly took center stage is packaged here in its entirety. Although the first part of this book appeared in English in 2002, published by L’Association, there is no demarcation within the current volume to show where that break in the story occurred–nor does there need to be. David B. reports on the childhood adventures and interests he and his siblings shared–including warrior fantasies, a fascination with World War II, and drawing–and the family’s increasing involvement in seeking help for coping with the epilepsy. The latter half of the complete work continues through adolescence and into manhood, including David B.’s education in art college and his founding of L’Association. His brother’s failure to respond for any duration to any form of treatment or to adjust to life with a chronic disease is presented with unsentimental but humane forthrightness. The heavily inked images include many hallucinatory panels, and subplots involve the grandparents’ prejudices, David’s developing relationships outside the family, and his continued interest in his family. While the final difficulties revolve around the author and his inability to become a father, most of the book is both accessible and of high interest to teens.–Francisca Goldsmith, Berkeley Public Library, CA

8. THE RUNAWAYS, Brian K. Vaughan, illustrated by Adrian Alphona
This unusually clever, fun teen comic is based on the novel premise that parents don’t just seem evil, they actually are evil supervillains. Or so some kids find out one night while eavesdropping on a dastardly meeting they take to be a cocktail party. Although the children are each a “type” right out of sitcom land-the goth girl, the brain, the jock, the dreamboat, the shy one-they’re also fairly empathetic characters. Vaughan’s closely observed dialogue lends them authenticity and pathos as they go through the disturbing realization that their parents aren’t just jerks but actually mass-murderers. The plot builds from this initial discovery, as the kids band together, discover they, too, have superhuman powers and engage their parents in good, old-fashioned superhuman fisticuffs. The group goes on the run and discovers their parents have all of Los Angeles in their pockets-it’s enough to make a teenager feel more alienated than ever. Alphona’s dynamic, manga-influenced artwork agreeably complements Vaughan’s crisp writing. They tell the story with clarity, a dollop of drama and just enough pizzazz to hook video game-obsessed readers. Packaged in a manga-size paperback, Marvel’s attempt to tap both the manga and the young adult market nicely succeeds.–Publishers Weekly

9. 1001 NIGHTS OF SNOWFALL, Bill Willingham, illustrated by Charles Vess, Esao Andrews, & more **
Probably the smartest mainstream comic going, Fables usually concentrates on the contemporary activities of characters from children’s stories who now are living as secret refugees in New York. This collection gives glimpses of their individual backstories before the armies of the brutal Adversary drove them out of Fairyland. Readers will learn, for example, what spoiled the Big Bad Wolf’s disposition and what happened to the witch after Hansel and Gretel pushed her into the oven. It would be relatively easy to do clever, merely cynical readings of the fairy tales, but Willingham is after something much more interesting. Like Neil Gaiman and Tanith Lee, he’s reimagining the old stories, trying to see why they have survived and also to point out the aspects they somehow neglect: it’s only natural that Snow White would take revenge on the seven little rapists who abducted her, but the independent way she goes about it casts doubt on her subservient relationship to Prince Charming. Willingham reminds readers of how much they ignore in their anxiety to believe that all stories end happily ever after. Artists like Charles Vess, Mark Buckingham and Jill Thompson work up to the level of the perceptive scripts, making this a memorable, uncomfortably amusing treat.–Publishers Weekly

10. BUDDHA, VOLUME 1: KAPILAVASTU, Osamu Tezuka
Tezuka, the master of Japanese comics, mixes his own characters with history as deftly as he transfers the most profound, complex emotions onto extremely cartoony characters, and his work defies easy categorization. In Buddha, originally serialized in the 1970s and one of his last works, he lavishly retells the life of Siddhartha, who isn’t even born until page 268. Instead, Tezuka introduces Chapra, a slave who attempts to escape his fate by posing as the son of a general; Tatta, a crazed wild child pariah who communes with animals; Chapra’s slave mother, who stands by him no matter what; and Naradatta, a monk attempting to discover the meaning of strange portents of the Buddha’s birth. Throughout the book, the characters engage in fresh and unexpected adventures, escapes and reverses, as they play out Tezuka’s philosophical concern with overcoming fate and the uselessness of violence. Despite episodes of extreme brutality and broad humor, the core of the story revolves around various set pieces, as when Tatta sacrifices himself to a snake to save Naradatta and Chapra’s mom. After a moment of intense emotion, the scene is upended by the arrival of a bandit who mocks their attempts at keeping their karmic slates clean. “Why were you all fussing over some stupid trade? Why not just kill the snake and eat it?” The answer unfolds over succeeding volumes. Heavily influenced by Walt Disney, Tezuka’s often cute characters may take some getting used to, but his storytelling is strong and clean. Appearing in handsome packages designed by Chip Kidd, this is a stunning achievement.–Publishers Weekly

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*Book may be hard to find

1. AN EASTER CELEBRATION: TRADITIONS AND CUSTOMS FROM AROUND THE WORLD, Pamela Kennedy
An introduction to the symbols, customs, legends, and springtime associations of the principal holy sea son in Christianity. Pre-Christian festivals and goddesses (Persephone’s story is told without mentioning Pluto or Hades); the symbolism of new birth and rebirth found in flowers, eggs, rabbits, and lambs; the customs of Holy Week; Passover; and two Easter legends are discussed in a simply expressed, absorbing text. A generally good variety of full-color and black-and-white photographs, illustrations, reproductions of paintings, and stained-glass windows amplify the information and enhance the handsome format and clear, well-spaced type. It’s a pleasantly instructive look at the Christian meaning of Easter that suits various ages and faiths, but it is narrower in concept than Edna Barth’s Lilies, Rabbits, and Painted Eggs (Clarion, 1979) or Gilda Berger’s Easter and Other Spring Holidays (Watts, 1983).–Patricia Pearl, formerly at First Presbyterian School, Martinsville, VA for School Library Journal, ages 8 & up

2. THE EASTER EGG, Jan Brett
Hoppi, a small but industrious bunny, takes a tour of the woods and sees how other rabbits are preparing fancily decorated eggs in the hopes of being chosen to assist the official Easter Rabbit. He collects ideas, tools, and accoutrements from the artistic—and obviously older—bunnies, including flowers, paints, wood to carve, and chocolate. As soon as he decides that he will need to limit his own production to match his capabilities, he suddenly becomes the foster parent to a fallen robin’s egg. Brett’s large watercolors include a few visual puns (one rabbit is painting a silhouette of Lewis Carroll’s March Hare on an egg, for instance) and lots of woodland detail. The story of the robins and their fallen egg unfolds in the top border of the page spreads. A satisfying, gentle tale whose text and images can be enjoyed multiple times over. –Francisca Goldsmith for Booklist, ages 4 – 8

3. MAX’S EASTER SURPRISE, Rosemary Wells
Ruby and her friend Louise are decorating Easter eggs, but Max wants to have an Easter Parade. Big sister Ruby tells Max that the Easter Parade is tomorrow, but that he can help today by carrying all the decorated eggs to the Easter basket. But Max doesn’t want to just carry the eggs—he wants to march them in a parade!–Amazon

4. THE COUNTRY BUNNY AND THE LITTLE GOLD SHOES, Du Bose Heyward, illustrated by Marjorie Hack
The busy mother of 21 babies is chosen by Old Grandfather Bunny to be his fifth Easter rabbit but is injured while delivering a special egg to a very sick child. Through its timeless tale of perseverance, kindness, and courage The Country Bunny and the Little Gold Shoes, first published 61 years ago, continues to touch readers of all ages today. Marjorie Flack’s expressive illustrations are a lovely accompaniment to DuBose Heyward’s classic text.–Mary Quattlebaum for Barnes and Nobel, all ages.

5. THE STORY OF EASTER, Aileen Fisher, illustrated by Stefano Vitale
Aileen Fisher’s informative, well-organized text describes Jesus’ crucifixion and resurrection, then moves on to explain the origins of other springtime rituals and their connection to the biblical traditions. Basic facts about the history of Easter, Passover, the Easter Bunny, Easter eggs, and other forms of religious and secular symbolism are lucidly conveyed, without going into excessive detail. The emphasis is on the symbolism of new life and new hope in the hearts of people, whether in Christian celebrations or in spring festivals. As Fisher says, “Not all Christian churches celebrate the Easter season in the same way. But the message of Easter is always the same. It is the joy and celebration of the belief that God’s love is stronger than death.” The author includes instructions on decorating Easter eggs, as well as a recipe for the traditional Easter-morning treat, hot cross buns. First published in 1968, this gorgeous new edition is illustrated by Stefano Vitale, who decorates each page as carefully and exquisitely as if it were a precious Easter egg. Lush yet muted earth tones and a folk-art slant to the paintings set this apart as a truly special Easter book. –Emilie Coulter for Amazon.com, ages 6 – 10

6. FANCY NANCY’S ELEGANT EASTER, Jane O’Connor, illustrated by Robin Preiss Glasser
Nancy prepares an elegant Easter affair in this fancy new lift-the-flap book!
Throwing a fabulous and fancy Easter party is a very big job — and Nancy and Bree are in charge of decorating! This book includes thirteen flaps that open to reveal hidden surprises that will delight all festive Fancy Nancy fans!

7. HAPPY EASTER, CURIOUS GEORGE, H.A. Rey
George and the man with the yellow hat head to the park on a fine Easter morning. George has so much fun helping the children dye eggs! But when he sees a man losing the eggs they have decorated George decides to help as only a monkey can! But where oh where is the Easter Bunny?

8. SILLY TILLY AND THE EASTER BUNNY, Lillian Hoban
Tilly Mole wakes up one morning, smells jelly beans in the wind, and remarks to herself, “`It must be Easter.”’ Easter it is, but that’s the only thing Tilly gets right during the morning. She keeps forgetting to remember what she’s about: looking for her glasses, which are pushed up onto her forehead, she bumps into a chair and thinks it’s the Easter Bunny; she goes to make tea, but forgets what she went to the stove for, and she puts a flower pot on her head as an Easter bonnet. So it goes, with the forgetful Tilly muddling one thing after another, till she finally manages to sit down to tea and jelly beans with the Easter Bunny. Kids will get a laugh out of Tilly’s goofs, which are genuinely gently funny, and smack their lips over the basket the Bunny brings. It’s a pleasure to see Hoban’s pencil and wash soft line drawings in full color; their bright pinks, yellows, lavenders suit Tilly’s silliness and the story’s season.–School Library Journal, ages 3 – 7

Want the whole list? Download a PDF, or just grab the titles. Come back tomorrow for my Easter picture book picks!

*Book may be hard to find

1. THE FOUR QUESTIONS, Ori Sherman and Lynne Sharon Schwartz
Why is this book different from all other books? It is an elegant, accessible retelling of the Four Questions asked at a Passover Seder. Sherman’s glorious jewel-toned paintings are patterned and richly detailed, with a curious menagerie of animals, wearing yarmulkes and some clothing, acting out the symbols of the holiday. Each of the Four Questions is asked in English; turn the book upside down, and the question appears in Hebrew calligraphy. The facing picture is split, with images facing each direction as well. This technique enables the book to be used during the Seder: those on each side of the table can see what is going on. The story itself is exciting and timely, telling of the slavery of the Jews, the ten plagues, the exodus from Egypt, and the hope for freedom throughout the world. The book explains the history and the symbolism of the holiday and the items on a Seder plate. The final spread shows the order of the Seder. The pictures are exquisite, the telling lyrical. This is the most eye-catching, most refreshing book available for young children on this holiday. Older children can get more information from Miriam Chaikin’s Ask Another Question: the Story and Meaning of Passover (Clarion, 1986), but The Four Questions will find a wider appreciative audience. –David Gale, for School Library Journal, ages 3 & up

2. THE MATZAH MAN: A PASSOVER STORY, Naomi Howland
Howland (Latkes, Latkes, Good Enough to Eat) makes the story of the Gingerbread Man kosher for Passover in a picture book that improves with repeat readings. Set in an indeterminately old-fashioned community where ladies wear white gloves, hats and fox stoles to go shopping, the story opens as the baker has made a little man out of leftover matzoh dough. Here it is Cousin Tillie, sampling her tender brisket; Auntie Bertha, the shopper; Grandpa Solly, chopping onions for gefilte fish; Miss Axelrod, adding the last matzoh ball to a pot of chicken soup; and a variety of animals who chase after the impish Matzah Man. The storytelling seems attenuated the first time around but all those matzoh-chasers play a role in the satisfying surprise finale. Children will want to return to the beginning to see how neatly Howland sets up her premise. Collage elements (these create the Matzah Man) mingle unobtrusively with almost drab gouaches in the illustrations, which, despite their unprepossessing first impression, are crammed with lively details.–Publisher’s Weekly, ages 4 & up

3. ONLY NINE CHAIRS: A TALL TALE FOR PASSOVER, Deborah Uchill Miller, illustrated by Karen Ostrove
The whole family is coming for Passover in Only Nine Chairs. Deborah Uchill Miller’s rollicking rhyming story mixes tradition with fun, taking young readers through a Passover meal that lacks seats for ten people. Should some sit on the stairs? In the attic? Karen Ostrove’s expressive cartoons add to the humor of this hilarious text as parsley is dipped with fishing rods and a matzah mountain formed. Kids will love searching the pictures to discover how each family member is trying to solve the problem. The family finally finds a believable and utterly satisfying solution to their problem—until one final guest arrives.–Mary Quattlebaum, for Barnes & Noble, ages 3 & up

4. SAMMY SPIDER’S FIRST PASSOVER, Sylvia A. Rouss, illustrated by Katherine Janus Kahn
In this seasonal follow-up to Sammy Spider’s First Hanukkah, the eager arachnid’s mother teaches him to make a web when theirs is laid waste by a “monster”–a broom being used to ready the Shapiros’ home for Passover. Though Sammy becomes fascinated by his mother’s explanations of the holiday traditions, he is repeatedly told, “Spiders don’t celebrate Passover. Spiders spin webs.” Following instructions, Sammy completes a new web and participates in the Shapiro family observance after all. Using cut-paper artwork made festive with cheery patterns, Kahn depicts a contemporary human family (complete with kitty), and a mother-son spider duo reminiscent of Eric Carle’s creations.–Publisher’s Weekly, ages 3 & up

5. DINOSAUR ON PASSOVER, Diane Levin Rauchweger
The friendly, oversize creature from Dinosaur on Hanukkah returns to celebrate Passover with a boy and his family. In silly, rhyming text, the reptile tries to help perform the holiday rituals: removing the forbidden foods, preparing the horseradish, singing the four questions, drinking the wine, retelling the story of the Exodus, eating matzah, searching for the afikomen, and welcoming the prophet Elijah. While his size, enthusiasm, and clumsiness wreak havoc on the family Seder, by the end of the story he is curled up in a heap fast asleep. The illustrations are bright and sophisticated, complementing the cheery mood of the text. A brief endnote explains Passover, but the book will be best enjoyed by children already familiar with the holiday.–Rachel Kamin, Temple Israel Libraries & Media Center, West Bloomfield, MI for School Library Journal, ages 3 & up

6. ON PASSOVER, Cathy Goldberg *
As a young girl prepares for Passover with her family, she uses all her senses to experience this important Jewish holiday. Everyone in her family answers her questions (which are an integral part of Passover) and playfully encourages her to understand more deeply what they are celebrating. Her father tells her that it is important for Jewish people to celebrate Passover every year so that they can always remember what it was like when people were slaves in Egypt, and so they can pray for all the people in the world who don’t have freedom. The girl learns that Passover has things to see (feathers, candles, and spoons), smell (gefilte fish and chicken soup), taste (matzah bread), hear (songs and blessings), and feel (the softness of the silk matzah cover). Passover is a time to ask questions. But most of all, she says, Passover is “a wonderful feeling in my heart, dyenu.” (Hebrew for “it would be enough.”)
Cathy Goldberg Fishman’s gentle, lilting child’s-eye-view of Passover is a quiet extravaganza of the senses. Melanie W. Hall’s wonderfully Chagall-like collagraph and mixed-media illustrations create a mystical backdrop that evokes history and tradition as it commemorates ancient symbolic ritual. This is one of four in a series by the author/illustrator team, including On Rosh Hashanah and Yom Kippur, On Hanukkah, and On Purim.–Emilie Coulter for Amazon.com, ages 5 & up

7. THE SECRET SEDER, Doreen Rappaport, illustrated by Emily Arnold McCully
Amid the plethora of Holocaust children’s literature emerges yet another picture book that uses the themes of exodus and freedom associated with Passover to contrast the reality of Nazi-occupied Europe. The narrator is a French boy whose family lives openly as Catholics, but secretly observes their Jewish faith. Despite the fear that their true identity will be discovered, he and his father attend an all-male Seder held in an abandoned shack in a nearby forest. They arrive with a roasted egg for the meager Seder plate, which lacks many of the traditional ingredients. One man says, “We have no bitter herbs to dip in salted water,” while another replies, “We do not need bitter herbs….Our lives are bitter enough.” The highlight of the evening is when the boy recites the four traditional questions, which he had secretly practiced with his mother. The men provide secondary answers to the customary ones: “I think tonight is different because tonight all over Europe, Jews are being murdered.” Their sadness, fear, and misery are underscored by the idea that tonight they are free in their hearts and by their hope for a brighter future. Watercolors depicting gloomy, foreboding images of the village, forest, and shack counter the child’s memories of happier meals at his grandmother’s home. Rappaport interweaves themes and descriptive text to create a meaningful story in a distinctive setting. An excellent discussion starter. –Rita Soltan, Oakland University, Rochester, MI for School Library Journal, ages 8 & up

8. THE MATZAH THAT PAPA BROUGHT HOME, Fran Manushkin, illustrated by Ned Bittinger
A charming rephrasing of the traditional cumulative song “Had Gadya” that captures all the excitement, magic, inspiration, high jinks, and eventual exhaustion of a family celebrating a Passover Seder. Here, instead of a goat, the poem revolves around the matzah that Papa brings home, which inspires the feast that Mama makes, the seder they all share, etc. While the text is well done and great fun, the illustrations, rendered in oils, are stellar. Each masterful painting has a subtext. The family members are constantly moving or gesturing while some are intent on praying or singing, a girl is shushing the dog, and a boy is intent on stealing the matzah. During the recapitulation of the plagues, the artist depicts real frogs and locusts jumping out of the wine glasses. The search for the hidden afikomen is positively frenetic, and the picture of the youngest child standing tall and proud (and still) to ask the Four Questions has great impact. Three pages at the end tell the story of Passover. A unique, lively offering.–Marcia Posner, Federation of New York and the Jewish Book Council, New York City, ages 4 & up