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Monday Book News: 6 Links For Your Morning Coffee Break (4/18/11)

Mir with a white bunny named Cottontail

Mir & Cottontail gearing up for Easter, by Two Mamas Photography

Good morning, book people! I’m sorry for the impromptu coffee break hiatus–my computer’s hard disk died last Wednesday. I have a new disk now, though, and thanks to my time capsule restoration, everything is as it should be. Which means we can start gearing up for Easter! I’ll have an Easter book list up later this week.

First up, at io9 author Robin Hobb, aka Megan Lindholm, aka Margaret Astrid Lindholm Ogden writes about how she ended up with her two pseudonyms–and the distinct authorial personalities that go with them.

Over at The Shatzkin Files, Mike talks about why it might be hard to find a public library 15 years from now. Long, but thoughtful and worth reading, particularly if you’re just getting into the digital game.

Over at Kris Writes, Kristine Katherine Rusch continues her Business Rusch series with this post on e-book royalties. Again, (very) long, but even if you’re not in e-book publishing right now, this is worth a look, as it highlights several key issues within the industry writers need to be aware of. (via @lkblackburne)

At The Wall Street Journal, Claire Messud reflects on the importance of finding a character’s true name. This, I can relate to–I often start with a place holder name, then write around until I find what I’m looking for. Name dictionaries and googling do not work for me; I need to come to my name organically, the way I need to come to my writing organically. (I am not a planner. I am dependent on lists in my everyday life; in my writing one, I’m dependent on my own particular brand of scattered focus.) Read more about Messud here.

In last week’s Independent, Boyd Tonkin wonders what it takes for a book to make history. Is it controversy? Writing? The author? Or the ‘ideological “grand narrative”‘?

At Kidlit, Agent Mary Kole has a quick post on the difference between proposals and querying with a complete manuscript–and why debut fiction authors need to the do latter.

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Cover Notes: Three Tales of My Father’s Dragon, by Ruth Stiles Gannet

Three Tales of My Father's Dragon, Ruth Stiles Gannett

Three Tales of My Father's Dragon, Ruth Stiles Gannett

Cover Notes is a new series I’ll be running every Monday. Rather than focusing on covers of books I’ve read, I’ll be writing about books I’ve never read and recording my first impressions of their covers. Each book will also have an Embarrassment Factor of between zero & five, with zero meaning “a totally awesome cover I want to write fan mail about” and five meaning “I’m ashamed to be seen with this in public.”

Today’s Cover Notes post is a little different–I was busy over the weekend, and didn’t spend much time at the bookstore. So this post is based on a cover randomly picked from the “Inspired From Your Browsing History” section on the front page of Amazon.

Things I love about the cover: The colors. They’re so bold and strong without being garish and I love the way the stripes play off each other, and the starry background. I also love how plain and unassuming the title font is–it doesn’t take away from the claymation style illustration at all, but actually almost enhances it. And the curl of the dragon’s tail! So adorable! Perhaps best of all, though, is the way both dragon and child seem to be realizing they can trust each other…

Things I’m not so hot on: The stars may be a teensy bit too big, but I’m actually not sure about that. I’m hesitant to pick at this cover at all–it’s very whimsical and kid-like, and the kind of art I’d actually love to hang above my desk.

What I think it’s about: Hard call! Based on the “50 years in print” sticker, this is probably a classic, though I’m kind of behind on American classics! Anyway, I’m guessing it’s a collection of fairy tales loosely based on some existing fairy tales. The story is probably tied together by the boy’s search for something–perhaps something tangible, but something emotional, too. I don’t get a sense of specifics from this one at all, though.

Cover art by: Ruth Chrisman Gannett

Embarrassment factor: 0. I have no problem being seen with very kid-like books in public. I once had a little girl run up and tell me she loved the Katie Kazoo I was reading; another once asked me if I was really reading Where the Mountain Meets the Moon, just like she was. (And yes, I was–it’s one of my favorite books.)

The Jacket Blurb

My Father’s Dragon–a favorite of young readers since the 1940s and a Newbery honor book–captures the nonsensical logic of childhood in an amusingly deadpan fashion. The story begins when Elmer Elevator (the narrator’s father as a boy) runs away with an old alley cat to rescue a flying baby dragon being exploited on a faraway island. With the help of two dozen pink lollipops, rubber bands, chewing gum, and a fine-toothed comb, Elmer disarms the fiercest of beasts on Wild Island. The quirky, comical adventure ends with a heroic denouement: the freeing of the dragon. Abundant black-and-white lithographs by Ruth Chrisman Gannett (the author’s stepmother) add an evocative, lighthearted mood to an already enchanting story. Author Ruth Stiles Gannett’s stand-alone sequel, Elmer and the Dragon, and her third volume, The Dragons of Blueland both received starred reviews in School Library Journal and are as fresh and original as her first. (Ages 4 to 8)–Amazon

Overall: So, so wrong! Well, half wrong. I did get boy and dragon and searching, sort of. It sounds like an absolutely enchanting book, though, and one we might start reading at bed time.

Have you read Three Tales of My Father’s Dragon?

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Monday Book News: 5 Links For Your Morning Coffee Break (flashback edition! 4/11/11)

Mir reaching for a picture book

I can get the book myself, mummy!

Good morning book people! It’s grey out this morning, which is actually a good thing–it’ll make it easier for me to stay inside and catch up on work today! That, and the Mir-Cat and I are sick. Why is it that mummies must always catch whatever their kids have?

This morning, I’m all about the flashbacks–there’s so much great stuff out there that was popular last year or the year before, and has faded a bit, even though it’s still very relevant today. And so, without further ado…

First up, author Marianna Baer has an absolutely brilliant post on sex scenes in YA over at A Crowe’s Nest. It’s full of examples and insight, and is never condescending. A must-read.

Over at Forever Young Adult, the most swoon-worthy YA couples of all time. A couple of my favorites made it in here–Anne Shirley and Gilbert Blythe (Anne of Green Gables), and Macy and Wes (The Truth About Forever).

Another oldie but goodie–an interview with Printz award winner and Australia icon Melina Marchetta, over at YA Highway. Marchetta is a fixture in Australia; her debut novel, Looking for Alibrandi, is on reading lists all over the country.

Author Neesha Meminger writes about the potential of South Asian romance novels in the YA market over at Diversity in YA Fiction. Great post–and great site!

And finally, back to Marianna again–using a couple of Sarah Dessen novels, Marianna explores how to get the most out of introducing a new character with dialogue, action, and internal monologue. I love this post, and have it bookmarked for my own future reference.

I’ll (most likely) be back later with a Cover Notes post. Have a great day, everyone!

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Wednesday Book News: 7 Links For Your Morning Coffee Break (4/6/11)

Mir holding a colored Easter egg out to the camera

Mir gets ready for Easter

Good morning, book people! It’s sunny & kinda-sorta warm in Cambridge this morning – I actually ran outside! And now I’m home, with my boys, coffee, warm beignets, and a pretty fun day ahead, showing my cousin around town. What more could a girl ask for? Oh, wait…Easter eggs! Fortunately, the Mir-Cat has a few to offer around…

Yesterday, ex-Agent (wow, that makes him sound like a Bond villain) Nathan Bransford posted about virtual witch hunts and respect within the writing community. A must-read.

Agent Kristin Nelson has a short video (1:58 minutes) with a couple of useful query tips. She also has The Book Lantern, an in-depth look at the supporting characters in a story. It’s broken down into “Parents,” “Mean Girl,” and “The Friends,” and is very, very useful. Works as a great checklist for avoiding stereotypes.

SLJ’s A Chair, A Fireplace, & A Tea Cozy has a very well done review of Melina Marchetta’s The Piper’s Son. Marchetta is an Australian author; her first book, Looking for Alibrandi, is on a lot of reading lists back home. SLJ’s review is very positive–which I mostly agree with–though I don’t think Marchetta’s “teen/twenties guy” voice is as strong as her “teen/twenties girl.”

Check out The Big Kahuna Round of SLJ’s Battle of the Kids Books. So far, I’ve only read A Conspiracy of Kings–which I loved–but all these books look good.

In case you missed it, The NYT has a list of the best children’s book apps on the iPad. And here’s a guest post at Scholastic’s On Our Minds, musing on the future of such apps.

And finally, another must read–Library Journal’s Annoyed Librarian on the Devolution of Public Libraries, and privatization. It’s a little old in internet time, but an essential post.

And that’s it, folks. I’ll try and take some more pics of Borders while I’m in town, so we can see how the remaining stores are holding up. Have a great day!

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YA Author Charlie Higson On The Differences Between Writing For Kids, Teens, & Adults

From The Guardian:

Author Charlie Higson reads from his book The Dead, and answers questions from readers. How did he start writing for children? What are the differences between writing for adults and for younger people?

Higson is the author of The Enemy, The Dead: An Enemy Novel, several Young Bond novels, and more.

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Monday Book News: 6 Links For Your Morning Coffee Break (4/4/11)

Mir excited to see The Three Little Pigs on Kidstage

Mir excited to see The Three Little Pigs on Kidstage

Good morning, book people!

Some more whitewashing discussion on The Hunger Games this morning. This post by author Malinda Lo (Ash) makes some great points–Lo discusses color and class, and reading cues for racial background. Here’s the description of Katniss from early in the book:

straight black hair, olive skin [and]… gray eyes

That could definitely be taken as ambiguous, though with that, and the fairness of Katniss’ mother and Prim, I’ve always read her as biracial–particularly since she shares the “Seam look” with the rest of District 12, and her mother and Prim do not. (To my mind, she also identifies more with the Seam than with her family.) Make sure you read the comments on Lo’s post, too.

JJ, an editorial assistant at St. Martin’s, talks about her read of Katniss as white over at Uncreate Conscience. I don’t agree with her whole post, but it is a thoughtful critique worth reading. An important point from the conclusion:

Here’s a question I have about speculative fiction (including science fiction and fantasy): if race is not specifically mentioned, or the world has a different idea of “race” than ours, how does one go about indicating ethnicity? If it’s important to the author that a character in a work of spec fic be of a specific race, how can one indicate that? If ethnicity isn’t important, what can s/he do to change the default assumption of “whiteness”?

JJ also has a post about the whitewashing of Akira that needs reading, too.

At the WSJ, Jeffrey Trachtenberg fills us in on a Random House/THQ Inc. deal. THQ is a developer and publisher of “interactive entertainment software” (read: video games). It’s mostly paid content, so it might be worth stopping by a Starbucks with your laptop/phone/iPad if ebooks and interactive books/games are your cup of tea (or coffee).

Over at Lightning + Lightning Bugs, agent Weronika Janczuk posts more about agents and self-publishing. Some useful commentary, some nice summations. Expect a few more posts like this–as my friend Livia pointed out at our last critique group meeting, a lot of agents were putting out their thoughts about ebooks and self-publishing last week. True, it’s probably not all tied into the Amanda Hocking news, but her St. Martin’s deal has lent a certain amount of legitimacy to self-publishing–legitimacy I think the big houses and agents have been waiting for (but unwilling to bet on) for a while.

Cory Doctorow has a new column up at PW, on the “the Baroque process of getting a book listed on both Lulu and Amazon.” It’s long, but Definitely Worth Reading. If you read only one thing from this list today, make it this piece.

And finally, a bit of fun–bookish webcomic Unshelved reviewed Scott Westerfeld’s Leviathan last week. Here’s a snippet; click through for more. (via Scott Westerfeld)

Scott Westerfeld's "Leviathan" reviewed by Unshelved

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Friday Book News: 7 Links For Your Morning Coffee Break (4/1/11)

Mir celebrates Dr. Seuss' birthday at the bookstore--by attacking a piece of cake

Mir celebrates Dr. Seuss' birthday at the bookstore

Happy April Fools’ everyone! And it feels like the universe is playing a bit of an April Fools’ joke over here–it’s been snowing on and off since last night, and there are driving warnings about the snowy conditions in effect until 2pm.

Back home in Sydney, there’s a bit of a kerfuffle too–John Le Carré has tried to withdraw his name from the list of finalists for the Man Booker International Prize. The emphasis here is on “tried,” because the committee, while acknowledging his wishes, has doggedly refused to remove Mr. Le Carre’s name. Never heard of the international prize? Here’s the short version, via The Economist’s Prospero blog:

Unlike the better known annual Man Booker prize for fiction, which has been going for more than 40 years, the international prize is relatively new: it is awarded every two years to a living writer with a body of work available in English. There are no submissions from publishers, authors or agents, and anyone caught jockeying for position is swiftly punished.

And here’s the shortlist (via The Man Booker Prizes):

  • Wang Anyi
  • Juan Goytisolo
  • James Kelman
  • John le Carré
  • Amin Maalouf
  • David Malouf
  • Dacia Maraini
  • Rohinton Mistry
  • Philip Pullman
  • Marilynne Robinson
  • Philip Roth
  • Su Tong
  • Anne Tyler

Remember the furore over Amy Chua and her book, Battle Hymn of the Tiger Mother? Here she is explaining the differences between her style of parenting and helicopter parenting, alongside her husband, Jed Rubenfeld. (via The Wall Street Journal).

Also at The WSJ, a pie chart of responses to the news that the OED has accepted “LOL,” “FYI,” and “OMG” into its hallowed pages. Galleycat has details on the additions.

The New York Times has a piece about the new David Foster Wallace novel, The Pale King. The novel, from Hachette, is apparently a strict-on-sale for bookstores, which means it can’t be sold prior to a certain date (in this case, April 15th). But Amazon and BN.com, it seems, are already shipping the book. While it might seem like the four horsemen of the apocalypse are tearing up bookstores everywhere, this kind of double standard is a Very Bad Thing. I’m hoping there’s more to the story than we’ve seen so far, and that it’s not just a colossal flub fest.

Over at The Book Smugglers, a review of Chime, by Franny Billingsley (wow, that’s hard to type, even with coffee). Ana and Thea make it sound like a must-read, especially since the book has its own original mythology, “with nary a vampire, werewolf, fairy in sight.” (It actually sounds loosely based on old Celtic tales to me, though). Here’s the opening line:

I’ve confessed to everything and I’d like to be hanged. Now, if you please.

Forgive the bad pun, but that really is a killer first line, one of the best I have ever read.

Next up, The Guardian has a fun April Fools’ quiz–on fools in literature.

Over on The Guardian’s Book Blog, David Barnett writes about Jacqueline Howett & how “the internet has finally removed the line in the sand between reviewers and authors.” He includes a few other examples of poorly received bad reviews, too.

And finally, at GalleyCat, blogger Derek Sivers has reproduced a series of story grids Kurt Vonnegut made during a New York City lecture. Check out the GC post for details and hashtags for GalleyCat’s NaNoEdMo festivities, or go straight to the story grids. I think I’ll be trying this out for my own work–charting ecstasy and misery is much more interesting than a plain old narrative arc!

That’s all, folks! Have a great day!

ETA 9:25am: note about Jed Rubenfeld in the above video.

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Wednesday Book News: 7 Links For Your Morning Coffee Break (3/30/11)

Mir reviews some crocuses

Mir reviews some crocuses

Good morning, book people! I have a critique group meeting this morning, and a yen for chocolate biscuits, so this will be quick–and almost painless.

The interwebs exploded yesterday (the writerly corner of it, anyway) when author Jacqueline Howett responded to a critical review of her book, The Greek Seaman, at BigAl’s Books and Pal’s. Here’s a snippet of one of the comments:

And please follow up now from e-mail.
This is not only discusting and unprofessional on your part, but you really don’t fool me AL.

Who are you any way? Really who are you?
What do we know about you?

You never downloaded another copy you liar!
You never ever returned to me an e-mail

Besides if you want to throw crap at authors you should first ask their permission if they want it stuck up on the internet via e-mail. That debate is high among authors.

Your the target not me!
Now get this review off here!

And, in case you’re curious, here’s her biography, which suggests that large parts of the novel are autobiographical. I suspect this is why Ms. Howett responded so violently.

Also, Joe says he will now be renaming his Nana Mouskouri cover band, The Greek Seaman Train Wreck.

If you have some time to kill, the comments are worth reading–not just for entertainment or as a “not what to do” but because some are genuinely kind and well-thought out notes on dealing with bad reviews.

Of course, the Jacqueline Howett story doesn’t end there–Good Books and Good Wine has the LOLcat version of her comments.

Over at Zazzle, we also have a snake mug… (Not sure why, but WP ate this line originally, so I’ve added the link back in.)

Screen shot 2011-03-30 at 8.27.39 AM.pngAnd here’s an excellent checklist for dealing with bad reviews, courtesy of Book Goggles.

In other book news…

Nathan Bransford has a break down of expected monies from self-publishing, with some detailed thoughts on Barry Eisler and Amanda Hocking. This is a must-read.

Mike Shatzkin has a post on ebook bestsellers that’s worth reading. It’s long, but talks financials, distribution, and bookstore placement. One quick aside though–Mike says,

Now the paradigm has changed. The default front table is the choice of titles on the screen that comes up first when a store’s program is opened. That’s almost always that retailer’s bestsellers (and, as far as I can tell, it isn’t customized for me at any of these retailers; you or my wife would see the same default screen that I would.)

I haven’t bought anything from B&N online in a long time, but I do know Amazon has customized front pages with recommendations based on my book-buying history. (And a lot of my recs are ebooks, since I read a lot on the kindle.) More thoughts on this post later.

And now, about those chocolate biscuits…

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Cover Notes: Black Hole Sun, by David Macinnis Gill

73239324.JPGCover Notes is a new series I’ll be running every Monday. Rather than focusing on covers of books I’ve read, I’ll be writing about books I’ve never read and recording my first impressions of their covers. Each book will also have an Embarrassment Factor of between zero & five, with zero meaning “a totally awesome cover I want to write fan mail about” and five meaning “I’m ashamed to be seen with this in public.”

This week, I was actually on my way to the young reader section to look for a cover–and then the spine (yes, just the spine!) David Macinnis Gill’s Black Hole Sun grabbed me. Also, a little bit of fan girliness here–from his bio:

David Macinnis Gill is an associate professor of English education at the University of North Carolina at Wilmington, specializing in young adult literature…

I love seeing “professor” and “specializing in young adult literature” in the same sentence. It’s very validating. And now…

Things I love about the cover: Can I say everything? I love the outlining of the font and how it accentuates the blackness–and how that blackness is doubly accentuated by the stars/comets/space debris streaking past and the red lights in the background.

Also, the spine on this book is stunning, from the under-outlined O to the shadowing of what? A rocket perhaps? And the colors! I love the colors!

Things I’m not so hot on: The other text. Getting a Suzanne Collins blurb is a huge deal, but I feel like the quote was tacked on after the cover design had been finished, so it doesn’t quite fit. Something about the author’s name looks off, too, but I can’t tell what.

photo 1.JPGWhat I think it’s about: This screams science fiction to me–and I desperately want it to be science fiction, a kind of Sunshine without the intense horror elements (I loved the premise of that movie, but the horror was too much for me by the end).

Between the blurb and the cover itself, I’m thinking dystopic world where the sun is ending its red giant phase and about to collapse into a blackhole. And our hero’s journey? A boy and a girl (for some love interest), and a race to get onto a seed ship. There has to be a sequel.

Cover art by: unknown. Google only turns up details for the album of the same name.

Embarrassment factor: 0.

The Jacket Blurb
The synopsis isn’t quite enough here, so I’m posting the PW blurb too.

Durango is playing the cards he was dealt. And it’s not a good hand.
He’s lost his family.
He’s lost his crew.
And he’s got the scars to prove it.
You don’t want to mess with Durango.

From PW:
Gill (Soul Enchilada) shifts literary gears, delivering an exciting and brutal science fiction tale about teenage mercenaries on Mars. Durango is a disgraced Regulator who, roninlike, did not kill himself when his previous master (his father) was arrested. Along with his gorgeous second, Vienne, and the snarky AI of his former commander, Mimi, which has been “flash-cloned” to his brain, he now takes jobs that most other Regulators would refuse, using the money to try to make his father’s life in prison more bearable. When they get called to protect a group of miners from the cannibalistic monstrosities called Dræu, they discover secrets that could cast new light on the entire history of Mars, as well Durango’s own past. Gill fills his story with well-crafted action sequences and witty dialogue, and the fast pace more than makes up for the predictability of the plot. Everything from the inevitable betrayals and the heroic sacrifices to the dark secrets is by the numbers, though the character development, banter between Durango and Mimi, and solid action will entertain most readers. Ages 14 up. (Sept.)

Overall: So, so wrong. And I should have seen something mercenary was involved–the target is a (dead) giveaway. Two things, though–

  1. I love this premise–it reads a little like YA William Gibson to me, and I need to read it. Soon.
  2. This is the first time I’ve been sad about being wrong! I’d love a novel along the lines I described, a cross between Sunshine and Titan A.E. and the boy-girl part.
  3. Have you read Black Hole Sun? Would you?

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Monday Book News: 7 Links For Your Morning Coffee Break (Diana Wynne Jones Edition – 3/28/11)

ashpet, diana.jpgGood morning, book people! I’m wrapping up a big writing project today & Mir & I are properly recovered now (thanks to a series of naps), so I’ll be back to some semblance of normality on the interwebs this week.

Sad news this morning–children’s novelist Diana Wynne Jones died early Saturday morning (UK time). If you haven’t read one of her novels, you need to get out your kindle/nook, or head down to the bookstore today. My favorites (so far)–How’s Moving Castle (different, and better than, the movie), and the Chrestomanci series, particularly The Charmed Lives of Christopher Chant.) There aren’t really words to describe this post about Diana (and if you have ever read her, you know that she is Diana, because reading her is like reading an old friend) by Neil Gaiman, except to say it made me cry.

Emma Bull over at Tor.com also remembers Diana, a woman who,

rhubarbfool diana.jpg

“told stories the way some people eat ice cream: eagerly, with delight and no self-consciousness. She told them about her family in a way that made them familiar characters in my imaginary world, and she talked about her characters as if they were family.” (via Neil Gaiman)

Here’s a full obituary about Diana from The Guardian, with all the concrete details that entails. It’s a marvelous and detailed essay by Christopher Priest, though, so go here rather than Wikipedia if you’ve never read Diana/want to know more.

Also at The Guardian, Imogen Russell Williams on why the winners of the Guardian children’s fiction prize (including Diana) have stayed with her.

Sometime soon–perhaps this week, perhaps next–I’ll post about Diana’s books, and why I love them. She has a new book coming out, Earwig and the Witch, in the UK and Japan, later this year.

The Rejectionist has a short post (as in 100 words sort of short) on qualities that do not a strong female character make. It’s a blitzingly short read, but an essential one.

More big news for Amanda Hocking–she’s sold the rights to the Trylle Trilogy. From the NYT:

“Amanda has created such a fresh, unique, fabulous world, and I am absolutely dead set on bringing it to the screen without compromising any of that,” Ms. Tatchell said by telephone from Vancouver, Canada.

The three novels — “Switched,” “Torn” and “Ascend” — follow an emotionally damaged high school girl, Wendy Everly, who realizes that she may not be human. With the help of a boy, Finn Holmes, she discovers the mysterious world of Trylle, which is populated by beautiful trolls.

I’ve heard a bit of griping about Amanda Hocking’s success, so here are a couple of things to remember about her–yes, she’s sold a million copies over nine novels. And yes, she’s made around two million dollars. But she has put in a lot of work, and has hired freelance editors for her books. So while she may’ve been on-trend with her novels, there’s definitely more to her success than that.

The WSJ has a quick interview with Jeffrey Archer on e-books, England, and more.

And finally, an interview with Diana, and a study project. I love the opening to this first one–the way she says, “Do come in,” makes me feel like I’m cracking a new novel.

On the Miyazaki adaptation of Howl’s Moving Castle (spoilers)

Diana Wynne Jones author study, by Raarbecca, part of a school project. See if you catch the snippet of Howl’s Moving Castle soundtrack a couple of minutes in.

image credits: ashpet, Good reads: the Diana Wynne Jones shelf; Rhubarbfool, Diana Wynne Jones signing at Heffers, both via flickr.

ETA 9:58am: US details for Earwig & the Witch

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