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800 Followers Means Giveaway Time!

90DD86A1-5A7C-4A05-A0F0-F6E00ECE9374.jpgI just hit the big 800 on Twitter–however transient it may be–so it’s time to celebrate. And the best way to celebrate? Giving away stuff!

Here’s the deal:

Tweet your fave book ever (not the book you want to win, we’ll work that out later!) @PetaAndersen by Friday at Midnight EST to go into a random draw to win a YA or MG novel off my shelves. Two books are on offer–choices are listed below. You can get an extra entry by:

  1. Re-tweeting this giveaway
  2. Blogging about this giveaway
  3. Sharing/liking it on facebook (scroll to the bottom for the “like” button)
  4. Becoming a fan of *ILBNH* on facebook (there’s a widget in the sidebar!)
  5. Leaving a comment below with one line about your favorite book

Folks, please post links to your blog post &c., or comment on how you shared to help me keep track of who’s done what. Thanks!

Tip: Make sure you’re following me so I can DM you details if you win. People not on Twitter can still enter by doing any one of the above (I <3 hearing why folks love the books they do, so 4. is a good way to go!), and leaving their email addy (e.g. janeisawesome[at]gmail.com) in the comments below.

Winners will be announced sometime on Monday or Tuesday, depending on how many extra entries I get.

Here are the 5 novels on offer, a mix of old and new:

  • Luka and the Gods of Fire, Salman Rushdie
  • The Incorrigbles, Book 1, The Mysterious Howling, Mary Rose Wood (I! loved! this! book!) If you’ve read Mysterious Howling, though, I love this book so much I’ll ship you a copy of book 2 as soon as it hits shelves, sometime this week of next week.
  • In honor of Brian Jacques, a Redwall novel of your choice
  • Queen of Babble, Meg Cabot–this isn’t YA but rather New Adult, aka YA flavor with slightly more adult content
  • The Spiderwick Chronicles, Holly Black

And that’s all for now! I’ll be back, later again (yes, that’s 3 posts in one day! Almost a record for me!) with a post on award shortlists. Remember–tweet your fave book ever @PetaAndersen (aka me) to enter!

Update, 2:23 pm:edited to clarify details

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How Powerful Are Reading Social Networks?

Screen shot 2011-02-22 at 1.52.16 PM.pngIn 2006, posts about a new reading network starting popping up. Goodreads, a place where readers could go to catalog their reading habits, seemed like a fancy, web 2.0 version of a reading journal. And since I’ve never been good with recording my reads, I gave it a miss.

But Goodreads has stuck around–and flourished. I’m now a member, along with over 4,400,000 other people. That’s almost as many people as the entire country of Norway (4, 827,038), Ireland (4,450,446). True, it’s less than 1% of the Facebook users out there–.88% to be exact–but it’s still an impressive number. And in terms of book buyers, it’s way over NYT bestseller territory (100,000 copies or so).

So far, publishers haven’t really gone after Goodreads members. There are some small presses around, giving away copies of their books and getting active in group discussions, but the big houses haven’t so much missed the bandwagon as forgotten it exists. Here’s the breakdown of some of the bigger names on Goodreads:

  • Scholastic – 32 friends, 33 books.
  • HarperCollins – no presence I can find.
  • Simon & Schuster – no presence I can find.
  • Hachette – 1 person, no photo, 16 books. Most likely a personal profile.
  • Macmillan – “Macmillan Publishers,” 0 friends, 0 books.
  • Penguin – “Penguin Press,” 218 friends, 33 books.
  • Random House – 0 friends, 0 books.

But Scholastic, the world’s largest publisher and distributor of children’s books, seems to be paying attention to the masses of readers eager to get into social networking. Earlier this month, they launched You Are What You Read,

…a unique opportunity for readers all over the world to connect with each other through their shared “Bookprints,” as we celebrate the books that bind us together and make us who we are today.

Screen shot 2011-02-22 at 1.53.44 PM.pngAnd the publishing powerhouse is pulling out all the stops–Names You Know, a section of the site featuring, well, names you know, lists Bookprints for the big names, such as Oprah, Alice Walker, Hillary Clinton, Ellen DeGeneres, Daniel Radcliffe, and Kathryn Lasky. Sections for authors, librarians, and educators are also built into the system.

[Read more...]

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Belle & Sebastian’s ‘Storytelling’ Is The Ultimate Sit Down & Write Song

The first time I heard Belle & Sebastian’s Storytelling, I stopped dead in the middle of a run. From the very first line of the very first verse, I was sucked in; the lyrics are so, so spot on it was like the duo were actually talking to me. The song is part of a soundtrack for Todd Solondz’ film of the same name where “college and high school serve as the backdrop for two stories about dysfunction and personal turmoil.” I still haven’t seen the movie, but it’s on my (extensive) TBW list.

Picture a scene in your mind
Look at all the people and take note of the setting behind
Listen, watch, and wait
A plot begins to take shape
There’s a story
And then characters will come to you
Relating events as they choose to
But all their words and actions come entirely from you…

Pay particular attention to the last verse. It’s a perfect end note.

Have you seen Storytelling? What did you think? Does this song reflect how you write?

I’ll be back later with a post on Goodreads and the new Scholastic social network, You Are What You Read .

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Cover Notes: Windblowne, by Stephen Messer

Windblowne, by Stephen MesserCover Notes is a new series I’ll be running every Monday. Rather than focusing on covers of books I’ve read, I’ll be writing about books I’ve never read and recording my first impressions of their covers. Each book will also have an Embarrasment Factor of between zero & five, with zero meaning “a totally awesome cover I want to write fan mail about” and five meaning “I’m ashamed to be seen with this in public.”

Shelved in the young reader section of the bookstore, Windblowne was spine in when I found it–but even nestled among the busy, particolored spines, it stood out.

Windblowne, by Stephen Messer, facing out on the shelf

Windblowne facing out

Things I love about the cover: It’s very slightly surreal. The giant moon, alongside the smaller one, give a sense of dreamy otherworldliness that immediately drew me in. The kite is just the tiniest splash of color, but it draws my eye up, and sets methinking about flying without being over-the-top or trying too hard. The cover’s a little glossy, too, which makes the moons really pop, and I love the way the font is a little windblown. Finally, the spine is eye-catching enough that I picked up the book as soon I saw it, but it’s still a little mysterious.

Things I’m not so hot on: Not too much, but I don’t like the way the author’s name looks on the bottom of the cover–it feels a little rushed and unimportant. I like the idea of the trees, too, but the other kites (if they are kites) are a bit busy for me. A clearer sense of if the fliers above the trees are kites or leaves would definitely help. Update: the artist, Erwin, has a much larger pic of Windblowne’s cover. The size really does make a difference–it’s easier to see both kite & leaves in the image, and the detail on the boy’s trousers.

What I think it’s about: A balloon boy story without the crazy–or, rather, a world where people (people because of the other kites) can ride the wind. This not quite Harry Potter looking fellow looks as if he’s off an adventure; the way he’s looking up makes me think he’s not just excited, but eager to get away from something.

Cover art by: Erwin Madrid. (Seriously, folks, run & check out Erwin’s website–it’s incredible!)

Embarrassment factor: 0!

The Jacket Blurb

A high-flying fantasy adventure that will blow readers away!

Every kite Oliver touches flies straight into the ground, making him the laughingstock of Windblowne. With the kite-flying festival only days away, Oliver tracks down his reclusive great-uncle Gilbert, a former champion. With Gilbert’s help, Oliver can picture himself on the crest, launching into the winds to become one of the legendary fliers of Windblowne.

Windblowne, by Stephen Messer, spine out

Windblowne, spine out

Then his great-uncle vanishes during a battle with mysterious attack kites—kites that seem to fly themselves! All that remains is his prize possession, a simple crimson kite. At least, the kite seems simple. When Oliver tries to fly it, the kite lifts him high above the trees. When he comes down, the town and all its people have disappeared. Suddenly the festival is the last thing on Oliver’s mind as he is catapulted into a mystery that will change everything he understands about himself and his world.

Inspired by the work of Diana Wynne Jones, debut author Stephen Messer delivers a fantasy book for boys and girls in which the distance between realities is equal to the breadth of a kite string.

I’m so, so wrong! But I’m not disappointed at all–while I liked where my immediate impressions took me, the real story sounds so much richer, and I’ll definitely be reading it. Looking at the cover again, there are clues to the real story–the misspelled “windblown” should have been a heads-up that it’s a proper noun, and the other kites are a pretty good hint that flying is kinda-sorta commonplace (assuming you thought they were kites to begin with–we’re still not sure).

What did you think when you first saw the cover of Windblowne? Have you read it yet?

eta: cover artist details for Erwin Madrid, note on image size.

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Run-DMC Busts Some Rhymes on Reading Rainbow

After watching last week’s Community with LeVar Burton, I started to check out Reading Rainbow. Not growing up in the US, I didn’t know much about it, but I’m definitely a convert now, and am out to get the episodes available on DVD. In the meantime, Mir & I are watching bits and pieces on YouTube. As a sheltered child of the 80s, I didn’t discover Run-DMC ’til their Coca-Cola ads (which didn’t end with us stocking up Coke, but that’s probably a good thing). But I did think they were cool–which did add +10 to my cool points with my rhyme-dropping cousins. But this video is definitely my fave Rainbow pick so far.

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E-Books Are Getting Shorter, But Teens Could Be Reading Longer

1688C76C-1057-44B9-A82D-12EEEB8ABB46.jpgLast weekend, the NYT’s Jenna Wortham admitted her secret shame: until this year, she had never finished an e-book. She writes,

It’s not that I don’t read books. The various shelves and tables in my apartment are overflowing with paperbacks. But without a physical reminder of a book on a nightstand, it’s easy to forget that an extensive digital library is at my disposal.

This is a problem I don’t have–although our shelves, tables, even closets are overflowing with books, my Kindle goes almost everywhere I do. But Wortham’s article is less about her finishing an e-book and more about the decreasing length of e-texts.

Shorter e-books and essays are definitely gaining in popularity; Jodi Picoult’s Kindle Single “cracked Kindle’s top 100 seller list.” But what does this mean for YA readers?

Probably nothing. Sure, e-book lengths are decreasing, but the number of kids using e-readers is increasing. And in YA, that could actually mean more kids reading long books.

[Read more...]

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Friday Book News (Bookstore Edition!): 10 Links For Your Morning Coffee Break

Borders, Cambridgeside Galleria, 2Good morning, book people! Signs of spring are peeking out of the snow in Cambridge and we’re crazy happy about it because it means…Playgrounds! Long walks by the river! Outdoor runs! Clean sidewalks!

A few bits and pieces this morning. First up, author Sherry Lewis on when to use dialogue and when to skip it. (via Christy Frazier)

US Borders isn’t the only Borders chain to be suffering. The Australian company, bought by Pacific Equity Partners, the parent company of another book chain, Angus and Roberston, in June 2008. They’re now owned by Red Group Retail and, as of yesterday, both Borders and A&R are in administration. In 2009, UK Borders went into administration, too.

The Australian has a so-so (I wish it were longer!) look at the Australian book industry and protectionism. Not sure how I feel about this one. Thoughts?

The Guardian reports that Waterstone’s books in the UK is also closing branches after a slow Christmas season. The Big G is also running an interesting piece by a former Waterstone’s boss on why the stores are worth saving and a quick overview of the all three book chain collapses.

Also at the Guardian, YA author Anna Pereara on why hard truths are not too difficult for teen readers.

The WSJ tells us why, despite the Borders filing, reading isn’t dead.

And finally, cartoonist and illustrator Patricia Storms gives Martin Amis a makeover.

Do you still go to bookstores? And what are you reading this morning?

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Lauren Oliver’s Before I Fall Takes A Huge Risk–& I Like It

4298F9B7-C4CC-4762-B177-04F0CD8AF4BE.jpgFull disclosure: I kinda-sorta know the author of this book, Lauren Oliver.

Since reading Alice Sebold’s The Lovely Bones, I’ve stayed away from most novels with the reliving-the-past-learning-to-accept-death theme. Every now and then, a new title does pique my interest–the buzz around Gayle Forman’s If I Stay landed it in my to be read pile (though I’ve been studiously ignoring it every time it gets close to the top) and a few recommendations for Jay Asher’s Thirteen Reasons Why ended with me reading all about Hannah over the course of a single night and giving up on the premise again. If Thirteen Reasons is on your TBR pile, this is how I recommend you read it: at home, with an enormous pot of tea, a dozen chocolate bars, a few cushions to throw, and in a single sitting. More on the cushion-throwing in another post.) But when I heard Lauren Oliver’s Before I Fall described as The Lovely Bones meets Groundhog Day, I grabbed a copy ASAP. Here’s the publisher’s blurb:

What if you had only one day to live? What would you do? Who would you kiss? And how far would you go to save your own life?

Samantha Kingston has it all: the world’s most crush-worthy boyfriend, three amazing best friends, and first pick of everything at Thomas Jefferson High-from the best table in the cafeteria to the choicest parking spot. Friday, February 12, should be just another day in her charmed life.

Instead, it turns out to be her last.

Then she gets a second chance.

Seven chances, in fact. Reliving her last day during one miraculous week, she will untangle the mystery surrounding her death-and discover the true value of everything she is in danger of losing.

For the most part, I loved Before I Fall. I really did. But…

It takes a huge–HUGE–risk.

[Read more...]

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Ronnie Bruce & Taylor Mali Tell Us Why It’s Not Enough To Question Authority…

I am in love with this video from Ronnie Bruce. The poem is called Totally like whatever, you know? by Taylor Mali. Via @heidi_willis at Some Mad Hope. It’s gorgeous to listen to, but the typography adds a whole other dimension. Watch without distractions!

Typography from Ronnie Bruce on Vimeo.

ETA: poem info.

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I Love Outlines, But I Can’t Write Them For Peanuts

Brightly colored frosting makes the best finger paint! It's tasty, too!

Brightly colored frosting makes the best finger paint! It's tasty, too!

One of the things non-fiction is good for is cultivating voice. Because NF has no characters to hide behind, it forces us to write as ourselves in a way regular fiction (as opposed to fictive or inspired-by memoir) doesn’t.

The voice I’ve spent so long honing in my NF work has helped me a lot over recent months–it’s easier for me to get into a character’s head without mapping or noting or any of the other techniques I used to use. But the other NF stalwart I’ve come to depend on, the outline, doesn’t carry over to fiction.

Granted, I rarely outline my blog posts (though I do use a blog client rather than writing directly in WordPress. More on that in another post.). But other than these posts, I stick to my non-fiction outlines the way finger paint sticks to my jeans, shirts, walls, and kitchen cupboards. Writing an article without an outline is difficult for me–I end up scattered and utterly confused. When I write fiction, though, I find the very act of writing an outline leaves me scattered!

Here’s what my non-fiction outlines tend to look like:

Title: Blog Post on Outlines, Plot, Voice

Intro

  • What am I writing about?
  • Key point – using outlines, getting confused, thoughts
  • Do outlines hinder voice or help it?
  • Relevant links: x, y, z

Where Am I Going With This? 2 Paragraphs

  • Point 1
  • expand, include a relevant quote
  • sum up

Conclusion

  • What I’ve learned/am thinking about
  • Questions

Extra funny thing: I can write from someone else’s outline with no hassle. Hand me a writing exercise, or hash something out with me for a short story, and I’m fine. Ask me to write the outline myself, and I’m a mess.Remember when I said non-fiction helps with voice, because there are no characters to hide behind? I think that’s my problem. Outlines in fiction–for me, anyway–take the story in an NF direction, so that I end up thinking news-and-opinion rather than character-and-plot-development.

Overall, not writing outlines isn’t a killer for me, but it is sometimes annoying. My writing group has no problem working out plots and sequencing, while I struggle to get all my ducks in a row. Oftentimes, this means I have to write and rewrite large chunks of a manuscript until it’s all internally consistent–which is a pain and a half! Lately, I’m getting over the hassle of this by keeping a soap opera diary.

A soap opera diary (I have no idea what they’re actually called, but that’s what a guy I used to know, who worked on Passions, called them) is like an encyclopedia for any given show. Continuity people keep track of all the births, deaths, marriages, evil takeovers, one night stands, coffee hijinks and more so that the show doesn’t contradict itself. There are still gaffes every now and then, but for the most part, the writers and continuity folk manage to keep the show fairly consistent. So, for my latest manuscript, I’ve started doing post-outlines, summarizing chapters and highlighting anything that could be a Big Continuity Issue later.

Do you write outlines for fiction, non-fiction, or both? How do you keep track of continuity issues?

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