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Wednesday Book News: 7 Links For Your Morning Coffee Break (4/20/11)

Mir, Me, and Melanie at the Mockingjay launch, back in her bookseller days

Mir, Me, and Melanie at the Mockingjay launch, back in her bookseller days

Good morning, book people! It’s been hectic around our house lately, hence the intermittent blogging. I’ll be keeping up the coffee breaks (I love writing these) this week, and should get back to the  5 day a week schedule next week.

Excitement this morning! Jennifer Egan has won the Pulitzer for fiction with her novel, A Visit From The Goon Squad. Although the book is technically adult–it appears to be a collection of short stories–it has a couple of kidlit elements, and there’s an extract available over at the Guardian’s children’s book site. The extract is a short story formatted as a Power Point slideshow, and definitely worth checking out. (And I’ll have more on Egan and using technology in books sometime soon.)

Next up, a useful critique from ex-agent Nathan Bransford. More interesting than the critique, though, are his thoughts on learning to trust yourself as a writer. I’ve struggled with this on an off (particularly so when I’m sending out queries), as have most writers I know. And I can’t help but wonder if perhaps it’s part of the process of tapping into our own unique skills. What do you think?

Over on Tumblr, my friend and former bookseller Melanie has started up blog, Yay Kidlit! Go give it some love–she has some great links and book coverish posts already, including a (perhaps more realistic) cover for Roald Dahl’s James and the Giant Peach which did actually make me laugh out loud.

In some heartening Hunger Games news, the actors cast to play Rue and Thresh have been announced–and they’re actually POC. Granted, the movie probably couldn’t have weathered the backlash if the studio had cast white actors for the two roles, but it’s nice to see them sticking to the ethnicities in the book this time around. Congrats to Dayo Okeniyi (Thresh) and Amandla Stenberg (Rue)!

Not exactly kidlit related, but The Economist has a great, well written, and thoughtful piece on two books about Pakistan, “an important but confusing country which has been driven, partly by American intervention, into strange ways.” Although I don’t read much outside of YA and kidlit these days, I’ve always had a soft spot for books about Pakistan and India, since large parts of my family history are rooted there. Are your reading tastes ever influenced by your family history?

Also at The Economist, Three Cups of Tea author Greg Mortenson has been accused–by CBS News–of “fabricating some of his stirring tales.” Three Cups of Tea was a best seller and is now a picture book.

And finally, some sad geek news - Elizabeth Sladen, better known as the Doctor’s companion, Sarah Jane Smith, has died. She was the star of a surprisingly good Doctor Who spinoff for kids, The Sarah Jane Adventures.

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Monday Book News: 6 Links For Your Morning Coffee Break (4/18/11)

Mir with a white bunny named Cottontail

Mir & Cottontail gearing up for Easter, by Two Mamas Photography

Good morning, book people! I’m sorry for the impromptu coffee break hiatus–my computer’s hard disk died last Wednesday. I have a new disk now, though, and thanks to my time capsule restoration, everything is as it should be. Which means we can start gearing up for Easter! I’ll have an Easter book list up later this week.

First up, at io9 author Robin Hobb, aka Megan Lindholm, aka Margaret Astrid Lindholm Ogden writes about how she ended up with her two pseudonyms–and the distinct authorial personalities that go with them.

Over at The Shatzkin Files, Mike talks about why it might be hard to find a public library 15 years from now. Long, but thoughtful and worth reading, particularly if you’re just getting into the digital game.

Over at Kris Writes, Kristine Katherine Rusch continues her Business Rusch series with this post on e-book royalties. Again, (very) long, but even if you’re not in e-book publishing right now, this is worth a look, as it highlights several key issues within the industry writers need to be aware of. (via @lkblackburne)

At The Wall Street Journal, Claire Messud reflects on the importance of finding a character’s true name. This, I can relate to–I often start with a place holder name, then write around until I find what I’m looking for. Name dictionaries and googling do not work for me; I need to come to my name organically, the way I need to come to my writing organically. (I am not a planner. I am dependent on lists in my everyday life; in my writing one, I’m dependent on my own particular brand of scattered focus.) Read more about Messud here.

In last week’s Independent, Boyd Tonkin wonders what it takes for a book to make history. Is it controversy? Writing? The author? Or the ‘ideological “grand narrative”‘?

At Kidlit, Agent Mary Kole has a quick post on the difference between proposals and querying with a complete manuscript–and why debut fiction authors need to the do latter.

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Cover Notes: Three Tales of My Father’s Dragon, by Ruth Stiles Gannet

Three Tales of My Father's Dragon, Ruth Stiles Gannett

Three Tales of My Father's Dragon, Ruth Stiles Gannett

Cover Notes is a new series I’ll be running every Monday. Rather than focusing on covers of books I’ve read, I’ll be writing about books I’ve never read and recording my first impressions of their covers. Each book will also have an Embarrassment Factor of between zero & five, with zero meaning “a totally awesome cover I want to write fan mail about” and five meaning “I’m ashamed to be seen with this in public.”

Today’s Cover Notes post is a little different–I was busy over the weekend, and didn’t spend much time at the bookstore. So this post is based on a cover randomly picked from the “Inspired From Your Browsing History” section on the front page of Amazon.

Things I love about the cover: The colors. They’re so bold and strong without being garish and I love the way the stripes play off each other, and the starry background. I also love how plain and unassuming the title font is–it doesn’t take away from the claymation style illustration at all, but actually almost enhances it. And the curl of the dragon’s tail! So adorable! Perhaps best of all, though, is the way both dragon and child seem to be realizing they can trust each other…

Things I’m not so hot on: The stars may be a teensy bit too big, but I’m actually not sure about that. I’m hesitant to pick at this cover at all–it’s very whimsical and kid-like, and the kind of art I’d actually love to hang above my desk.

What I think it’s about: Hard call! Based on the “50 years in print” sticker, this is probably a classic, though I’m kind of behind on American classics! Anyway, I’m guessing it’s a collection of fairy tales loosely based on some existing fairy tales. The story is probably tied together by the boy’s search for something–perhaps something tangible, but something emotional, too. I don’t get a sense of specifics from this one at all, though.

Cover art by: Ruth Chrisman Gannett

Embarrassment factor: 0. I have no problem being seen with very kid-like books in public. I once had a little girl run up and tell me she loved the Katie Kazoo I was reading; another once asked me if I was really reading Where the Mountain Meets the Moon, just like she was. (And yes, I was–it’s one of my favorite books.)

The Jacket Blurb

My Father’s Dragon–a favorite of young readers since the 1940s and a Newbery honor book–captures the nonsensical logic of childhood in an amusingly deadpan fashion. The story begins when Elmer Elevator (the narrator’s father as a boy) runs away with an old alley cat to rescue a flying baby dragon being exploited on a faraway island. With the help of two dozen pink lollipops, rubber bands, chewing gum, and a fine-toothed comb, Elmer disarms the fiercest of beasts on Wild Island. The quirky, comical adventure ends with a heroic denouement: the freeing of the dragon. Abundant black-and-white lithographs by Ruth Chrisman Gannett (the author’s stepmother) add an evocative, lighthearted mood to an already enchanting story. Author Ruth Stiles Gannett’s stand-alone sequel, Elmer and the Dragon, and her third volume, The Dragons of Blueland both received starred reviews in School Library Journal and are as fresh and original as her first. (Ages 4 to 8)–Amazon

Overall: So, so wrong! Well, half wrong. I did get boy and dragon and searching, sort of. It sounds like an absolutely enchanting book, though, and one we might start reading at bed time.

Have you read Three Tales of My Father’s Dragon?

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Monday Book News: 5 Links For Your Morning Coffee Break (flashback edition! 4/11/11)

Mir reaching for a picture book

I can get the book myself, mummy!

Good morning book people! It’s grey out this morning, which is actually a good thing–it’ll make it easier for me to stay inside and catch up on work today! That, and the Mir-Cat and I are sick. Why is it that mummies must always catch whatever their kids have?

This morning, I’m all about the flashbacks–there’s so much great stuff out there that was popular last year or the year before, and has faded a bit, even though it’s still very relevant today. And so, without further ado…

First up, author Marianna Baer has an absolutely brilliant post on sex scenes in YA over at A Crowe’s Nest. It’s full of examples and insight, and is never condescending. A must-read.

Over at Forever Young Adult, the most swoon-worthy YA couples of all time. A couple of my favorites made it in here–Anne Shirley and Gilbert Blythe (Anne of Green Gables), and Macy and Wes (The Truth About Forever).

Another oldie but goodie–an interview with Printz award winner and Australia icon Melina Marchetta, over at YA Highway. Marchetta is a fixture in Australia; her debut novel, Looking for Alibrandi, is on reading lists all over the country.

Author Neesha Meminger writes about the potential of South Asian romance novels in the YA market over at Diversity in YA Fiction. Great post–and great site!

And finally, back to Marianna again–using a couple of Sarah Dessen novels, Marianna explores how to get the most out of introducing a new character with dialogue, action, and internal monologue. I love this post, and have it bookmarked for my own future reference.

I’ll (most likely) be back later with a Cover Notes post. Have a great day, everyone!

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Wednesday Book News: 7 Links For Your Morning Coffee Break (4/6/11)

Mir holding a colored Easter egg out to the camera

Mir gets ready for Easter

Good morning, book people! It’s sunny & kinda-sorta warm in Cambridge this morning – I actually ran outside! And now I’m home, with my boys, coffee, warm beignets, and a pretty fun day ahead, showing my cousin around town. What more could a girl ask for? Oh, wait…Easter eggs! Fortunately, the Mir-Cat has a few to offer around…

Yesterday, ex-Agent (wow, that makes him sound like a Bond villain) Nathan Bransford posted about virtual witch hunts and respect within the writing community. A must-read.

Agent Kristin Nelson has a short video (1:58 minutes) with a couple of useful query tips. She also has The Book Lantern, an in-depth look at the supporting characters in a story. It’s broken down into “Parents,” “Mean Girl,” and “The Friends,” and is very, very useful. Works as a great checklist for avoiding stereotypes.

SLJ’s A Chair, A Fireplace, & A Tea Cozy has a very well done review of Melina Marchetta’s The Piper’s Son. Marchetta is an Australian author; her first book, Looking for Alibrandi, is on a lot of reading lists back home. SLJ’s review is very positive–which I mostly agree with–though I don’t think Marchetta’s “teen/twenties guy” voice is as strong as her “teen/twenties girl.”

Check out The Big Kahuna Round of SLJ’s Battle of the Kids Books. So far, I’ve only read A Conspiracy of Kings–which I loved–but all these books look good.

In case you missed it, The NYT has a list of the best children’s book apps on the iPad. And here’s a guest post at Scholastic’s On Our Minds, musing on the future of such apps.

And finally, another must read–Library Journal’s Annoyed Librarian on the Devolution of Public Libraries, and privatization. It’s a little old in internet time, but an essential post.

And that’s it, folks. I’ll try and take some more pics of Borders while I’m in town, so we can see how the remaining stores are holding up. Have a great day!

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YA Author Charlie Higson On The Differences Between Writing For Kids, Teens, & Adults

From The Guardian:

Author Charlie Higson reads from his book The Dead, and answers questions from readers. How did he start writing for children? What are the differences between writing for adults and for younger people?

Higson is the author of The Enemy, The Dead: An Enemy Novel, several Young Bond novels, and more.

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Friday Book News: 7 Links For Your Morning Coffee Break (4/1/11)

Mir celebrates Dr. Seuss' birthday at the bookstore--by attacking a piece of cake

Mir celebrates Dr. Seuss' birthday at the bookstore

Happy April Fools’ everyone! And it feels like the universe is playing a bit of an April Fools’ joke over here–it’s been snowing on and off since last night, and there are driving warnings about the snowy conditions in effect until 2pm.

Back home in Sydney, there’s a bit of a kerfuffle too–John Le Carré has tried to withdraw his name from the list of finalists for the Man Booker International Prize. The emphasis here is on “tried,” because the committee, while acknowledging his wishes, has doggedly refused to remove Mr. Le Carre’s name. Never heard of the international prize? Here’s the short version, via The Economist’s Prospero blog:

Unlike the better known annual Man Booker prize for fiction, which has been going for more than 40 years, the international prize is relatively new: it is awarded every two years to a living writer with a body of work available in English. There are no submissions from publishers, authors or agents, and anyone caught jockeying for position is swiftly punished.

And here’s the shortlist (via The Man Booker Prizes):

  • Wang Anyi
  • Juan Goytisolo
  • James Kelman
  • John le Carré
  • Amin Maalouf
  • David Malouf
  • Dacia Maraini
  • Rohinton Mistry
  • Philip Pullman
  • Marilynne Robinson
  • Philip Roth
  • Su Tong
  • Anne Tyler

Remember the furore over Amy Chua and her book, Battle Hymn of the Tiger Mother? Here she is explaining the differences between her style of parenting and helicopter parenting, alongside her husband, Jed Rubenfeld. (via The Wall Street Journal).

Also at The WSJ, a pie chart of responses to the news that the OED has accepted “LOL,” “FYI,” and “OMG” into its hallowed pages. Galleycat has details on the additions.

The New York Times has a piece about the new David Foster Wallace novel, The Pale King. The novel, from Hachette, is apparently a strict-on-sale for bookstores, which means it can’t be sold prior to a certain date (in this case, April 15th). But Amazon and BN.com, it seems, are already shipping the book. While it might seem like the four horsemen of the apocalypse are tearing up bookstores everywhere, this kind of double standard is a Very Bad Thing. I’m hoping there’s more to the story than we’ve seen so far, and that it’s not just a colossal flub fest.

Over at The Book Smugglers, a review of Chime, by Franny Billingsley (wow, that’s hard to type, even with coffee). Ana and Thea make it sound like a must-read, especially since the book has its own original mythology, “with nary a vampire, werewolf, fairy in sight.” (It actually sounds loosely based on old Celtic tales to me, though). Here’s the opening line:

I’ve confessed to everything and I’d like to be hanged. Now, if you please.

Forgive the bad pun, but that really is a killer first line, one of the best I have ever read.

Next up, The Guardian has a fun April Fools’ quiz–on fools in literature.

Over on The Guardian’s Book Blog, David Barnett writes about Jacqueline Howett & how “the internet has finally removed the line in the sand between reviewers and authors.” He includes a few other examples of poorly received bad reviews, too.

And finally, at GalleyCat, blogger Derek Sivers has reproduced a series of story grids Kurt Vonnegut made during a New York City lecture. Check out the GC post for details and hashtags for GalleyCat’s NaNoEdMo festivities, or go straight to the story grids. I think I’ll be trying this out for my own work–charting ecstasy and misery is much more interesting than a plain old narrative arc!

That’s all, folks! Have a great day!

ETA 9:25am: note about Jed Rubenfeld in the above video.

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Cover Notes: Black Hole Sun, by David Macinnis Gill

73239324.JPGCover Notes is a new series I’ll be running every Monday. Rather than focusing on covers of books I’ve read, I’ll be writing about books I’ve never read and recording my first impressions of their covers. Each book will also have an Embarrassment Factor of between zero & five, with zero meaning “a totally awesome cover I want to write fan mail about” and five meaning “I’m ashamed to be seen with this in public.”

This week, I was actually on my way to the young reader section to look for a cover–and then the spine (yes, just the spine!) David Macinnis Gill’s Black Hole Sun grabbed me. Also, a little bit of fan girliness here–from his bio:

David Macinnis Gill is an associate professor of English education at the University of North Carolina at Wilmington, specializing in young adult literature…

I love seeing “professor” and “specializing in young adult literature” in the same sentence. It’s very validating. And now…

Things I love about the cover: Can I say everything? I love the outlining of the font and how it accentuates the blackness–and how that blackness is doubly accentuated by the stars/comets/space debris streaking past and the red lights in the background.

Also, the spine on this book is stunning, from the under-outlined O to the shadowing of what? A rocket perhaps? And the colors! I love the colors!

Things I’m not so hot on: The other text. Getting a Suzanne Collins blurb is a huge deal, but I feel like the quote was tacked on after the cover design had been finished, so it doesn’t quite fit. Something about the author’s name looks off, too, but I can’t tell what.

photo 1.JPGWhat I think it’s about: This screams science fiction to me–and I desperately want it to be science fiction, a kind of Sunshine without the intense horror elements (I loved the premise of that movie, but the horror was too much for me by the end).

Between the blurb and the cover itself, I’m thinking dystopic world where the sun is ending its red giant phase and about to collapse into a blackhole. And our hero’s journey? A boy and a girl (for some love interest), and a race to get onto a seed ship. There has to be a sequel.

Cover art by: unknown. Google only turns up details for the album of the same name.

Embarrassment factor: 0.

The Jacket Blurb
The synopsis isn’t quite enough here, so I’m posting the PW blurb too.

Durango is playing the cards he was dealt. And it’s not a good hand.
He’s lost his family.
He’s lost his crew.
And he’s got the scars to prove it.
You don’t want to mess with Durango.

From PW:
Gill (Soul Enchilada) shifts literary gears, delivering an exciting and brutal science fiction tale about teenage mercenaries on Mars. Durango is a disgraced Regulator who, roninlike, did not kill himself when his previous master (his father) was arrested. Along with his gorgeous second, Vienne, and the snarky AI of his former commander, Mimi, which has been “flash-cloned” to his brain, he now takes jobs that most other Regulators would refuse, using the money to try to make his father’s life in prison more bearable. When they get called to protect a group of miners from the cannibalistic monstrosities called Dræu, they discover secrets that could cast new light on the entire history of Mars, as well Durango’s own past. Gill fills his story with well-crafted action sequences and witty dialogue, and the fast pace more than makes up for the predictability of the plot. Everything from the inevitable betrayals and the heroic sacrifices to the dark secrets is by the numbers, though the character development, banter between Durango and Mimi, and solid action will entertain most readers. Ages 14 up. (Sept.)

Overall: So, so wrong. And I should have seen something mercenary was involved–the target is a (dead) giveaway. Two things, though–

  1. I love this premise–it reads a little like YA William Gibson to me, and I need to read it. Soon.
  2. This is the first time I’ve been sad about being wrong! I’d love a novel along the lines I described, a cross between Sunshine and Titan A.E. and the boy-girl part.
  3. Have you read Black Hole Sun? Would you?

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Reading MG: Modernizing Mythology in Carolyn Hennessy’s Pandora Series (minor spoilers)

Pandora Gets Jealous, by Carolyn HennesyCarolyn Hennesy’s Pandora series is like Kim Possible–in Ancient Greece. It’s fun. It’s a little flirty. It’s original. It’s kind of educational. It’s also not exactly accurate…

Mythology is one of my passions. In high school, I devoured everything that could possibly have had “gods” splashed across the cover. And I still love it, though I’m especially partial to The Greek Stuff: I read both Bulfinch’s and Edith Hamilton to Mir when he was a baby baby (as opposed to the Giant Mess Monster who will always be my baby kind), interspersed with some Arabian Nights (and Sinbad in particular).

Enter the Pandora series. Generally, the myth-based books I read are modern–Percy Jackson discovers he’s a demigod today, Oliver (The Seven Keys of Balabad) searches for the lost treasure today. (Check out this list over at Read In A Single Sitting for a few great-looking picks.) But Pandora Atheneus Andromaeche Helena–her friends call her Pandy–is not a modern girl. She speaks like a modern girl. She worries like a modern girl. But she’s an Ancient Greek. Here’s the gist:

Pandora Gets Vain, by Carolyn Hennesy

Pandora Atheneus Andromaeche Helena (“Pandy” for short) lives in Ancient Greece, surrounded by gods, goddesses, heroes, mythical monsters and magical beasts. But, she is your typical, average, run-of-the-mill tween. She has crushes on boys, trouble at school, best friends, fierce enemies, a mother who doesn’t understand and a brother who makes her crazy.

Typical and average, right?

Wrong.

It takes a big school project, the discovery of a box with a terrible secret and the adventure of a lifetime to make her realize just how special, unique and “pan-tastic” she really is!

See the KP similarities?

There are lots of little things we could nitpick about the Pandy series: in the books, she’s Prometheus’ daughter rather than his sister-in-law. She’s unleashed the evils from a box rather than a jar. She has a cell phone magical conch communication device. But here’s the thing: I don’t care because I’m too busy loving these books.

I am a stickler for many things. Apostrophes. Good chocolate. The BBC version of Pride & Prejduice. I’ve cringed at bad myth- and fairy tale retellings, and been irked by anachronisms in other historical-based fiction. But most of the retellings and anachronisms I’ve disliked are the result of poor research–time hasn’t been spent on the details or the backstory, and the world has been sloppily built, like the proverbial castle over sand.

Pandora Gets Lazy, by Carolyn HennesyPandy, on the other hand, is a pretty modern teen in a relatively contemporary world–except for, y’know, the non-contemporary bits. Rather than going all out with the modern setting, Hennesy has picked the modernisms that serve her story (in terms of plot and humor), then balanced them with details about the ancient world. A few examples (minor spoilers):

  • animal sacrifices still exist, and are upsetting to one of Pandy’s friends
  • women are generally accepted as equals in Pandy’s corner of the world, but she runs into prejudice on her travels
  • famous names (like Tiresias) used for unrelated characters are acknowledged to be fictional creations/inspirations in the glossary at the back of each book
  • the gods’ personalities, while adapted a little, aptly catch the gist
  • the girls’ actions (Pandy’s friends go adventuring with her) have consequences
  • and, finally, there are limits to magical help, and magical items, with one small exception. (And that particular magical skill is earned in a somewhat gross way, so I do kind of feel like the girls paid for it).

Perhaps best of all, though, is that even when riffing on an existing myth, Hennesy is original. In Book 2, Pandora Gets Vain, the girls meet Calchas (the seer who told Agammemnon to sacrifice his daughter, Iphigenia, and who predicted the ten-year length of the Trojan War). The entire episode is well-sketched and, more importantly, unpredictable.

The big picture? The series is a fun romp through the ancient world (so far, the girls have traveled to Egypt and Libya). The books are easy to read, use the “smart girl with big words” trope to humorous effect. And even if they’re not accurate–in so far as “accurate” is ever possible–retellings of Greek myths, they’re a great springboard to the real thing.

An interesting aside: technically, the Pandy books are CelebooksTM, as Hennesy is an actress, and currently a regular on General Hospital. This is my first brush with CelebooksTM–and it was a pleasant surprise.

Have you read the Pandy series? Or Goddess Girls, another tween mythology series?

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Friday Book News: 6 Links For Your Morning Coffee Break (3/25/11)

11 month old Mir riding his fire engine

Mir at 11 months--It's not quite Chitty Chitty Bang Bang, but it's pretty close...

Good morning, book people! It snowed for about ten minutes yesterday–fat flakes drifting on a rather bitter breeze. I think this is a hint I should spend more time in bed catching up on my reading…

Yesterday, Kindle success Amanda Hocking struck a deal with St. Martin’s for her next series, Watersong. And Here’s Hocking’s blog post on the deal–she makes a lot of great points about why self-publishing isn’t for everybody.

Remember Chitty Chitty Bang Bang, Ian Fleming’s iconic novel (illustrated by Roald Dahl) about a sentient car? Frank Cottrell Boyce is writing a sequel–over at The Guardian he talks about his love for the novel, and the challenge of writing a follow up.

Over at The Blue Rose Girls, Alvina Ling has a beyond the book post on Jenny Han’s Clara Lee and the Apple Pie Dream, complete with an inside look at finding an illustrator. I love this kind of behind the scenes post!

The Economist’s Prospero blog has a piece on Munther Fahmi, a bookseller and “Palestinian Jerusalemite [facing] deportation for overstaying his tourist visa.” Here’s a quick snippet:

But his roguish charm and his proprietorship of what is, in a former Israeli foreign minister’s words, “the only decent English-language bookshop in the country”, have helped him become a small but essential link in Israeli-Palestinian intellectual life. His shop is one of the very few in Israel or the occupied territories where all the serious literature and reporting about the world’s most closely watched conflict can be bought in English. The book readings he organises in the American Colony’s elegant old reception rooms are among the occasions when foreign diplomats, journalists, aid workers and writers and a few of the more broad-minded members of the Israeli and Palestinian political establishments gather to chew over solutions to the struggle that, in one way or another, keeps them all in business.

This piece may be a bit off the beaten path as books news, but it’s definitely worth reading.

Agent Mary Kole at Kidlit has a quick overview of last week’s Teen Author Festival, with some thoughts on LGBT YA and truth in art.

And finally, Charlie Jane Anders at io9 interviews debut YA author Jennifer Rush. Rush’s new novel, Altered, has been blurbed as”Dollhouse meets Prison Break for teens.” Here’s the gist:

A 17-year-old girl goes on the run from her father’s “enigmatic Agency” with the four teenage boys the Agency had been experimenting on. And there are erased memories, fake identities, and genetic alteration.

Certainly sounds familiar–though hopefully more awesome than Whedon’s take. I suspect part of Dollhouse‘s problem was the television format–it’s difficult to create a character connection on screen when there’s very little time for backstory.

And that’s all for now. I’ll be back later with a few thoughts on Carolyn Hennessy’s Pandora series, my new MG crush.

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