Books For Boys (And Adventurous Girls) part one: 1 – 33

Finding good books for boys can be challenging–without a little help, that is. Compiled with the help of the folks on NESCBWI Yahoo list, here are a few great books to get your boys, girls, and perhaps even yourself, reading.

Want to suggest a great boys’ book? Email me, or leave a note in the comments!

Download a PDF version of the list here; download a titles only version here; get the whole list here; and get the whole, titles only list, here.

Looking for just the second half of the list? Head over here.

* book may be hard to find.

1. SIGN OF THE BEAVER, Elizabeth George Speare

Twelve-year old Matt is trying his best to survive on his own until his father returns to their cabin in the Maine wilderness with the rest of the family. Matt develops a deep friendship with a Native American boy. Matt must decide if he should continue waiting for his family or begin a new life with his friend.–School Library Journal, grade 3-6

2. HOOT, Carl Hiaasen

Roy Eberhardt is the new kid–again. This time around it’s Trace Middle School in humid Coconut Grove, Florida. But it’s still the same old routine: table by himself at lunch, no real friends, and thick-headed bullies like Dana Matherson pushing him around. But if it wasn’t for Dana Matherson mashing his face against the school bus window that one day, he might never have seen the tow-headed running boy. And if he had never seen the running boy, he might never have met tall, tough, bully-beating Beatrice. And if he had never met Beatrice, he might never have discovered the burrowing owls living in the lot on the corner of East Oriole Avenue. And if he had never discovered the owls, he probably would have missed out on the adventure of a lifetime. Apparently, bullies do serve a greater purpose in the scope of the universe. Because if it wasn’t for Dana Matherson…–Jennifer Hubert, ages 10-15

3. HATCHET, (& others), Gary Paulsen
When the pilot of a small, two-person plane has a heart attack and dies, Brian has to crash land in the forest of a Canadian wilderness. He has little time to realize how alone he is, because he is so busy just trying to survive. And learning to survive, to plan on food not just for a day but untiland ifhe is rescued, only begins when he stops pitying himself and understands that no one can help him. He is on his own, without his divorced father, whom he was to visit, or his mother, whom Brian saw kissing another man before the divorce. This is a heart-stopping story: it seems that at every moment Brian is forced to face a life-and-death decision, and every page makes readers wonder at the density of descriptive detail Paulsen has expertly woven together. Poetic texture and realistic events are combined to create something beyond adventure, a book that plunges readers into the cleft of the protagonist’s experience.–PW, ages 11-13

4. AL CAPONE DOES MY SHIRTS, Gennifer Choldenko.

Twelve-year-old Moose moves to Alcatraz in 1935 so his father can work as a prison guard and his younger, autistic sister, Natalie, can attend a special school in San Francisco. It is a time when the federal prison is home to notorious criminals like gangster Al Capone. Depressed about having to leave his friends and winning baseball team behind, Moose finds little to be happy about on Alcatraz. He never sees his dad, who is always working; and Natalie’s condition– her tantrums and constant needs–demand all his mother’s attention. Things look up for Moose when he befriends the irresistible Piper, the warden’s daughter, who has a knack for getting Moose into embarrassing but harmless trouble. Helped by Piper, Moose eventually comes to terms with his new situation. With its unique setting and well-developed characters, this warm, engaging coming-of-age story has plenty of appeal, and Choldenko offers some fascinating historical background on Alcatraz Island in an afterword.–Ed Sullivan for Booklist, grades 5-8

5. WHEN ZACHARY BEAVER CAME TO TOWN, Kimberly Willis Holt*
Summer in the tiny Texas town of Antler is traditionally a time for enjoying Wylie Womack’s Bahama Mama snow cones and racking up the pins at Kelly’s Bowl-a-Rama, but this year it’s not going well for Toby Wilson. His 13-year-old heart has been broken twice: once by his mother, who left him and his father to become a country singer in Nashville, and then again by his crush Scarlett Stalling, the town beauty who barely acknowledges Toby’s existence. But when Zachary Beaver, “The World’s Fattest Boy,” comes to Antler as part of a traveling sideshow, Toby begins to realize that there might just be people who have it worse than him. By reaching out to Zachary in small ways–such as helping him realize his lifelong dream of being baptized–Toby is better able to put his own problems into perspective. At the baptism, Toby finally feels at peace: “Zachary smiles and I wonder if he’s feeling different. Because standing here waist deep in Gossimer’s Lake… I’m feeling different–light and good and maybe even holy.” By summer’s end, Toby’s friendship with Zachary has provided him with the emotional stamina to begin dealing with his mother’s decision and to gracefully accept the fact that Scarlett will forever be just beyond his reach.–Jennifer Hubert, ages 11-15

6. FEED, M.T. Anderson
In this chilling novel, Anderson (Burger Wuss; Thirsty) imagines a society dominated by the feed a next-generation Internet/television hybrid that is directly hardwired into the brain. Teen narrator Titus never questions his world, in which parents select their babies’ attributes in the conceptionarium, corporations dominate the information stream, and kids learn to employ the feed more efficiently in School. But everything changes when he and his pals travel to the moon for spring break. There Titus meets home-schooled Violet, who thinks for herself, searches out news and asserts that “Everything we’ve grown up with the stories on the feed, the games, all of that it’s all streamlining our personalities so we’re easier to sell to.” Without exposition, Anderson deftly combines elements of today’s teen scene, including parties and shopping malls, with imaginative and disturbing fantasy twists. “Chats” flow privately from mind to mind; Titus flies an “upcar”; people go “mal” (short for “malfunctioning”) in contraband sites that intoxicate by scrambling the feed; and, after Titus and his friends develop lesions, banner ads and sit-coms dub the lesions the newest hot trend, causing one friend to commission a fake one and another to outdo her by getting cuts all over her body. Excerpts from the feed at the close of each chapter demonstrate the blinding barrage of entertainment and temptations for conspicuous consumption. Titus proves a believably flawed hero, and ultimately the novel’s greatest strength lies in his denial of and uncomfortable awakening to the truth. This satire offers a thought-provoking and scathing indictment that may prod readers to examine the more sinister possibilities of corporate- and media-dominated culture. –PW, ages 14 & up

7. SLEEPING FRESHMEN NEVER LIE, David Lubar
Scott Hudson chronicles the ups and downs of his eventful freshman year in high school, as he joins the newspaper, works as a stage manager for the spring play, learns a lot from his outstanding English teacher, tries to help a student who attempts suicide, is beaten up because of a girl, and goes to the spring dance. Along the way, he discovers that his mother is pregnant, and he writes a series of insightful letters to his soon-to-be sibling. By the end, Scott has outgrown his freshman insecurities, realizing that he has carved a place for himself in the high-school world. The story delivers too many messages as Scott learns one important lesson after another. Still, most readers will find plenty of amusing, accurate observations about freshman life, from the insecurities of first dates to the dangers of walking the hall between classes.–Todd Morning for Booklist, grades 8-11.

8. PEAK, Roland Smith
Fourteen-year-old New Yorker Peak (“It could have been worse. My parents could have named me Glacier, or Abyss, or Crampon.”) Marcello hones his climbing skills by scaling skyscrapers. After Peak is caught climbing the Woolworth Building, an angry judge gives him probation, with an understanding that Peak will leave New York and live with his famous mountaineer father in Thailand. Peak soon learns, however, that his father has other plans for him; he hopes that Peak will become the youngest person to climb Mt. Everest. Peak is whisked off to Tibet and finds himself in the complex world of an Everest base camp, where large amounts of money are at stake and climbing operations offer people an often-deadly shot at the summit. This is a thrilling, multifaceted adventure story. Smith includes plenty of mountaineering facts told in vivid detail (particularly creepy is his description of the frozen corpses that litter the mountain). But he also explores other issues, such as the selfishness that nearly always accompanies the intensely single-minded. A winner at every level. For more mountaineering adventures, suggest Edward Meyers’ Climb or Die (1994) and Michael Dahl’s The Viking Claw (2001), both for a slightly younger audience.–Todd Morning for Booklist, grade 6 & up

9. THE MOSTLY TRUE ADVENTURES OF HOMER P. FIGG, Rodman Philbrick
Philbrick (Freak the Mighty) offers rip-roaring adventure in this Civil War–era novel featuring a mistreated orphan who doesn’t let truth stand in the way of spinning a good yarn. When his guardian, Uncle Squinton—the meanest man in the entire state of Maine—sells off Homer P. Figg’s older brother, Harold, to take a rich man’s son’s place in the Union army, Homer can’t just stand around doing nothing. Determined to alert the authorities (and his brother) that Harold is too young to be a soldier, the plucky narrator traces the path of the regiment. He faces many dangers, including an abduction or two, and being robbed and thrown in with the pigs, and joining the Caravan of Miracles before landing smack in the middle of the Battle of Gettysburg, where he reunites with his brother and more or less drives the Confederates away. The book wouldn’t be nearly as much fun without Homer’s tall tales, but there are serious moments, too, and the horror of war and injustice of slavery ring clearly above the din of playful exaggerations. –PW, ages 9–12

10. LOVE THAT DOG, Sharon Creech
Newbery Medal winner Sharon Creech’s Love That Dog, a funny, sweet, original short novel written in free verse, introduces us to an endearingly unassuming, straight-talking boy who discovers the powers and pleasures of poetry. Against his will. After all, “boys don’t write poetry. Girls do.” What does he say of the famous poem “Stopping by Woods on a Snowy Evening”? “I think Mr. Robert Frost / has a little / too / much / time / on his / hands.” As his teacher, Ms. Stretchberry, introduces the canon to the class, however, he starts to see the light. Poetry is not so bad, it’s not just for girls, and it’s not even that hard to write. Take William Carlos Williams, for example: “If that is a poem / about the red wheelbarrow / and the white chickens / then any words / can be a poem. / You’ve just got to / make / short / lines.” He becomes more and more discerning as the days go by, and readers’ spirits will rise with Jack’s as he begins to find his own voice through his own poetry and through that of others. His favorite poem of all is a short, rhythmic one by Walter Dean Myers called “Love That Boy” (included at the end of the book with all the rest of Ms. Stretchberry’s assignments). The words completely captivate him, reminding him of the loving way his dad calls him in the morning and of the way he used to call his yellow dog, Sky. Jack’s reverence for the poem ultimately leads to meeting the poet himself, an experience he will never forget.–Karin Snelson for Amazon, ages 8 & up.

11. HATE THAT CAT, Sharon Creech
In a worthy companion piece to Love That Dog (2001), Creech employs observant sensitivity and spare verse to carve an indelible portrait of a boy who discovers the power of self-expression. Once again, Jack works on a poetry journal for Miss Stretchberry, now his fifth-grade teacher. He responds to her instruction with skepticism, all the while absorbing the depth of feeling in the poems she shares, sometimes in spite of himself. Creech is a master of negative space; though we see only Jack’s side of their dialogue, we learn a great deal about the other figures in Jack’s life. In Love That Dog, Jack’s reluctant relationship with poetry mirrored his struggle to let go of a good friend. In this title, we see Jack’s reluctance waning, and with it, the resolute protection of his feelings. Try as he might to hold them off, the lines of Miss Stretchberry’s poems open a space in his heart just big enough to allow affection for a small black kitten, dotted with white, to find its way in.–Thom Barthelmess for Booklist, grades 3-6

12. THE SCHWA WAS HERE, Neal Shusterman
When Anthony “Antsy” Bonano and his friends meet Calvin Schwa, they are impressed and puzzled by his ability to appear and disappear before their very eyes. Antsy concocts a moneymaking scheme based on the Schwa’s invisibility that seems promising until he and his friends overreach and are caught by the town’s legendary mean millionaire, Mr. Crawley. Their resulting community service project–walking the 7 virtues and 7 vices (Crawley’s 14 afghan hounds) and going out with Crawley’s granddaughter Lexie–cements and ultimately challenges friendships. The humor is just right for boys, but the complexity of plot, the depth and richness of the characters, and the underlying seriousness of the issues belies the easy-to-read comedy. Schwa is an average kid who hangs on the periphery of the crowd and longs to be noticed and included, not simply ignored. His character is extreme, but far too many adolescents–and the adults who work with them–will sadly and guiltily recognize him.–xi

13. THIRTEEN REASONS WHY, Jay Asher
Jay Asher’s brilliant first novel is a moving, highly original story that focuses on a set of audiotapes made by a girl before she committed suicide, and which explain to 13 people the reasons why she decided to end her life. Told in a highly effective duel narrative — alternating between the girl’s voice and the thoughts of a boy who is listening — this honest, poignant story reveals how other people’s actions shape, and by extension can ruin, an individual’s faith in people. Intensely powerful and painfully real, Thirteen Reasons Why reveals how brutal high school can be, the consequences of spreading rumors, and the lasting effects of suicide on those left behind.–Barnes & Noble

14. THE CHOCOLATE WAR, Robert Cormier*

Does Jerry Renault dare to disturb the universe? You wouldn’t think that his refusal to sell chocolates during his school’s fundraiser would create such a stir, but it does; it’s as if the whole school comes apart at the seams. To some, Jerry is a hero, but to others, he becomes a scapegoat–a target for their pent-up hatred. And Jerry? He’s just trying to stand up for what he believes, but perhaps there is no way for him to escape becoming a pawn in this game of control; students are pitted against other students, fighting for honor–or are they fighting for their lives? In 1974, author Robert Cormier dared to disturb our universe when this book was first published. And now, with a new introduction by the celebrated author, The Chocolate War stands ready to shock a new group of teen readers.–Amazon

15. THE GRAVEYARD BOOK, Neil Gaiman

Somewhere in contemporary Britain, “the man Jack” uses his razor-sharp knife to murder a family, but the youngest, a toddler, slips away. The boy ends up in a graveyard, where the ghostly inhabitants adopt him to keep him safe. Nobody Owens, so named because he “looks like nobody but himself,” grows up among a multigenerational cast of characters from different historical periods that includes matronly Mistress Owens; ancient Roman Caius Pompeius; an opinionated young witch; a melodramatic hack poet; and Bod’s beloved mentor and guardian, Silas, who is neither living nor dead and has secrets of his own. As he grows up, Bod has a series of adventures, both in and out of the graveyard, and the threat of the man Jack who continues to hunt for him is ever present. Bod’s love for his graveyard family and vice versa provide the emotional center, amid suspense, spot-on humor, and delightful scene-setting. The child Bod’s behavior is occasionally too precocious to be believed, and a series of puns on the name Jack render the villain a bit less frightening than he should be, though only momentarily. Aside from these small flaws, however, Gaiman has created a rich, surprising, and sometimes disturbing tale of dreams, ghouls, murderers, trickery, and family.—Megan Honig, New York Public Library for School Library Journal, ages 10 & up

16. DEMON’S LEXICON, Sarah Rees Brennan

What if the bad-boy hunk in your class was actually a sword-wielding demon slayer? That’s the enticing scenario offered up in Brennan’s debut, and although the results are periodically workmanlike, they will satisfy the legions currently clamoring for this brand of dark fantasy. Nick (the aforementioned hunk) lives with his empty-shell mother and older brother Alan, but they’re constantly on the move as they hunt—and are hunted by—evil magicians and their conjured demons. Their brutal routine is interrupted by the arrival of two teen siblings in need of help, one of whom has been “marked” by a demon for certain death and the other of whom fosters a growing desire for one of the brothers. Though unique, the mythology has some holes and feels needlessly convoluted. That said, Brennan excels when she dwells upon her characters’ more human emotions (desire, loneliness, loyalty), and hits her stride in the final stretch, creating several scenes of unexpected horror and piling on some truly surprising twists. Stick with it, and you’ll be glad you did. –Daniel Kraus for Booklist, grades 9-12

17. 8TH GRADE SUPER ZERO, Olugbemisola Rhuday Perkovich

They don’t call it middle school for nothing. Reggie McKnight (aka “Pukey”) is trying hard to stay under the radar after a really embarrassing start to the school year. But, he’s somehow been drawn into the middle of a big school election, a volunteer project at the local homeless shelter, and the role of “Big Buddy” for a kid in the neighborhood. How will he ever find time to finish his comic book, Night Man? Reggie might see himself as a wimpy kid, but he’s anything but as steps up to new challenges and confronts big questions about doing the right thing in a tough world. Olugbemisola Rhuday-Perkovich’s debut novel is a smart and satisfying read for teens and ‘tweens. –Lauren Nemroff for Amazon, ages 10 & up

18. THE DARK DAYS OF HAMBURGER HALPIN, Josh Berk

Starred Review. Will Halpin has ditched his former “deaf school” and is now trying to merge into the auditory-able mainstream at Carbon High in eastern Pennsylvania. As the new, overweight kid who has to sit off to the side during classes so he can try to read the lips of both his teachers and his classmates, Will—no slouch when it comes to reading human reactions—quickly downsizes his social expectations and retreats back into the soundless cocoon of his own skull. Luckily for readers, it’s darkly hilarious in there. That’s this debut novel’s most potent hook: the opportunity to spend some quality time inside the precociously perceptive and sardonically witty head of this ultimate outsider as he visually eavesdrops—and rips on—the sick subtleties of a typical high school’s social order. What teens wouldn’t want to have Will’s skills as he, notebook in hand, monitors the school bus mirror and pieces together what all the cool kids are talking about? Most, Will discovers, as he deftly dissects personalities and devilishly deconstructs high school culture, are slavishly focused on being invited to an exclusive party being thrown by popular jock Pat. But when Pat dies during a field trip to a defunct coal mine, under suspicious circumstances, the story morphs into an engaging mystery as Will reluctantly accepts the unsettlingly friendly overtures of a quirky classmate bent on enlisting him as a partner in some amateur sleuthing. A coming-of-age mash-up of satire, realistic fiction, mystery, and ill-fated teen romance, The Dark Days of Hamburger Halpin is a genre-bending breakthrough that teens are going to love.—Jeffrey Hastings, Highlander Way Middle School, Howell, MI for School Library Journal, grade 8 & up

19. MARCELO IN THE REAL WORLD, Francisco X. Stork

Starred Review. Like Christopher Boone, the protagonist in The Curious Incident of the Dog in the Night-Time (Doubleday, 2003), Marcelo Sandoval is a high-functioning, extremely self-aware teenager with Asperger’s syndrome. He has an empathetic mother and a father, Arturo, who appears to be less empathetic as he pushes Marcelo to live in the “real world.” The form the real world takes is a summer job in the mailroom at Arturo’s law office. The teen is forced to think on his feet, multitask, and deal with duplicitous people who try to take advantage of him. Over the course of a summer, Marcelo learns that he can function in society; he is especially surprised to find that he can learn to read people’s expressions, even to the point of knowing whom he can and cannot trust. Writing in a first-person narrative, Stork does an amazing job of entering Marcelo’s consciousness and presenting him as a dynamic, sympathetic, and wholly believable character. At a little over 300 pages, the story drags at some points, bogging down in the middle. However, the dilemmas that Marcelo faces are told in a compelling fashion, which helps to keep readers engaged.—Wendy Smith-D’Arezzo, Loyola College, Baltimore, MD for School Library Journal, grades 8 & up

20. STRUTS & FRETS, Jon Skovron

Music is the center of Sammy Bojar’s world, despite his therapist mother’s urging that he pursue a more profitable career and stable lifestyle. Though he is now sinking into dementia, Sammy’s grandfather, a jazz musician, is still able to encourage his grandson to follow his dream: “You’re like me…. Always reaching for the moon.” When Sammy’s band decides to enter a competition that could result in a chance to record in a real studio, he fluctuates between his extravagant dreams of rock-star fame and his nagging fear that the group is far from ready to perform. Meanwhile, he struggles with the realization that a longtime friend wants to be his girlfriend. When it becomes clear that their romance is about to become more physical, Jen5 responsibly blurts out a reminder not to “forget to…uh…go to the drugstore before you come over.” The resulting hilarious scene in which Sammy is utterly baffled by the vast variety of condoms on display is just one of the narrative’s many entertaining depictions of the turmoil of growing up. A playlist identifies the songs mentioned in the text, while a classroom scene in which Sammy’s teacher reads aloud from Macbeth makes the origin of the book’s title clear. This debut novel will find an audience not just with music fans, but also with those who appreciate a good coming-of-age story.—Ginny Gustin, Sonoma County Library System, Santa Rosa, CA for School Library Journal, grades 9 & up

21. STINK, (series), Megan McDonalds

The pesky little brother in McDonald’s popular Judy Moody series gets his own book and tells his own story here. Little is the word for James (“Stink”) Moody; he’s short, the shortest kid in his second-grade class. Is he shrinking? Judy is his bossy older sister, but he learns to handle her. For Presidents’ Day, Stink’s hero is not big tall Lincoln but another James, James Madison, the shortest president ever. The narrative is fun and laced with puns–from Mt. Trashmore to “newt in shining armor,” and it’s peppered with black-and-white illustrations, including comics (“The Adventures of Stink”) reflecting Stink’s triumphant fantasies. Stink sometimes seems younger than his years, so try this as a read-aloud for preschoolers or kindergarteners fed up with big, bossy types telling them what to do. Hazel Rochman for Booklist, grades 2-4.

22.DIARY OF A WIMPY KID, (series), Jeff Kinney

Starred Review. Kinney’s popular Web comic, which began in 2004, makes its way to print as a laugh-out-loud “novel in cartoons,” adapted from the series. Middle school student Greg Heffley takes readers through an academic year’s worth of drama. Greg’s mother forces him to keep a diary (“I know what it says on the cover, but when Mom went out to buy this thing I specifically told her to get one that didn’t say ‘diary’ on it”), and in it he loosely recounts each day’s events, interspersed with his comic illustrations. Kinney has a gift for believable preteen dialogue and narration (e.g., “Don’t expect me to be all ‘Dear Diary’ this and ‘Dear Diary’ that”), and the illustrations serve as a hilarious counterpoint to Greg’s often deadpan voice. The hero’s utter obliviousness to his friends and family becomes a running joke. For instance, on Halloween, Greg and his best friend, Rowley, take refuge from some high school boys at Greg’s grandmother’s house; they taunt the bullies, who then T.P. her house. Greg’s journal entry reads, “I do feel a little bad, because it looked like it was gonna take a long time to clean up. But on the bright side, Gramma is retired, so she probably didn’t have anything planned for today anyway.” Kinney ably skewers familiar aspects of junior high life, from dealing with the mysteries of what makes someone popular to the trauma of a “wrestling unit” in gym class. His print debut should keep readers in stitches, eagerly anticipating Greg’s further adventures.–PW, ages 8-13

23. THE HOBBIT, (& others), J.R.R. Tolkien

Bilbo Baggins is an upstanding member of a “little people, about half our height, and smaller than the bearded dwarves.” He is, like most of his kind, well off, well fed, and best pleased when sitting by his own fire with a pipe, a glass of good beer, and a meal to look forward to. Certainly this particular hobbit is the last person one would expect to see set off on a hazardous journey; indeed, when Gandalf the Grey stops by one morning, “looking for someone to share in an adventure,” Baggins fervently wishes the wizard elsewhere. No such luck, however; soon 13 fortune-seeking dwarves have arrived on the hobbit’s doorstep in search of a burglar, and before he can even grab his hat or an umbrella, Bilbo Baggins is swept out his door and into a dangerous adventure. –Alix Wilber for Amazon

24. HARRY POTTER, (series), J.K. Rowling

Mysterious goings-on ruffle the self-satisfied suburban world of the Dursleys, culminating in a trio of strangers depositing the Dursleys’ infant nephew Harry in a basket on their doorstep. After 11 years of disregard and neglect at the hands of his aunt, uncle and their swinish son Dudley, Harry suddenly receives a visit from a giant named Hagrid, who informs Harry that his mother and father were a witch and a wizard, and that he is to attend Hogwarts School of Witchcraft and Wizardry himself. Most surprising of all, Harry is a legend in the witch world for having survived an attack by the evil sorcerer Voldemort, who killed his parents and left Harry with a lightning-shaped scar on his forehead. And so the fun begins, with Harry going off to boarding school like a typical English kid?only his supplies include a message-carrying owl and a magic wand. There is enchantment, suspense and danger galore (as well as enough creepy creatures to satisfy the most bogeymen-loving readers, and even a magical game of soccerlike Quidditch to entertain sports fans) as Harry and his friends Ron and Hermione plumb the secrets of the forbidden third floor at Hogwarts to battle evil and unravel the mystery behind Harry’s scar.–PW, ages 8-12

25. THE LIGHTNING THIEF, (The Last Olympian series), Rick Riordan

Percy Jackson is about to be kicked out of boarding school…again. And that’s the least of his troubles. Lately, mythological monsters and the gods of Mount Olympus seem to be walking straight out of the pages of Percy’s Greek mythology textbook and into his life. And worse, he’s angered a few of them. Zeus’s master lightning bolt has been stolen, and Percy is the prime suspect. Now Percy and his friends have just ten days to find and return Zeus’s stolen property and bring peace to a warring Mount Olympus. But to succeed on his quest, Percy will have to do more than catch the true thief: he must come to terms with the father who abandoned him; solve the riddle of the Oracle, which warns him of betrayal by a friend; and unravel a treachery more powerful than the gods themselves.–Amazon

26. ARTEMIS FOWL, (series), Eoin Colfer

Colfer’s (Benny and Omar) crime caper fantasy, the first in a series, starts off with a slam-bang premise: anti-hero Artemis Fowl is a boy-genius last in line of a legendary crime family teetering on the brink of destruction. With the assistance of his bodyguard, Butler, he masterminds his plan to regain the Fowls’ former glory: capture a fairy and hold her ransom for the legendary fairy gold. However, his feisty mark, Holly, turns out to be a member of the “LEPrecon, an elite branch of the Lower Elements Police,” so a wisecracking team of satyrs, trolls, dwarfs and fellow fairies set out to rescue her. Despite numerous clever gadgets and an innovative take on traditional fairy lore, the author falls short of the bar. The rapid-fire dialogue may work as a screenplay with the aid of visual effects (a film is due out from Talk/Miramax in 2002) but, on the page, it often falls flat. The narrative hops from character to character, so readers intrigued by Artemis’s wily, autocratic personality have to kill a good deal of time with the relatively bland Holly and her cohorts. Technology buffs may appreciate the imaginative fairy-world inventions and action-lovers will get some kicks, but the series is no classic in the making.–PW, ages 12 & up

27. THE HITCHHIKER’S GUIDE TO THE GALAXY, (series), Douglas Adams

This is the story of Arthur Dent, who, secnds before Earth is demolished to make way for a galactic freeway, is plucked off the planet by his friend, Ford Prefect, who has been posing as an out-of-work actor for the last fifteen years but is really a researcher for the revised edition of The Hitchhiker’s Guide to the Galaxy. Together they begin a journey through the galaxy aided by quotes from The Hitchhiker’s Guide to the Galaxy, with the words don’t panic written on the front. (“A towel is about the most massively useful thing an interstellar hitchhiker can have.”)–Amazon

28. WRINGER, Jerry Spinelli

Newbery Medal-winning author Jerry Spinelli tells a story of peer pressure so foul, so horrifying, that Wringer should be shelved along with Robert Cormier’s The Chocolate War. Nine-year-old Palmer dreads his upcoming 10th birthday. In his town, when boys are 10 years old they become “wringers,” the boys who wring the necks of wounded pigeons at the annual Pigeon Day shoot. Palmer is sickened by the whole event. To make matters worse, his new buddies–Beans, Mutto, and Henry–have just discovered that Palmer has been hiding a pet pigeon in his room. What will Palmer do? Will he become a wringer to save face, or will he follow his heart? Wringer will appeal to preteens and younger teens who love to read suspenseful books on their own, but it would also be a good story to read aloud to spark discussion about the perils and nuances of peer pressure. –Amazon

29. TOUCHING SPIRIT BEAR, Ben Mikaelsen
Cole Matthews is a violent teen offender convicted of viciously beating a classmate, Peter, causing neurological and psychological problems. Cole elects to participate in Circle Justice, an alternative sentencing program based on traditional Native American practices that results in his being banished to a remote Alaskan Island where he is left to survive for a year. Cynical and street smart, he expects to fake his way through the preliminaries, escape by swimming off the island, and beat the system, again. But his encounter with the Spirit Bear of the title leaves him desperately wounded and gives him six months of hospitalization to reconsider his options. Mikaelsen’s portrayal of this angry, manipulative, damaged teen is dead on. Cole’s gradual transformation into a human kind of being happens in fits and starts. He realizes he must accept responsibility for what he has done, but his pride, pain, and conditioning continue to interfere. He learns that his anger may never be gone, but that he can learn to control it. The author concedes in a note that the culminating plot element, in which Peter joins Cole on the island so that both can learn to heal, is unlikely. But it sure works well as an adventure story with strong moral underpinnings. Gross details about Cole eating raw worms, a mouse, and worse will appeal to fans of the outdoor adventure/survival genre, while the truth of the Japanese proverb cited in the frontispiece, “Fall seven times, stand up eight” is fully and effectively realized.-Joel Shoemaker, Southeast Junior High School, Iowa City, IA for School Library Journal, grades 7 & up

30. THE ABSOLUTELY TRUE DIARY OF A PART-TIME INDIAN, Sherman Alexie
Arnold Spirit, a goofy-looking dork with a decent jumpshot, spends his time lamenting life on the “poor-ass” Spokane Indian reservation, drawing cartoons (which accompany, and often provide more insight than, the narrative), and, along with his aptly named pal Rowdy, laughing those laughs over anything and nothing that affix best friends so intricately together. When a teacher pleads with Arnold to want more, to escape the hopelessness of the rez, Arnold switches to a rich white school and immediately becomes as much an outcast in his own community as he is a curiosity in his new one. He weathers the typical teenage indignations and triumphs like a champ but soon faces far more trying ordeals as his home life begins to crumble and decay amidst the suffocating mire of alcoholism on the reservation. Alexie’s humor and prose are easygoing and well suited to his young audience, and he doesn’t pull many punches as he levels his eye at stereotypes both warranted and inapt. A few of the plotlines fade to gray by the end, but this ultimately affirms the incredible power of best friends to hurt and heal in equal measure. Younger teens looking for the strength to lift themselves out of rough situations would do well to start here.–Ian Chipman for Booklist, grades 7-10

31. I LOVE YOU, BETH COOPER, Larry Doyle
Speaking in “the stilted manner of adolescent public speakers throughout history,” and sweating so profusely that he develops a “groin pool,” Denis Cooverman interrupts his high-school valedictory address to say what’s truly on his mind: “I love you, Beth Cooper.” His confession kicks off this outrageously funny novel, set during a single graduation night that Denis miraculously spends with the object of his desire, a head cheerleader who, for the first time, registers his existence. Doyle has written for Beavis and Butt-Head and The Simpsons, making it no surprise that his first novel both celebrates and mercilessly satirizes all things teen with razor-sharp humor: “The sullen girl sang, wringing fresh bitterness from the already alkaline lyrics.” The homage to teen movies is obvious, from the stock characters and scenarios (including the ubiquitous naked-drunk-girls scene) to direct quotes from legendary teen-film characters. It’s the nonstop jokes and wry, uproarious descriptions that set this apart, and like the shows Doyle has helped create, the text is filled with phrases (“benevolent cliquetator”) and lines readers will savor.–Gillian Engberg for Booklist

32. AN ABUNDANCE OF KATHERINES, (& others), John Green
This novel is not as issue-oriented as Greens Looking for Alaska (Dutton, 2005), though it does challenge readers with its nod to postmodern structure. Right after intellectual child-prodigy Colin Singleton graduates from high school, his girlfriend (who, like the 18 young women and girls whom he claimed as girlfriends over the years, is named Katherine) breaks up with him and sends him into a total funk. His best friend, Hassan, determines that he can only be cured with a road trip. After some rather aimless driving, the two find themselves in Gutshot, TN, where locals persuade them to stay. There, Colin spends his spare time working on a mathematical theorem of love, hypothesizing that romantic relationships can be graphed and predicted. The narrative is self-consciously dorky, peppered with anagrams, trivia, and foreign-language bons mots and interrupted by footnotes that explain, translate, and expound upon the text in the form of asides. It is this type of mannered nerdiness that has the potential to both win over and alienate readers. As usual, Greens primary and secondary characters are given descriptive attention and are fully and humorously realized. While enjoyable, witty, and even charming, a book with an appendix that describes how the mathematical functions in the novel can be created and graphed is not for everybody. The readers who do embrace this book, however, will do so wholeheartedly.–Amy S. Pattee, Simmons College, Boston, grade 9 & up

33. THE ASTONISHING ADVENTURES OF FANBOY AND GOTH GIRL, (& others), Barry Lyga
On good days, Fanboy is invisible to the students at his high school. On bad ones, he’s a target for bullying and violence. When a classmate is cruel to him, Fanboy adds him to The List and moves on. His only real friend, Cal, is a jock who can’t be seen with him in public. Their love of comics, though, keeps them close friends outside of school. Reading comics and writing his own graphic novel, Schemata, are the only things that keep him sane. He dreams of showing his work to a famous author at a comic-book convention and being discovered as the next great graphic novelist. When Goth Girl Kyra IMs him with photos of him being beaten up, he’s skeptical. Why does she care what happens to him? He learns, though, that she’s as much an outsider as he is. The two form a tentative friendship based on hatred of their classmates, particularly jocks, and her interest in Schemata. Fanboy is a rule follower, but Kyra is a rebel with a foul mouth. She teaches him to stand up for himself, and gives him the confidence to do it. Lyga looks at how teens are pushed to their limits by society. Though he toys with such concepts as teen suicide and Columbine-like violence, the novel never turns tragic. His love of comics carries over into all three teen characters, breathing animation into a potentially sad but often funny story. This is a great bridge book for teens who already like graphic novels.–Stephanie L. Petruso, Anne Arundel County Public Library, Odenton, MD for School Library Journal, grade 9 & up